fri 22/09/2017

club music

The Best Albums of 2017

Disc of the Day reviews new albums, week in, week out, all year. Below are the albums that our writers gave five stars (listed at the top) or four - the ones they think are a cut above the rest. Click on any one of them to find out why.SIMPLY THE...

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CD: Red Axes - The Beach Goths

It’s telling that, on their 2014 debut LP, Ballad of the Ice, Dori Sadovnik and Niv Arzi covered Bauhaus’ epic proto-gothic ode “Bela Lugosi’s Dead”. The 1979 single, with its incessant shuffle, dubbed-out tape delay and post-punk guitars, straddled...

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CD: Ben Lukas Boysen & Sebastian Plano - Everything

The orchestral-electronic sounds which the Erased Tapes label epitomises exist balanced on a knife-edge of extreme tastefulness. Not quite fitting into either the classical or the club-electronica worlds, the style is closest to film composition –...

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CD: Lory D - Strange Days

Imagine that The Ramones were not only still playing into the mid 2000s, but were still writing new songs as good as “Sheena Is a Punk Rocker” and still sending young audiences completely delirious to boot. That might seem fanciful, but it's a...

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theartsdesk on Vinyl 28: Manic Street Preachers, Joep Beving, Wreckless Eric, SWANS and more

While the 36 records reviewed below run the gamut of Wreckless Eric to Democratic Republic of the Congo Afro-electronica, this month there’s also a special, one-off section for modern classical. This is due to an ear-pleasing haul of releases...

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Albums of the Year: Autarkic - Can You Pass the Knife?

2016 has been a big year for Tel Aviv’s burgeoning underground scene. Acts including Red Axes, Moscoman and Naduve have produced endlessly inventive music at an impressive pace and on a range of labels. Of these, Disco Halal, run by Chen Mosco and...

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CD: AYBEE - The Odyssey

Berlin's electronic music world has been traditionally been very white. Sometimes, as with the inward-looking minimal techno of the 2000s, it could feel painfully so. Obviously a city can't really help the nature of its demographic, but monoculture...

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CD: Hifi Sean - Ft.

One of the great things about club music is that it deals with ageing in very different ways to rock – and as such can offer fantastic creative rebirths. Witness theartsdesk's recent startling Q&A with Mark Hakwins aka Marquis Hawkes, who'd been...

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theartsdesk Q&A: Musician/DJ Mark Hawkins aka Marquis Hawkes

This is not a standard dance music story. Marquis Hawkes is one of the club music success stories of the past couple of years – since the first release in 2012 on Glasgow's revered Dixon Avenue Basement Jams, there've been many 12" club hits on...

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Campo Sancho 2016

“Ooooh, it’s gorgeous!” exclaimed my wife-to-be as we arrived at what had been described as “an oasis in Hertfordshire.” They weren’t kidding, either. The site for the inaugural festival organised by Notting Hill Carnival stalwarts Sancho Panza...

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CD: Wild Beasts - Boy King

In the early 2000s, a club called Trash in London, run by DJ Erol Alkan, introduced a wave of indie teenagers to the joys of electronic music, giving them a way into club culture that was all theirs and not beholden to the superstar DJs of the acid...

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Detroit: Techno City, Institute of Contemporary Arts

Detroit techno music is important. Any student of the club music of the modern age knows this. The sound that fermented among the majority black population of the decaying industrial city in the late 1970s and early 1980s, as disco's last remnants...

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