mon 05/05/2025

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Theartsdesk
Wednesday, 01 October 2025
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and intensive months when a disparate and eclectic...
Thomas H Green
Monday, 05 May 2025
20 years on from their first appearance on record, the seventh long-player from Canadian indie-art-rock behemoths Arcade Fire comes off the back of four consecutive UK album chart...
Adam Sweeting
Sunday, 04 May 2025
The art of the conman is persuading their victim to fool themselves, which is the premise that lies at the core of this Australian drama series. Adapted by screenwriter Anya...
Pamela Jahn
Sunday, 04 May 2025
One of the most exciting new voices in Eastern European film, Déa Kulumbegashvili is not concerned with conventional shot lengths. She has been described as a director of "slow...
Kieron Tyler
Sunday, 04 May 2025
Sixes and Sevens is a surprise. A big one. Since leaving Siouxsie and the Banshees in September 1979, John McKay has largely been a mystery. On record, the only suggestion this...
David Nice
Saturday, 03 May 2025
Full marks to the Royal Opera for good planning: one first night knocking us all sideways with the darkest German operatic tragedy followed by another letting us off the hook with...
Helen Hawkins
Saturday, 03 May 2025
In the Stygian darkness of a bare room, a table on a low platform with a light hanging overhead starts to emerge. Then a...
Adam Sweeting
Saturday, 03 May 2025
The success of Netflix’s Drive to Survive not only provoked a viewer-stampede towards the world’s most expensive sport, but...
Graham Rickson
Friday, 02 May 2025
 Jürg Frey: Voices EXAUDI Vocal Ensemble/James Weeks (Neu Records)A new CD from EXAUDI is a guaranteed treat for all...
Sarah Kent
Friday, 02 May 2025
A traditional Korean house has appeared at Tate Modern. And with its neat brickwork, beautifully carved roof beams and...
David Nice
Friday, 02 May 2025
Wagner’s universe, in the second of his Ring operas which brings semi-humans on board to challenge the gods, matches...
Sebastian Scotney
Friday, 02 May 2025
Does it spark joy? Yes, definitely...and maybe we music critics should ask the Marie Kondo question more often. London-based...
Helen Hawkins
Friday, 02 May 2025
The makers of The Extraordinary Miss Flower are billing it as a “performance film”, a subspecies of the concert-movie and...
Kathryn Reilly
Friday, 02 May 2025
Purporting to be a documentary about John Lennon in the 1970s, Borrowed Time is no such thing. Instead, we have a lot of fan...
Ellie Roberts
Friday, 02 May 2025
PUP’s Who Will Look After The Dogs? is a raw and emotionally charged album that captures the band’s chaotic spirit while...
Matt Wolf
Thursday, 01 May 2025
It's both brave and bracing to welcome new voices to the West End, but sometimes one wonders if such exposure necessarily...
Amelia Coburn
Thursday, 01 May 2025
“Sandra” is one of my favourite tracks from my album Between The Moon and the Milkman which was released last year. ...
Mark Kidel
Thursday, 01 May 2025
On the eve of recording an album at Real World Studios, guitarist Adrian Utley and the American trumpet player Eddie...
Liz Thomson
Thursday, 01 May 2025
Wow, can it really be 40 years since Solitude Standing, the second studio album by Suzanne Vega who put the 1980s folk...

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★★★★ LA SERENISSIMA, WIGMORE HALL A convivial guide to 18th century Bologna

★★★ DEALER'S CHOICE, DONMAR WAREHOUSE An ideal revisiting of Patrick Marber's play about risking all to move ahead

★★ THE EXTRAORDINARY MISS FLOWER Odd mashup of music, dance, film and spoken word

★★★ BORROWED TIME: LENNON'S LAST DECADE How the great man spent his thirties

AMELIA COBURN The rising folk star on her French inspiration

★★ MY MASTER BUILDER, WYNDHAM'S THEATRE Ewan McGregor headlines stillborn Ibsen riff

Q&A: DIRECTOR LEONARDO VAN DIJL discusses his sexual abuse drama 'Julie Keeps Quiet'

disc of the day

Album: Arcade Fire - Pink Elephant

Seventh from Canadian stadium-slayers contains enough juice to convince

The future of Arts Journalism

 

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Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

tv

Fake, ITV1 review - be careful what you wish for

Australian drama probes the terrors of middle-aged matchmaking

Formula E: Driver, Prime Video review - inside the world's first zero-carbon sport

F1's electric baby brother get its own documentary series

Flintoff, Disney+ review - tumultuous life and times of the great all-rounder

John Dower's documentary is gritty, gruelling and uplifting

film

theartsdesk Q&A: film director Déa Kulumbegashvili on her startling second feature, 'April'

The Georgian filmmaker talks about her award-winning abortion drama, motherhood and her relationship with the unknown

The Extraordinary Miss Flower review - odd mashup of music, dance, film and spoken word

A cache of love letters inspires samey songs and not enough wonder

Borrowed Time: Lennon's Last Decade review - how the great man spent his thirties

The former Beatle's final years discussed and dissected

new music

Album: Arcade Fire - Pink Elephant

Seventh from Canadian stadium-slayers contains enough juice to convince

Music Reissues Weekly: John McKay - Sixes and Sevens

The former Siouxsie and the Banshees guitarist digs through his archive and finds treasure

classical

Classical CDs: Chinese poetry, rollercoasters and old bookshops

Swiss contemporary music, plus two cello albums and a versatile clarinettist remembered

La Serenissima, Wigmore Hall review - a convivial guide to 18th century Bologna

This showcase for baroque trumpets was riveting throughout

Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review - family fun, fire and finesse

Intimacy and empathy in a varied mixture from the star siblings

opera

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Pimpinone, Royal Opera in the Linbury Theatre review - farce with a sting in its tail

Telemann’s comic opera hits the mark thanks to two fine, well-directed young singers

Die Walküre, Royal Opera review - total music drama

Kosky, Pappano and their singers soar on both wings of Wagner’s double tragedy

theatre

Krapp's Last Tape, Barbican review - playing with the lighter side of Beckett's gloom
The Irish actor Stephen Rea is a silent-movie Krapp to treasure
Dealer's Choice, Donmar Warehouse review - fresh take on a classic about male self-destruction
An ideal revisiting of Patrick Marber's play about risking all to move ahead

dance

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The Forsythe Programme, English National Ballet review - brains, beauty and bravura

Once again the veteran choreographer and maverick William Forsythe raises ENB's game

Sad Book, Hackney Empire review - What we feel, what we show, and the many ways we deal with sadness

A book about navigating grief feeds into unusual and compelling dance theatre

comedy

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Greg Davies, Brighton Dome review - chocolate bars and errant bumholes

Taskmaster's first tour in seven years is a joy

Marcus Brigstocke, Touring review - modern manhood laid bare

Observations on what it is to be a bloke today

Books

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Zsuzsanna Gahse: Mountainish review - seeking refuge

Notes on danger and dialogue in the shadow of the Swiss Alps

latest comments

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the review doesn't match the score. you only have...

Tripla means Treble in hungarian, Three is Három...

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