Pan Am, BBC Two | TV reviews, news & interviews
Pan Am, BBC Two
Trolley-dolly soap stretches the bounds of credulity
This is a very odd series. Even the BBC seem to be wondering what on earth they're supposed to be doing with it, since after the Wednesday night airing of these first two episodes Pan Am is moving to Saturday evening, with a Thursday repeat.
Effectively it's a giant posthumous commercial for the glory years of America's most famous airline, rendered as a mixture of tacky corporate promo film and feather-brained soap with patently fake sets. It's 1963, and we zero in on a group of wonderfully glamorous Pan Am hostesses in their figure-hugging blue uniforms as they prepare to fly out of New York on the inaugural flight of the Pan Am Clipper Majestic. I guess it must have been Idlewild airport, since (as all plane-spotting pedants will know) it only became JFK on 24 December, 1963 (Pan Am Boeing 707, pictured below).
When we saw the stewardesses being weighed and checked to make sure they were wearing girdles, you could have been forgiven for thinking they'd invented that bit, but not so. Come Fly With Me, the documentary about the history of Pan Am shown last weekend on BBC Two, confirmed that this blatant size-and-shape-ism was part of the airline's culture. Scenes of Pan Am aircraft rescuing Cubans from Havana after the failed Bay of Pigs invasion were also based in historical fact, and the show's developing subplot about the airline allowing itself to be used as a tool of American foreign policy was by no means without factual foundation.
But such politically charged issues have been turned into mere fluffy backdrops for Pan Am's interweaving yarns of romance and family dramas. We meet the Cameron sisters, feisty Kate (Kelli Garner) and pin-up sibling Laura (Margot Robbie), who has made the other girls seethe with jealousy by getting her photograph on the cover of Life magazine, over the headline "Welcome to the Jet Age". The sisters are at daggers drawn with their controlling mom back home in Connecticut, because Laura ran away on her wedding day to sign up with Pan Am, and Kate wholeheartedly encouraged her.
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
The story of popular music's ground zero had Little Richard and a big impact
Just what is it that makes the kitsch-meister American artist so different, so appealing?
After destroying the historic artefacts, Islamic State will destroy the people. Are we planning to stop them?
Absorbing portrait of one of British cinema's most influential directors
Series about great opera singing begins with the queens of the high Cs
Jaw-jaw not war-war makes for an involving and tense drama
Portrait of the artist with a passion for questioning everything
Plenty of acting talent, but the story sounds strangely familiar
Sheridan Smith elevates crime drama about undercover policing
How Verdi's opera outraged Victorian London
A musical montage that sacrificed spirit on the altar of showbiz
The original druggy young genius is brought back to life