gaming
the future of arts journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.

latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
The USA was still months short of Pearl Harbour’s shove into World War II when Bertholt Brecht wrote The Resistible Rise of Arturo Ui. It…
The writer of the edgy TV drama The Responder, Tony Schumacher, is back with an equally edgy but surprisingly warm-hearted story of people…
Perhaps fate led me inevitably to the theatre as a great love because my first kiss was in a scene study class when I was 14 years old. My…
I first saw country singer songwriter Kacey Musgraves perform at the Arts Club on Dover Street back in 2013 for the launch of her first…
It is almost without fail that Birmingham’s Supersonic Festival is guaranteed to be one of my annual musical highlights – and despite it…
Scott Bennett is a busy guy at the moment, touring as he is with not one, but two shows; Blood Sugar Baby, a personal piece of storytelling…
David Pearson’s debut play, Firewing, part of Hampstead Theatre’s INSPIRE project for emerging writers, is a heartfelt two-hander about the…
How do you adapt a book like The Waves? A terrifying idea, and one I could not get out of my brain, from the moment the director Jùlia…
Sky Atlantic’s new thriller, Prisoner, is a tense and twisty story involving a sinister crime syndicate called Pegasus, whose boss is a…
Most read
I first saw country singer songwriter Kacey Musgraves perform at the Arts Club on Dover Street back in 2013 for the launch of her first…
In one sense you know what you’re going to bet with Róisín Murphy. Disco beats, a lot of bright colours, costume changes, goofing about,…
This is a musical homecoming for Róisín Murphy, both geographically and figuratively. She may have been raised in Dublin and spent her gig-…
Beauty and the Beast? Not quite; the Czech title of Juraj Herz’s 1978 fantasy is Panna a netvor, which translates, much more fittingly, as…
October 5th in the United States is a day for righteous rage. In 2016 it marked the release of the infamous "Access Hollywood" tape in…
The baldness of the titles the writer-director Stefan Golaszewski gives his TV series — Him & Her, Mum, Marriage and now Babies — is a…
Before last night's still-shocking saga of a downtrodden soul began, Southbank Artistic Director Mark Ball came on to tell us that while…
The writer of the edgy TV drama The Responder, Tony Schumacher, is back with an equally edgy but surprisingly warm-hearted story of people…
If ever there was a piece that epitomised the view that villains are infinitely more fun than heroes, it would be Pierre Choderlos de…
Decades are never neat: they don’t simply go from 1 to 10, or 0 to 9. So it is with the Swinging Sixties, which actually began – like…