New Music Reviews
Music Reissues Weekly: Mark Eric - A Midsummer’s Day DreamSunday, 03 March 2024
In June 1969, The Beach Boys released “Break Away” as a single. A month earlier, they had announced they were leaving Capitol Records, who they had been with since 1962. The split with their long-term label came after the band sued for unpaid royalties and other business failings. “Break Away,” the last Capitol single, was aptly titled. Read more... |
Album: The Bevis Frond - Focus on NatureMonday, 26 February 2024
Musically, the assured Focus on Nature knows exactly what it is. Fuzzy, psychedelic-leaning, folk-aware pop-rock with an emphasis on guitars about captures it. And what tunes – this 75-minute double album’s 19 songs are immediate, instantly memorable and stick, limpet-like, in the head. Even during “A Mirror’s” backwards guitar coda the song’s melody is still to the fore. Read more... |
Music Reissues Weekly: Blank Generation, Just Want To Be MyselfSunday, 25 February 2024
“I hate it, so I guess Eater have succeeded.” NME’s March 1977 appraisal of the debut single by UK punk's teen sensations was direct. In his trailblazing British punk fanzine Sniffin' Glue, Mark Perry was equally forthright when contemplating “Outside View.” “Sorry lads but this single is crap,” he wrote. “It’s not even good crap, it’s just a waste of time.” Read more... |
Album: MGMT - Loss of LifeMonday, 19 February 2024
The dolefulness of the title Loss of Life is reflected by what’s in the grooves. The lyrics of the Todd Rundgren/Queen-esque fifth track “Bubblegum Dog” include the line “None of this seems like fun but maybe that’s the point, man.” Further in, “Nothing Changes” seems to be about wanting to be rescued from an enervating stasis. Read more... |
Music Reissues Weekly: Lou Christie - Gypsy BellsSunday, 18 February 2024
Lou Christie fancied offering some social comment. The lyrics of his May 1967 single “Self Expression (The Kids on the Street Will Never Give in)” tackled inter-generational conflict: “Papa I don't see things your way, Like choosin' my own religion, Like where I hang out's my decision, Self-expression all the way.” Read more... |
Tom Webber, The Hope and Anchor review - a fresh nod to the pastSaturday, 17 February 2024
Thursday night at Islington’s legendary Hope and Anchor: a challenging time and place to get an audience going, not least following the very assured edgy-yet-sweet singer-songwriter Daisy Veacock, another newish-kid-on-the-block on the edge of the recognition so many young artists yearn for. Read more... |
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early yearsFriday, 16 February 2024
At last Yoko Ono is being acknowledged in Britain as a major avant garde artist in her own right. It has been a long wait; last year was her 90th birthday! The problem, of course, was her relationship with John Lennon and perceptions of her as the Japanese weirdo who broke up the Beatles and led Lennon astray – down a crooked path to oddball, hippy happenings. Read more... |
Music Reissues Weekly: Scott Fagan - South Atlantic BluesSunday, 11 February 2024
The album opens with “In my Head.” The lead instrument is an electric piano, over which a quavering, clenched voice sings. The closest comparison is Pearls Before Swine’s Tom Rapp, a similarly idiosyncratic singer. As the stately song unfolds, stabbing strings complement interjections from a soul-styled brass section. Read more... |
Northern Winter Beat 2024 review - Julie Byrne, Alabaster DePlume, Deerhoof and Mary Ocher triumph in DenmarkThursday, 08 February 2024
You’re here. I’m so happy you’re here. You’re alive. You’re doing so well. Living is so hard. We’re alive. Have you suffered? When we’re alive, we suffer. We suffer to be alive. You must have suffered. Read more... |
Music Reissues Weekly: The Tornados - Love And Fury: The Holloway Road SessionsSunday, 04 February 2024
In summer 2022, one of the year’s most significant archive releases was issued. The Telstar Story was an eight track 10-inch EP focusing on the aural side of how The Tornados’ 1962 instrumental hit “Telstar” was created by independent producer Joe Meek. There were demos, working material from the recording sessions and much more. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today
Gesualdo was, in the words of New Yorker critic Alex Ross – “irrefutably badass”, a double murderer, sado-masochist and black magic enthusiast who...
The name, Caron and Michelle Maso explained to Los Angeles radio DJ Rodney Bingenheimer, was a literal description. “We’re both like five feet. We...
Planet of the Apes is the most artfully replenished franchise, from the original series’ elegant time-travel loop to the reboot’s rich,...
Who is Sappho? What is she? Not much is known about the...
No soloist gets to perform Shostakovich’s colossal First Violin Concerto without mastery of its fearsome technical demands. But not all violinists...
If there is a more striking, more moving, more downright enjoyable way to experience...
Manchester Collective have come a long way since their early days of chamber music in dark and dingy Salford basements and former MOT test centres...
Having moved out of her mother’s apartment aged 15 to become “an emancipated minor” and set up her own record label, Righteous Babe, just four...