Reissue CDs Weekly: Broadcast, João Gilberto, James, Here Comes the Hurt | New music reviews, news & interviews
Reissue CDs Weekly: Broadcast, João Gilberto, James, Here Comes the Hurt
Unsettling Berberian Sound Studio soundtrack, Bossa Nova’s ground zero, kitchen-sink box-set and lachrymose soul compilation
More than the soundtrack to one of last year's most impactful films, the release of the music for Berberian Sound Studio is a tribute to the memory of Trish Keenan. With her Broadcast partner James Cargill, Keenan had begun working on Peter Strickland’s film before her death in January 2011. Cargill found sound files of her voice on her computer and began from there – a task that must have been both eerie and poignant.
Broadcast had long drawn inspiration from Italian soundtrack music and their 2009 album collaboration with The Focus Group, Investigate Witch Cults of the Radio Age, was effectively the soundtrack to a film which did not exist. So it was a small and logical step to compose an actual soundtrack. Cargill has said that Luboš Fišer’s music for Valerie and Her Week of Wonders and Zdeněk’s Liškas work for Jan Švankmajer was a direct influence on the Berberian Sound Studio soundtrack.
On album, the result is a proper soundtrack album, not a Broadcast album. Fragments are heard, themes repeated and recast as they would have been on an original Sixties or Seventies soundtrack album. Divorced from the images of The Equestrian Vortex, the film being worked on in Berberian Sound Studio, this remains an unsettling experience. Disembodied wordless vocals waft in and out, a church organ swells, the sound of wind floats by, dialogue echoes, a horse gallops. Concrête sounds jar. A scream sounds. The possessed gibber. A woman whispers. As each of the 39 cues passes by, the mood of the sound picture darkens. A creative triumph and great music too.
João Gilberto: The Legend
As an originator of Bossa Nova João Gilberto is a legend, and this two-CD set reveals how it began for him. A card slip case contains each disc, both of which, in turn, slide into another card case which also houses the booklet. Disc one collects Gilberto’s first three albums, originally issued in 1959, 1960 and 1961. Together, they last just over 70 minutes. The second disc, Antiques and Curios, roams randomly though early tracks he guested on, soundtracks, live recordings and material made with his early band Os Garotos da Lua (from 1951). These extras offer an insight into how quickly Gilberto became essential to Brazil's music, but it’s the trio of albums which fascinate. His debut, Chega de Saudade (recorded in 1958 and 1959) includes what most be the first issued versions of future standards “Desafinado” and “Bim Bom”. Even at this early stage, they are fully formed, exactly the sound which went world-wide as the Sixties unfolded. In taking it back to this musical ground zero, The Legend shows Gilberto to have been burning bright from the moment he was committed to tape.
Share this article
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 10,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more New music
Monthly round-up of what's new and on record
Femme funkadelia rules at Women Of The World Festival
Norwegian improvising vocalist travels through hit songs via the subconscious
Old school folk-rockers prove they can withstand the test of time
Unhinged assault on the eardrums from the Bristol four-piece
Infectious disco tribute from a man who knows the genre inside-out
Latin rhythms mingle with a cool delivery and cerebral lyrics for a searching, substantial collection
Wallet-friendly compendium of one of Britain’s great singer-songwriters
Noel and his High Flying Birds aim for new heights without straying too near the Sun
A celebration of diversity and a historic addition to jazz’s political back catalogue
Tables turned as Fairport Convention are auditioned by their new singer
Barn-dance friendly Scandinavians find their own groove