tue 30/04/2024

Bush Theatre

Rust, Bush Theatre review - slender yet invigorating

The best kind of two-hander is the play about couples. And the most dramatic way of saying something about relationships is to show a couple who are in trouble, bad trouble. Crisis. Especially if they start off well together. Kenny Emson's smart,...

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An Adventure, Bush Theatre review - epic but flawed

Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of London's most outstanding Off-West End venues, is leaving in December, on his way to becoming the creative director of the Southbank Centre. For his...

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Misty, Bush Theatre review - powerful meditation on how we tell stories

Arinzé Kene is having a bit of a moment. He won an Evening Standard Film Award for The Pass opposite Russell Tovey in 2016, is about to appear in a BBC drama with Paddy Considine, and has just finished lending his lovely tenor to Conor McPherson’s...

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The B*easts, Bush Theatre review - Monica Dolan is almost flawless

Lila had breast implants at the age of eight. Karen, her mother, is required to take psychotherapy sessions on account of the fact that she arranged for the operation. Tessa (played by Monica Dolan, pictured top and below) is a psychotherapist who...

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The Believers Are But Brothers, Bush Theatre review - a gimmick in search of a story

Do boys never leave the playground? Just when I was reasonably sure that the crisis of masculinity was an old-fashioned trope – I mean, so very 1990s – along comes a one-man show that investigates how lonely young men, seething with resentment, surf...

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Parliament Square, Bush Theatre, review – uncomfortable blaze of anger

The political story of our time is the upsurge in support for Jeremy Corbyn, leftwing leader of the Labour Party, mainly by young activists who are both idealistic and energetic. But what would happen if one of them decided to go freelance, and...

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Heather, Bush Theatre review - Harry Potter satire burns bright

Harry Potter has a lot to answer for. The phenomenal success of JK Rowling’s books, and of their film versions, and of the stage play (now set to remain in the West End for all eternity), has created a template of extravagant cultural impact that...

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Of Kith and Kin, Bush Theatre, review - comic but confused gay surrogacy drama

A new baby is like an alien invasion: it blows your mind and it colonises your world. For any couple, parenthood can be both exalting and devastating, with the stress hugging the relationship so tightly that eventually all its lies pop out. In his...

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Ramona Tells Jim, Bush Theatre, review – kooky, teenage heartbreak

Location, location, location. Jim thinks he lives in the “shittiest” small town in Scotland. It’s Mallaig, on the west coast, and he’s a deeply troubled 32-year-old, working for a fish merchant and as a nature guide, but having no friends. His flat...

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Hir, Bush Theatre review – transgender home is sub-prime

Donald Trump’s electoral success was, we have been told, fuelled by the anger of the American working class. But how do you show that kind of anger on stage, and how do you criticise its basis in traditional masculinity? One way, and this is the...

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Guards at the Taj, Bush Theatre review - ‘powerful but ethically troubling’

The Bush is back! After a whole year of darkness, the West London new writing venue has reopened its doors following a £4.3million remodelling and refurb, a project close to the heart of its artistic director Madani Younis. Designed by architect...

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First Person: Boys Will Be Boys

In the opening scene of Boys Will Be Boys, the lead character, Astrid, talks about how there’s a boys’ world and a girls’ world. Boys’ world is where you want to be. That’s where power is, that’s where fun is. Boys get to be boys and that means...

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