Philharmonia, Mackerras, RFH | reviews, news & interviews
Philharmonia, Mackerras, RFH
Philharmonia, Mackerras, RFH
Masterclasses in style and emotion from the greatest octogenarian conductor
Sunday, 13 December 2009
Sir Charles Mackerras: hitting the right emotional spots with effortless masteryClive Barda
Creative old age brings with it not just the expected serene glow but also a singular urgency, a fresh intensity, or so that magisterial pianist Claudio Arrau once wrote. Arrau was a living testament to his claim; so, now, is the 84-year-old Sir Charles Mackerras. Everything he's chosen to bring to life this season has a valedictory quality, or perhaps he simply selects the best. His Philharmonia diptych of concerts led us from the Wagnerian end of the world on Thursday to a Sunday afternoon of prelapsarian innocence in Beethoven's pastoral idyll and paradise regained in Humperdinck's Hansel and Gretel.
Creative old age brings with it not just the expected serene glow but also a singular urgency, a fresh intensity, or so that magisterial pianist Claudio Arrau once wrote. Arrau was a living testament to his claim; so, now, is the 84-year-old Sir Charles Mackerras. Everything he's chosen to bring to life this season has a valedictory quality, or perhaps he simply selects the best. His Philharmonia diptych of concerts led us from the Wagnerian end of the world on Thursday to a Sunday afternoon of prelapsarian innocence in Beethoven's pastoral idyll and paradise regained in Humperdinck's Hansel and Gretel.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
Dunedin Consort, Mulroy, Wigmore Hall review - songs of love old and new
First-rate chamber choir explore contemporary and Renaissance approaches to amour
Coote, LSO, Tilson Thomas, Barbican review - the triumph of life
A great, ailing conductor rises to Mahler's mightiest challenge
Britten Sinfonia, The Marian Consort, Milton Court review - a journey around turbulent spirit Gesualdo
Contemporary homages among the works in this celebration of the Renaissance 'badass'
Classical CDs: Coffee, peppercorns and puppets
A prolific conductor's centenary celebrated, plus Hungarian ballet music and baroque keyboard concertos
Gomyo, National Symphony Orchestra, Kuokman, National Concert Hall, Dublin review - painful brilliance around a heart of darkness
A violinist for all facets of a towering Shostakovich masterpiece
Sansara, Manchester Collective, Bridgewater Hall, Manchester review - sense of a unique experience
Three world premieres all respond to Feldman’s 'Rothko Chapel'
Remembering conductor Andrew Davis (1944-2024)
Fellow conductors, singers, instrumentalists and administrators recall a true Mensch
Hallé, Wong, Bridgewater Hall, Manchester review - meeting a musical communicator
Drama and emotional power from a new principal conductor
Guildhall School Gold Medal 2024, Barbican review - quirky-wonderful programme ending in an award
Ginastera spolights the harp, Nino Rota the double bass in dazzling performances
Queyras, Philharmonia, Suzuki, RFH review - Romantic journeys
Japan's Bach maestro flourishes in fresh fields
Classical CDs: Swans, hamlets and bossa nova
A promising young pianist's debut disc, plus Finnish mythology and a trio of neglected British composers
Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fields review - engagingly subversive pairing falls short
A collaboration between a cellist and a breakdancer doesn't achieve lift off
Add comment