Opera
Jenůfa, LSO, Rattle, Barbican review - a variegated but gorgeous bouquetFriday, 12 January 2024
An inexhaustible masterpiece shows different facets with each new interpretation. I’d thought of Jenůfa, Janáček's searing tale of Moravian village life based on a great play by a pioneering woman (Gabriela Preissová), as an open razor rushing... Read more... |
Best of 2023: OperaWednesday, 27 December 2023
Choosing a limited best seems almost meaningless when even simply the seven operatic experiences I've relished in the run-up to Christmas (nothing seasonal) deserve a place in the sun. But in a year which has seen Arts Council devastation versus... Read more... |
theartsdesk in Ravenna - Riccardo Muti passes on a lifetime's operatic wisdomTuesday, 26 December 2023
Does “the practice of opera singing in Italy” need help from UNESCO, which has newly inscribed it on the “Representative List of the Intangible Cultural Heritage of Humanity”? Italian opera is surely immensely popular worldwide. But when it comes to... Read more... |
Michael Powell: a happy time with Bartók’s BluebeardTuesday, 19 December 2023
In his final years Michael Powell mooted the possibility of a Bartók trilogy. He wanted to add to the growing popularity of his work on Bluebeard’s Castle, the deepest of one-act operas, an idea he had previously rejected of filming the lurid "... Read more... |
Daphne, Scottish Opera, Usher Hall, Edinburgh review - Strauss’s translucent hymn to natureMonday, 11 December 2023
On an Edinburgh afternoon of torrential rain close to the winter solstice, what ecstasy to be transported to an ancient Greek midsummer day, a Claude landscape with shepherds calling across the hills, painted in the most translucent colours by... Read more... |
Rodelinda, The English Concert, Bicket, Saffron Hall review - perfect team helps us stay the long Handel courseMonday, 04 December 2023
If ever a marriage was made in heaven, it would have to be the one between Lucy Crowe’s beleaguered Queen Rodelinda and Iestyn Davies’ King Bertarido, the husband she believes dead and almost loses a second time. The duet at the end of Handel’s gem-... Read more... |
Gazzaniga's Don Giovanni, Royal College of Music review - a modest one-acter overloadedSaturday, 25 November 2023
Fascinating for the history of opera, less so for opera. The most interesting thing about Gazzaniga’s take on the libertine and the stone guest, apart from a couple of sprightly numbers, is the libretto by Bertati, repurposed with better dramatic... Read more... |
Jephtha, Royal Opera review - uncomfortable sacrifice oratorio not seismic enoughTuesday, 14 November 2023
“Tell me,” The West Wing’s President Bartlet (Martin Sheen) asks of a right-wing TV host who uses the Bible to call homosexuality an abomination, “I’m interested in selling my youngest daughter into slavery as sanctioned in Exodus 21.7… What would a... Read more... |
theartsdesk at Wexford Festival Opera - four operas and a recital in one crazy dayWednesday, 08 November 2023
Imagine a Glyndebourne season where all those promising young singers in the chorus get to be principals in a series of fringe operas. At Wexford, they already have their work cut out, though this year not so much in the three main rarities – hence... Read more... |
theartsdesk in Ukraine - Stankovych's 'Psalms of War' at the Lviv National OperaFriday, 27 October 2023
Yevhen Stankovych is Ukraine’s most important living composer and – after decades of writing music that seems to grow from this country’s rich black earth, tribulations, literature and folklore – he now contributes, with his latest piece, the most... Read more... |
Un ballo in maschera, Chelsea Opera Group, Cadogan Hall review - Italianate vitality, if not much finesseMonday, 23 October 2023
Eighteenth century Sweden is the nominal setting for A Masked Ball, but its essence is a unique mixture of Italian testosterone and French opéra-comique elegance. If this concert performance brought it closer to the indiscriminate vitality of early... Read more... |
La Rondine, Opera North review - rehabilitation for a Puccini damp squib?Saturday, 21 October 2023
The signal achievement of this production of La Rondine may be that James Hurley (director) and Kerem Hasan (conductor) have rehabilitated it to its proper place, against the perception that it’s the least successful of Puccini’s mature operas.Even... Read more... |
