mon 20/05/2024

Dance

Jungle Book reimagined, Sadler's Wells review - a doomy revision of the Kipling stories

Akram Khan Company promises “a magical dance-theatre retelling of Kipling’s classic”, and that’s more or less what you get. The choreography is striking and inventive, the dancing and staging superb.What work less well is the overall tone, which,...

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Cinderella, Royal Ballet review - the first British ballet learns the language of flowers

The urge to redesign a heritage ballet is a curious one, given not just the expense but the fact that the main draw of an old ballet is the steps and the music, which stay the same whatever the stage dressing. The Royal Ballet was keen, however, to...

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Tom Dale Company, The Place review - immersive and genre-busting

With all the talk – and, frankly, fear – around AI and the increasing dominance of the digital world, it’s fascinating to see what dance has to say about it.Although choreographers have been playing with avatars and movement sensors for a couple of...

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'You want to cry from loving to do it so much' - Lynn Seymour 1939-2023

As a critic, I’ve rarely felt compelled to mourn publicly about an artist. Mourning goes somewhere beyond the usual sense of loss and gratitude when someone's death has been announced. But it's the only word when the departed is one of the very few...

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Turn It Out with Tiler Peck, Sadler's Wells review - America's ballet wonder-woman raises the barre

She can do anything. That’s what choreographers say about Tiler Peck, the peppy New York City Ballet principal who has launched a stream of projects above and beyond the day job. You want speed? Wham, you get it. You want complexity? She can learn a...

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Woolf Works, Royal Ballet review - Wayne McGregor's modern classic impresses all over again

The more Wayne McGregor’s superb Woolf Works is staged, the richer it seems to become. It has started a third run at Covent Garden since its premiere there in 2015, which, considering the house lost over a year of performances, is some achievement....

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The Sacrifice, Dada Masilo, Brighton Dome review - eye-popping dance from South Africa

The Soweto-born dancer-choreographer Dada Masilo has made her name  telling classic European stories in African dialect. The last piece she toured in the UK was a striking Giselle in which the avenging Wilis were not undead brides but ancestral...

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Creature review - Asif Kapadia shines light on a dark dance piece

Filmed ballets involve a different way of watching: you may know a piece well, but you aren’t used to staring into its lead dancers’ eyes as they perform their roles. Not all dancers give good close-up, either. But a new film by the Oscar-winning...

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Julie Cunningham & Co, Sadler's Wells review - a fine piece of work, with added spice

At the arthouse end of contemporary dance no one expects a packed house, still less serial packed houses for more than a week. Yet Sadler’s Wells was fully confident when it invited the dancer-choreographer Jules Cunningham – one of its New Wave...

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Swan Lake, English National Ballet, Coliseum review - the story of a deluded prince

So there’s this prince, see, and he’s not at all happy. For a start, he never got over losing a parent when he was a child. He’s at odds with the world, sick to death with royal protocol and convinced that no one understands him. Worse, having too...

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Best of 2022: Dance

Come the end of the year, the ritual glance over the shoulder, what we crave is celebration – this year of all years. "Look, we have come through!" is what we all want to hear from arts practitioners who took such a battering in the previous one.And...

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Matthew Bourne's Sleeping Beauty, Sadler's Wells review - a gothic romance with loads of goth and not much love

Matthew Bourne is not the first choreographer to tinker with the story of The Sleeping Beauty and he won't be the last, such is the lure of Tchaikovsky's score and the potency of the plot.Good and evil, beauty and decrepitude, the suspended...

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