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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Dealer's Choice, Donmar Warehouse review - fresh take o...
Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but...
La Serenissima, Wigmore Hall review - a convivial guide to 1...
When Giuseppe Torelli made the journey from his birthplace of Verona to Bologna in the late 17th century, the trumpet was still seen as something...
theartsdesk Q&A: director Leonardo Van Dijl discusses hi...
"Julie's story takes place everywhere", says the writer-director Leonardo Van Dijl, whose psychological drama Julie Keeps Quiet has...
Album: Lael Neale - Altogether Stranger
Over its crisp 32 minutes and nine songs, Altogether Stranger embraces electropop, lo-fi terrain and gothic solo contemplation. By...
Much Ado About Nothing, RSC, Stratford - Messina FC scores o...
Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic....
Zsuzsanna Gahse: Mountainish review - seeking refuge
Mountainish by Zsuzsanna Gahse is a collection of 515 notes, each contributing to an expansive kaleidoscope of mountain encounters....
DVD/Blu-ray: All We Imagine as Light
All We Imagine as Light focuses on the lives of three women in contemporary...
Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review...
I came to Isata and Sheku Kanneh-Mason’s Wigmore Hall recital on Saturday armed with a certain degree of scepticism. Not about the siblings’...
Simon Boccanegra, Opera North review - ‘dramatic staging’ pr...
Opera North have recently pioneered a way of presenting some big works which they call “dramatic concert stagings”, performing in concert halls as...