Gorecki singer makes it despite volcanic ash | reviews, news & interviews
Gorecki singer makes it despite volcanic ash
Gorecki singer makes it despite volcanic ash
Saturday, 17 April 2010
Joanna Wos (left, no relation to Jonathan Ross) put in a stellar performance last night singing in Gorecki's Third Symphony at the Royal Festival Hall with the LPO, singing the part made famous on the million-selling recording by Dawn Upshaw. To get there, she drove for three days and nights from Poland arriving yesterday afternoon. What a trouper. It would be unfair to judge her against Upshaw in the circumstances. But I will. She didn't quite have Upshaw's power, but she was splendidly expressive. She even reminded me, strangely, at times of Victoria de los Angeles. And the LPO seemed slightly on automatic for the first section but then burst into life for the latter movements.
There was a sad undercurrent to this performance, which after all is subtitled Symphony of Sorrowful Songs. It had been hoped that this would the premiere of Gorecki's Fourth Symphony, but ill health meant the composer was unable to finish it. And the performance was dedicated to the 98 victims of the plane crash that killed the President of Poland, Lech Kaczynski, and his wife, Maria, whose funerals take place today. Many guests, including the Prince of Wales and Barack Obama, couldn't make it, due to volcanic ash. They should have taken a leaf from Joanna Wos's book, perhaps.
I managed to miss seeing the earlier Philip Glass premiere of his Violin Concerto No 2, as I hadn't eaten all day and went for a cheeseburger. I regret missing it, although the repetitive chewing of this all-American fast food had certain similarities to other Glass I have heard. Actually, I rate some of Glass, unlike some artsdeskers.
I managed to miss seeing the earlier Philip Glass premiere of his Violin Concerto No 2, as I hadn't eaten all day and went for a cheeseburger. I regret missing it, although the repetitive chewing of this all-American fast food had certain similarities to other Glass I have heard. Actually, I rate some of Glass, unlike some artsdeskers.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Classical music
Aci, Galatea e Polifemo, La Nuova Musica, Bates, Wigmore Hall review - thrilling Handel at full throttle
Vibrant rendering filled with passion and delight
Hallé, Wong, Bridgewater Hall, Manchester review - Bruckner’s Ninth completed
Kahchun Wong takes Manchester audience on an epic journey
The Orchestral Forest, Smith Square Hall review - living the orchestra from the inside
Immersive concert explores the plight of the British rainforest through music
Classical CDs: Leaves, prisms and sub-bass
A great pianist bows out, plus two cello discs and a new organ's first outing
First Person: Bob Riley on Manchester Camerata's championship of a Centre of Excellence for Music and Dementia
Making a difference out of the musical ghetto
Aurora Orchestra, Collon, Drumsheds review - surround-sound magic in the super-club
On a vast dancefloor, the chance to listen from inside the orchestra
Kaleidoscope Chamber Collective, Wigmore Hall review - warm and colourful Bartók and Brahms
Versatile chamber ensemble excels in clarinet-focused repertoire
Christian Gerhaher, Gerold Huber, Sheldonian Theatre, Oxford review - an unforgettable recital
The great German baritone in glorious voice at the Oxford International Song Festival
Kanneh-Mason, Sinfonia of London, Wilson, Barbican review - taking the roof off the Barbican
From musical also-rans to main event, culminating in a stunning Rachmaninov symphony
Music from Pole to Pole, Clark, City of London Sinfonia, Smith Square Hall review - talk of clouds, music to match
Inspired evening journeying from the Antarctic to the Arctic through patterns in the air
Kaleidoscope Chamber Collective, Hatfield House review - musical dreams in marble halls
Stylish, agile playing in the grandest of frames
Music Reissues Weekly: Arvo Pärt - Tabula Rasa
A foundational album returns
Add comment