thu 06/11/2025

Netflix

Train Dreams review - one man's odyssey into the American Century

What defines a life? Money and success? Happiness? Clint Bentley’s Train Dreams employs a narrator, much as Terrence Malick’s Days of Heaven did, who fields big questions like those while drawing the audience in. Bentley’s voice is an omniscient one...

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theartsdesk Q&A: director Stefano Sollima on the relevance of true crime story 'The Monster of Florence'

In his celebrated TV-series Gomorrah (based on the bestseller of the same name by author Roberto Saviano) Italian director Stefano Sollima depicted the mafia ridden neighbourhoods of Naples in its rawest form – without myth, without any gloomy...

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The Monster of Florence, Netflix review - dramatisation of notorious Italian serial killer mystery

The problem with making TV dramas about unsolved real-life murder mysteries is that they’re still unsolved, unless the film-makers decide to invent a fictional denouement. This might well trigger an avalanche of legal and ethical objections.Thus,...

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The Diplomat, Season 3, Netflix review - Ambassador Kate Wyler becomes America's Second Lady

The return of this entertaining political drama is always welcome, though its soap-tinged mix of transatlantic politics and volatile personal relationships is beginning to look a little too genteel for our current age of ever-worsening crises.In the...

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The Woman in Cabin 10 review - Scandi noir meets Agatha Christie on a superyacht

A fizzy mystery cocktail with a twist and a splash, The Woman in Cabin 10, based on Ruth Ware’s bestseller, sails along like the sleek superyacht that provides its deadly setting.A welcome blend of Scandinavian noir and Agatha Christie, this Netflix...

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theartsdesk Q&A: Idris Elba on playing a US President faced with a missile crisis in 'A House of Dynamite'

Idris Elba has only just appeared as the British Prime Minister in the action comedy Heads of State (2025) – now he's portraying the American President in Kathryn Bigelow's tense political thriller A House of Dynamite.The White House Situation Room...

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Black Rabbit, Netflix review - grime and punishment in New York City

They say no good deed goes unpunished, so when New York restaurateur Jake Friedken (Jude Law) allowed his wayward and star-crossed brother Vince (Jason Bateman) back into his life, he might have expected to experience a little turbulence. Instead,...

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Steve review - educator in crisis

What's going wrong with teenage boys and young men? Like the lauded Netflix series Adolescence, Steve – the second film collaboration between star-producer Cillian Murphy and director Tim Mielants – takes a bold and intriguing approach in its search...

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theartsdesk Q&A: Suranne Jones on 'Hostage', power pants and politics

If she decided to run for election, Suranne Jones would probably stand a good chance of winning. The Chadderton-born actress and producer has been a driving figure in British television ever since she became known for playing Karen McDonald on...

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Hostage, Netflix review - entente not-too-cordiale

Conceived and written by Matt Charman, whose CV includes an Oscar nomination for his work on Steven Spielberg’s film Bridge of Spies, Hostage is a rather puzzling mix of political thriller and domestic drama which can never decide whether it’s...

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The Waterfront, Netflix review - fish, drugs and rock'n'roll

You wouldn’t really want to belong to the Buckley family, a star-crossed dynasty who run their fishing business out of Havenport, North Carolina. As Bree Buckley (daughter of Harlan and Belle) tells recently-discovered family member Shawn, “I wouldn...

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Too Much, Netflix - a romcom that's oversexed, and over here

A thirtysomething American woman with wavering self-confidence, a tendency to talk too much and a longing for married bliss with Mr Darcy at his gorgeous country pile tries to reset her life post-breakup with a grown-up new job in London. Welcome to...

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