New Music Reviews
Glastonbury Festival 2023: Down to the Paradise CityThursday, 29 June 2023
TUESDAY 27TH JUNE 2023 I wake up around 11.00, get outta bed around 12.00. Read more...
|
Theatre at Glastonbury Festival 2023 - so big and wild a hallucination, you're always left wanting moreThursday, 29 June 2023
And that’s it again for another year. Oh Glastonbury. A fever dream where the time of reality stops as you hop on a ride to a land of magic. Read more... |
Music Reissues Weekly: Blossom Dearie - Discover Who I AmSunday, 25 June 2023
Had Blossom Dearie overtly embraced pop, her vocal style could be characterised as along the lines of Priscilla Paris, Jane Birkin or Saint Etienne’s Sarah Cracknell – intimate, a little breathy, oxygenated. However, jazz was her bag and June Christy, Peggy Lee and Norway’s Karin Krog are the closest reference points. Read more... |
Peter Gabriel, OVO Hydro, Glasgow review - beaming with optimism and creativitySaturday, 24 June 2023
Even when Peter Gabriel is bleak, he has reasons to be cheerful. Early on in his set he opined that soon enough “none of us will have jobs anymore”, referring to the ongoing rise of artificial intelligence, although this was followed by him stressing the positives that can be found in such new technology. It seemed fitting, because Gabriel himself, now 73, showed on this evening that optimistic possibilities of the future occupy his thoughts as much as ever. Read more... |
Album: Brigid Mae Power - Dream From The Deep WellSaturday, 24 June 2023
The cover versions on Dream From The Deep Well include “I Know Who is Sick,” most familiar from the Clancy Brothers and Tommy Maken interpretation, and “Down by the Glenside,” which The Dubliners incorporated into their repertoire. The first opens the album, the second closes it. Between, amongst the original compositions, there is also an adaptation of Tim Buckley’s “I Must Have Been Blind.” Read more... |
Siouxsie, The Halls, Wolverhampton review - former Banshee brings the house downFriday, 23 June 2023
When the Queen of the Goths comes down from her castle to tour the UK, given that she hasn’t played here at all in the last 10 years, people take notice. Read more... |
The War On Drugs, OVO Hydro, Glasgow review - impressive musicianship but a lack of excitementThursday, 22 June 2023
War might be good for absolutely nothing, but it does provide bands with some easy names. Before the War on Drugs headline set, Warpaint took to the stage, and despite a muted reaction to the quartet they were on enjoyable form. They’re unlikely to ever be topping the bill in arenas in their own right, but maybe that’s a good thing, and the funky closing double header of “New Song” and “Disco//Very” whipped by with pace and verve. Read more... |
Pete Fij / Terry Bickers, Worthing Festival 2023 review - lyricism, amusing anecdotes and gorgeous guitar playingTuesday, 20 June 2023
Pete Fij and Terry Bickers are bathed in muted red light. They are sat side-by-side, Fij with an acoustic guitar, Bickers with a vintage 1970s CMI hollow-bodied electric. Behind them, oil wheel lighting gloops and bubbles gently, bespattered with glowing green circles cast by the stationary disco ball hanging high above them. “It’s surprising to see how much life you can fit into the back of a van,” sings Fij, dolefully, then adds, “It only took two trips.” Read more... |
Arctic Monkeys, Arsenal Emirates Stadium review - the masters of indie pop excelMonday, 19 June 2023
“I hope they do Mardy Bum,” a small boy squeaks longingly to his mother. She was probably his age when Whatever People Say I Am, That's What I’m Not came out almost two decades ago. This is very much a multi-generational affair incorporating those of us who were too old to like them when they started, their peers now also in their mid-30s, and lots and lots of kids. Read more... |
Music Reissues Weekly: Tribal Rites of the New Saturday NightSunday, 18 June 2023
“It all started with a June 7, 1976 article in New York magazine about Queens, New York working-class young adults who flocked to a local disco in platform shoes and outlandish clothes to perform organized dances. [Bee Gees manager] Stigwood read Tribal Rites of Saturday Night, and immediately bought the rights from the author, seminal rock critic Nik Cohn.” Read more... |
Pages
latest in today
Götterdämmerung, LPO, Jurowski, RFH review - outside looking...
Four years embracing pandemic, genocide and rapid environmental degradation predicted by Wagner’s grand myth have passed before the Southbank Br...
Music Reissues Weekly: Warsaw - Middlesbrough 14th September...
Edinburgh’s Rezillos were booked to play Middlesbrough’s Rock Garden on Wednesday 14 September 1977. “I Can’t Stand my Baby,” their debut single,...
theartsdesk Q&A: Marco Bellocchio - the last maestro
The last of the old maestros is standing tall. Marco...
Testmatch, Orange Tree Theatre review - Raj rage, old and ne...
Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new...
I.S.S. review - sci-fi with a sting in the tail
Earthrise, the 1968 Apollo 8 photograph of our small island of a planet, taken from the Moon’s surface, transformed our vision of our...
Album: St Vincent - All Born Screaming
The thing with Annie Clark, better known as the triple-Grammy-winning iconoclast St Vincent, is that much like an actual saint the multi...
Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review...
With a troubled gaze and a lived-in face, the portrait of artist Alberto Giacometti on a withdrawn...
Christian Pierre La Marca, Yaman Okur, St Martin-in-The-Fiel...
The French cellist Christian-Pierre La Marca confesses that – like so many classical musicians...