mon 13/05/2024

18th century

Gazzaniga's Don Giovanni, Royal College of Music review - a modest one-acter overloaded

Fascinating for the history of opera, less so for opera. The most interesting thing about Gazzaniga’s take on the libertine and the stone guest, apart from a couple of sprightly numbers, is the libretto by Bertati, repurposed with better dramatic...

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Napoleon review - Sir Ridley Scott's historical epic is wide but not deep

Sir Ridley Scott has taken umbrage at the French critics who weren’t too impressed with his new movie. Not only do they not like his film, but the French “don’t even like themselves”, according to the dyspeptic auteur.But I feel our French cousins...

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Jephtha, Royal Opera review - uncomfortable sacrifice oratorio not seismic enough

“Tell me,” The West Wing’s President Bartlet (Martin Sheen) asks of a right-wing TV host who uses the Bible to call homosexuality an abomination, “I’m interested in selling my youngest daughter into slavery as sanctioned in Exodus 21.7… What would a...

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L'Allegro, il Penseroso ed il Moderato, Monteverdi Choir, EBS, Sousa, St Martin-in-the-Fields review - Handel at his most magical

There was a good reason why Milton never added a Moderato, a “middle way”, to his masterly poems on mirth in bright day (L’Allegro) and more reflective pleasures by night (Il Penseroso), and a bad one why Handel allowed Charles Jennens to tack on...

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Lang Lang, Bridgewater Hall, Manchester review - playing with the music

The showman was back – and, bless him, he can still sell every seat in a big hall even if the programme offers close on an hour and a half of unalloyed Bach.Lang Lang’s gifts are phenomenal: he doesn’t just play music brilliantly, every now and then...

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Hewitt, Basel Chamber Orchestra, Bard, Bridgewater Hall, Manchester review - 22 extraordinary musicians

The Basel Chamber Orchestra’s 21 string players on tour are an extraordinary set of musicians. Not only did they begin their programme in Manchester with Vaughan Williams’ Fantasia on a Theme by Thomas Tallis, requiring at times one-to-a-part...

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Infamous, Jermyn Street Theatre review - Lady Hamilton challenges the patriarchy and loses

Towards the end of the 18th century, Lady Emma Hamilton (like so much in this woman's life, hers was a title achieved as much as bestowed) was the “It Girl” of European society.They’ve always been around – women who have the combination of...

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The Magic Flute, Clonter Opera review - inventive ideas on the farm

Necessity has to be the mother of invention for many operatic enterprises these days – and there are few with such inventive powers as those of Clonter Opera in Cheshire.Its avowed aim is to be a platform for emerging artists and a bridge from...

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theartsdesk at the Buxton International Festival - bel canto in the High Peak

Bellini’s La Sonnambula is the highspot of a four-show lyric theatre bill at the Buxton International Festival this year, and demonstrates again how beautifully suited the small Matcham opera house in the High Peak is to mid-19th century bel canto...

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Candide, Welsh National Opera review - vaut le voyage, just for the visual side

If you read the synopsis of Candide - which I strongly advise if you plan a visit to this new WNO production - you may well wonder how it will be possible to get through so much in so short a time. Voltaire’s novella is itself fairly short, but...

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Chevalier review - a less than extraordinary film about an extraordinary man

This frothy bio-fantasy about the 18th century composer Joseph Bologne, Chevalier de Saint-Georges and top tunesmith to Marie Antoinette at the French court, could have been a powerful and revealing shout-out to a woefully under-appreciated composer...

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Requiem, Opera North review - partnership and diversity

Innovation is always a risky business. Opera North’s vision and ambition for this production is to create, in effect, a new genre: a combination of staged choral-orchestral performance with contemporary dance.Partnership and diversity are the buzz...

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