In Basildon, Royal Court Theatre

Is there a more evocative location than Essex? In his 2000 play Under the Blue Sky, one of David Eldridge’s characters shouts the unforgettable words: “I’m from Essex and I’m dancing!” Now back at this venue for the first time since that play, Eldridge proves that he is much more than the common characterisation of him as “the writer as bloke”. But can his new play, which opened last night and is set in his favourite county, dance as well as his previous ones?

Sixtysomething Len is dying of prostate cancer. Gathered around his bedside are his two sisters, Doreen and Maureen, but this picture of working-class family harmony is disturbed by the fact that they haven’t spoken to one another for almost 20 years. Doreen’s son, Barry, is also there, as well as Len’s best mate, the wise-cracking Ken (Peter Wight, pictured below right with Linda Bassett as Doreen). The atmosphere fizzes with tensions from old animosities, and Ken’s good-natured jokes grate against the more sober seriousness of Barry. Ironically enough, while their mothers hate each other, the cousins Barry and Shelley are very close.

After Len’s death, the second act brings these and other family members onstage. Barry’s wife, Jackie, joins the mourners, and so does Maureen’s daughter, Shelley, the first one in the family to go to university, with her middle-class boyfriend Tom, a writer. But it is not until Act Three, the day of Len's funeral and the reading of the will, that the barely suppressed family conflicts explode. Then, with a piece of elegant craftsmanship, Eldridge offers a final scene which fills in the gaps of the sibling conflict.

So In Basildon is partly a homage to the genre of 1960s family reunion dramas, and partly a loving look at working-class life over the past 60 years. As the characters argue and banter, you can sense - like a psychogeographic subtext - the great social migrations of the second half of the 20th century. There, just out of sight but present in spirit on stage, are the millions of working-class people who streamed out of the East End in search of a better life, first to Romford and then to Basildon.

South Essex is deftly distinguished from other parts of that county, and class conflict takes centre stage. When middle-class Tom has too much to drink, the antagonism between working class and middle class is explored in all its complexity, with neighbour Pam playing a crucial role. With a mix of fine observation and a light touch, Eldridge looks at the class differences in cultural taste and political allegiance. Here social embarrassment collides with class experience, and New Labour is rightly seen as a betrayer of the workers.