CD: Pictish Trail - Future Echoes | reviews, news & interviews
CD: Pictish Trail - Future Echoes
CD: Pictish Trail - Future Echoes
Purveyor of the finest space-age disco-wonk-pop returns
Johnny Lynch – the artist otherwise known as Pictish Trail – is one of the country’s most intriguing musicians. In 2010, he upped sticks and moved into a caravan on the remote island of Eigg, ensuring every appraisal of his work evermore would refer to him as a “hermit” or a “recluse”.
Despite their snatches of folk-inspired melody, often unconventional structure and occasional hints of malice, so many of the songs on Future Echoes beg to be danced to – until the mood changes, as it does often, and you’re left shuffling your feet, trying to conceal your awkwardness, like your silent disco headphones fell off in the middle of a wake. It’s an album that opens with a gloriously queasy sample of the theme from the movie Fargo and ends with an all-night rave in a barn, while the in-betweeny bits short-circuit your brain and get stuck in your head for days. There are glitches, warped melodies and missed connections – and the image of Lynch, standing in a field, chasing a dropped call.
Trippy album opener “Far Gone (Don’t Leave)” tips a knowing wink in the direction of Massive Attack, but the film score sample and mesmerising strings leave you uncertain whether to stay and be bewitched or run for the hills. It is both a world and only four tracks away from “Half Life”, the album’s unspeakably gorgeous mid-point and a song that, were it not for its title and position, you’d be convinced was about the end of something. “Easy With Either” lightens the mood with a cheeky play on words and rhyme schemes, while “Strange Sun” samples the sounds of Eigg across an immersive, outward-looking seven minutes. It’s a reminder that even the most reclusive of us remains a part of something bigger.
Below: watch the "Far Gone (Don't Leave)" video
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