sun 23/07/2017

Reissue CDs

Reissue CDs Weekly: Ramones

Production gloss and deliberation are not notions immediately springing to mind while pondering the 1976-era Ramones. Even so, this new edition of their second album, the ever-wonderful Leave Home, reveals that careful consideration was given to how...

Read more...

Reissue CDs Weekly: Anne Briggs

The Time Has Come was issued in late 1971. Anne Briggs’ second album and her second to reach shops that year, it followed an eponymous set released that April. That was on the folk label Topic and produced by the pivotal A. L. Lloyd, who had...

Read more...

Reissue CDs Weekly: Silhouettes & Statues - A Gothic Revolution

In February 1983, New Musical Express ran a cover feature categorising what it termed “positive punk”. Bands co-opted into this ostensibly new trend were Blood & Roses, Brigandage, Danse Society, Rubella Ballet, Sex Gang Children, Southern Death...

Read more...

Reissue CDs Weekly: Beach House

From beginning to end, B​-​Sides and Rarities plays through like a regular album; as though it collects a series of tracks recorded where a cohesive release with a flow was the goal. Yet this 14-cut collection is a compilation with its earliest...

Read more...

Reissue CDs Weekly: Shelleyan Orphan

Considering Shelleyan Orphan, Melody Maker said “someone’s been smearing themselves in art…were they artists or did they just wallow in shit?” While the late Eighties’ British music press often made assertions to seek attention, slagging off a band...

Read more...

Reissue CDs Weekly: Lynn Castle

In a 1967 headline, The Washington Post pegged Lynn Castle as a “Shapely Blonde in Blue Jeans, Popular Barber in Hollywood”. She had attracted attention as the hairdresser of choice for The Byrds, The Monkees, Del Shannon, Sonny & Cher and...

Read more...

Reissue CDs Weekly: Pop Makossa

In Summer 1973, Manu Dibango’s “Soul Makossa” peaked at 35 on the American charts. Originally the A-side of a France-only single issued in 1972, the song had been discovered by New York DJ David Mancusso. After Mancusso repeatedly played it, “Soul...

Read more...

Reissue CDs Weekly: The Doors

Fat cigar at hand, Jim Morrison is pondering the future of music. “Maybe it might rely heavily on electronics, tapes,” he says. “I can envision maybe one person with a lot of machines, tapes and electronic set ups, singing or speaking and using...

Read more...

Reissue CDs Weekly: Hoyt Axton

Hoyt Axton’s songs were heard most widely when recorded by others. Steppenwolf recorded his “The Pusher” in 1967. It featured on their early 1968 debut album but was most pervasive in summer 1969 after it was included on the soundtrack of Easy Rider...

Read more...

Reissue CDs Weekly: Shel Talmy

As the producer of the early Kinks and Who, Shel Talmy’s status as one of British pop’s most important figures is assured. He is, though, American. Despite being integral to the mid-Sixties boom years when the Limeys took over, he was born in...

Read more...

Reissue CDs Weekly: The Creation

 “Electronic music, feedback, imaginative identification with colours and art and unique sounds is our art-from. We feel we are contributing to the new ‘total sound culture.’ This culture will take its place in the world just as the Renaissance...

Read more...

Reissue CDs Weekly: Alice Coltrane

A strong candidate for reissue of the year, World Spirituality Classics, Volume 1: The Ecstatic Music of Alice Coltrane Turiyasangitananda is a rarity amongst archive collections as it does what is always hoped for but seldom accomplished. A new...

Read more...
Subscribe to Reissue CDs