Oscars 2013: Lives of Lincoln and Pi lead the nominees | Film reviews, news & interviews
Oscars 2013: Lives of Lincoln and Pi lead the nominees
Glum list for Brits, better for the rest of Europe (unless Les Mis counts as one of ours)
Sure, Les Miserables got eight nominations, including the expected acting nods for Hugh Jackman and Anne Hathaway, and Daniel Day-Lewis is poised to make history as the first-ever three-time winner of the Best Actor Oscar, this time for a performance in Lincoln that ranks among his very best.
But the 2013 Academy Award nominees are light on Brits and big on the American indy/European art-house circuit. Indeed, a far greater surprise than the failure of Tom Hooper to get a directing nod for Les Misérables, Hooper having been bypassed for a Bafta as well, was the strong showing made by both Beasts of the Southern Wild and Amour, which picked up nine nominations between them.
The result: Benh Zeitlin (Beasts) and Michael Haneke (Amour) are up against Ang Lee (The Life of Pi), David O. Russell (Silver Linings Playbook), and Steven Spielberg (Lincoln) for director, which in turn explains the absence in that category of both Hooper and, far more surprisingly, Ben Affleck (Argo), whom many had pegged as the odds-on favourite to win. (The Academy loves it when actors turn to directing – just look at the Oscars in that latter category won by Robert Redford, Mel Gibson, and Kevin Costner.)
Lincoln leads the race with 12 nominations, followed closely by The Life of Pi, with 11. Those double-digit pace-setters aside, there is bound to be cheering from the Silver Linings Playbook camp, which did considerably better than expected with eight citations, including one in all four acting categories, and disappointment from the Zero Dark Thirty team: Kathryn Bigelow’s follow-on from The Hurt Locker got five mentions, including best actress for 2012 nominee Jessica Chastain (The Help), but Bigelow herself was left off the list – a notable snub to the person who had previously made Oscar history as the first woman ever to win an Oscar for directing.
Each of the acting categories offered a surprise or two, though none as startling as the inclusions (or not) from the directing ranks. Two-time nominee John Hawkes failed to get a mention for The Sessions, although Helen Hunt (pictured left) did for her performance as the woman who awakens his character to sex, while the presence of the pint-sized Wallis in the actress line-up meant nothing for previous winner Marion Cotillard, who had been considered a shoo-in for Rust and Bone. (Cotillard has been unlucky at the Oscars since winning for La Vie en Rose, since it was she, and not co-star Penélope Cruz, who most deserved a supporting nomination for the movie musical Nine.)
Elsewhere, supporting actress is notable for the inclusion of previous nominee Jacki Weaver (Animal Kingdom) for her performance as wife to Robert De Niro and mother to Bradley Cooper in Silver Linings Playbook; Weaver got the slot that some thought might go to one of two British dames – Maggie Smith (The Best Exotic Marigold Hotel) or Judi Dench (Skyfall).
And the supporting actor category ignored potential curveballs from Matthew McConaughey (Magic Mike) and Eddie Redmayne (Les Mis) to deliver an unusually venerable list of heavy hitters, all them previous winners: De Niro, Jones, Philip Seymour Hoffman (The Master), Alan Arkin (Argo), and Christoph Waltz (Django Unchained, the Quentin Tarantino film that arguably fared less well than expected). Whatever else does or doesn’t happen on 24 February, one of these five men will graduate to the status of a two-time Oscar-winner.
Speaking of Oscar night, let’s hope its host, Family Guy supremo Seth MacFarlane, is in somewhat better form in six weeks than he seemed at 5.30am Los Angeles time today – though, to be fair, it’s rare (to say the least) to press the ceremony’s actual host into reading the nominations as well: one can’t imagine Billy Crystal ever going that route.
Jokes scattered in the directions of Harvey Weinstein, Hitler and Hollywood’s apparent penchant for heavy drinking generally fell flat. On the other hand, it’s often said that a weak dress rehearsal ensures a good opening night, in which case MacFarlane may well emerge victorious in his own right. And not just because he nabbed a Best Song nomination for the film Ted.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 7,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
To take an annual subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
Super Furry Animal travels to the heart of America in pursuit of a long-lost multi-media tall tale
A love story, cool vampire tale and wry comedy in one
Memories of the Holocaust, and Alfred Hitchcock's attempts to sum up its visual testimony
Fans-only tribute to a tenacious musical eccentric
Emma Stone delights in Woody Allen's 1920s romantic comedy
The director of the Encounters Film Festival leaps to the short film's defence
A superb, elegant thriller that's excellent on the small screen
Nick Cave's art is exposed in a playful, funny doc
Sweden's succesful export talks about the humour in brutality, the nature of Scandinavia and Monty Python
Jim Jarmusch's timeless neo-noir fairytale – and how it augured 'Only Lovers Left Alive'
Philip Seymour Hoffman brings another le Carré spy vividly to life
theartsdesk recommends the half-dozen top movies out now