CD: Backstreet Boys - DNA

The gazillion-selling pop survivors are, you've guessed it, back again

share this article

Backstreet Boys: Pop is in their genes

You’ve got to hand it to Backstreet Boys. Who would have thought that 23 years after their first, self-titled album, the finger-clicking fivesome would be the best-selling boy band in the world? They’ve survived the departure of one of their members for a couple of albums, endured personal tragedy, formed a supergroup with New Kids on the Block, comfortably outlived rivals NSync, smashed records with a residency in Las Vegas and recently announced a massive world tour. Now on their 10th album, Nick, Howie, AJ, Kevin and Brian are most definitely a going concern – but is their new record DNA any good?

On the basis of the first single “Don’t Go Breaking My Heart” (sadly not an Elton John/Kiki Dee cover), it’s not looking promising. While admittedly catchy, this is also slick, boring and doesn’t even sound like Backstreet Boys. “Nobody Else” suffers from the same problems – but then there’s “Breathe”, the best song on the record, an a cappella delight peppered with trademark harmonising and, hurrah, finger-clicking. This is what they’re all about, and why they stood out in the first place – the band’s official website even admits that the song is "old-school BSB". Less charming is “New Love”, a bizarre, funk-infused, mercifully brief number with daft lyrics ("Who are you, the sex police?"). The dull “Is It Just Me” ends abruptly before the singles “Chances” (efficient) and “No Place” (lovely) bring things back on track. 

There is some great pop on DNA – mostly on the singles which bring to mind Backstreet Boys’ glory days. Of course, a band in its third decade will want to try a few new things, but it’s when they move away from what they’re good at that the album falters.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
While admittedly catchy, the first single is also slick, boring and doesn’t even sound like Backstreet Boys

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

more new music

Eye-opening tribute to BBC Radio 2’s riposte to Radio’s 1’s allegiance to the charts
Despite a mostly seated venue, the dance veterans got fans on their feet with ease
Extreme noise terrorists double up their fire power to great effect
The quietly poetic singer-songwriter finds an impressive way to get louder
The last great bastion of regular international vinyl record reviewing
Third album from Poet Laureate Simon Armitage and friends is propelled by cosmic as well as worldly themes
With a line-up that includes Exodus and Carcass, a top-notch night of the heaviest metal
Leading Kurdish vocalist takes tradition on an adventure
Scottish jazz rarity resurfaces
A well-crafted sound that plays it a little too safe