sat 18/05/2024

singer-songwriters

Album: Josephine Foster - Domestic Sphere

On Domestic Sphere, Josephine Foster’s guitar and voice are joined by clacking crickets, a flock of sheep and wailing cats recorded in La Janda in southern Spain. There are also Colorado and Tennessee's birds and frogs. Foster’s great-...

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Nick Mulvey, Chalk, Brighton review - cult star shines bright

Welcome to the church of Mulvey. The sold-out venue is packed with a svelte crowd, mostly ranging in age between about 30 and 45. Nick Mulvey is playing a new number which has an air of lockdown-inspiration about it, with its lines about “missing...

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Robert Forster, Lafayette review - élan, spontaneity and thoughtfulness from the former Go-Between

“Learn to Burn” generates the loudest and most sustained applause. As it was originally the opening track of Robert Forster’s 2015 album Songs to Play, the response is unexpected. It’s preceded by a version of his old band The Go-Betweens’ “Spring...

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theartsdesk on Vinyl 75: The Beach Boys, The Residents, Danny Goffey, Jean-Michel Jarre, black metal and Sixties psych

Welcome to the first theartsdesk on Vinyl of 2023 and it’s another whopper, over 8000 words and a range of musical styles that defies genre or categorization, from the most cutting edge sounds to boxsets of golden vintage pop. Dive in!VINYL OF THE...

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Marina Allen, Cafe Oto Review - east London substitutes for 1970s Los Angeles

When Marina Allen’s second album Centrifics came out last autumn, the Los Angeles singer-songwriter said her voice was the only instrument on the record. She writes on guitar and piano but beyond what she sang, everything else was played by...

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Album: Robert Forster - The Candle and the Flame

Reflections on how the past relates to now suffuse The Candle and the Flame. The album’s closing track is “When I Was a Young Man.” When he was 21, sings Robert Forster, “I wrote songs, I was unsung, unheralded and undone”. His figurative brothers...

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Albums of the Year 2022: Lizz Wright - Holding Space

Bolivian marching powder, sexual violence, fraud. As the actions of the present kakistocracy edged ever closer to that of a lost Brian De Palma film script, it was to music that we turned once again for beauty and the best of humanity.With stunning...

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Album: Debbie Gibson - Winterlicious

Those old enough will recall Debbie Gibson as a squeaky clean, flash-in-the-pan teen pop star of the late 1980s. She was globe-trottingly huge for a couple of years – a peer of Tiffany “I Think We’re Alone Now” Darwish – but then her star waned....

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Album: Weyes Blood - And in the Darkness, Hearts Aglow

There’s been a quiet storm of critical approval building around Weyes Blood. American singer Natalie Mering has been releasing music for over a decade but, during the last two or three years a tailwind of positive verbiage has blown her faster...

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Nu Civilisation Orchestra & ESKA: 'Hejira' and 'Mingus', Poole Lighthouse review - redistributing the future

I had high hopes for this show. After all, Eska Mtungwazi is pretty much the only singer on earth I’d go out of my way to hear sing Joni Mitchell songs.Not only does she have the necessary vocal range and control, but her own sole solo album sits...

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Album: Dermot Kennedy - Sonder

Not even a worldwide health epidemic could stop the meteoric rise of the Irish singer, who has managed to crack America, achieve national treasure status in his homeland and rack up streaming figures that could actually pay his winter gas bill. Not...

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Album: Taylor Swift - Midnights

Taylor Swift’s transitions have become imperious, from the woody hush of her collaborations with The National’s Aaron Dessner, Folklore and Evermore, to the remade reclamations of her early work. Working at pace, she has assembled an impregnable...

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