wed 30/04/2025

theartsdesk com, first with arts reviews, news and interviews

Theartsdesk
Wednesday, 01 October 2025
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and intensive months when a disparate and eclectic...
Helen Hawkins
Wednesday, 30 April 2025
Patrick Marber’s powerful debut about gambling men is 30 years old, born as the Eighties entrepreneurial boom was starting to sour but before poker become a game for mathematical...
Pamela Jahn
Wednesday, 30 April 2025
"Julie's story takes place everywhere", says the writer-director Leonardo Van Dijl, whose psychological drama Julie Keeps Quiet has little to do with its sports milieu per se...
Kieron Tyler
Wednesday, 30 April 2025
Over its crisp 32 minutes and nine songs, Altogether Stranger embraces electropop, lo-fi terrain and gothic solo contemplation. By deconstructing modern R&B, the upbeat “Come...
Gary Naylor
Tuesday, 29 April 2025
Fragile egos abound. An older person (usually a man) has to bring the best out of the stars, but mustn’t neglect the team ethic. Picking the right players is critical. There’s...
Leila Greening
Tuesday, 29 April 2025
Mountainish by Zsuzsanna Gahse is a collection of 515 notes, each contributing to an expansive kaleidoscope of mountain encounters. Translated from the German by Katy Derbyshire...
Graham Rickson
Tuesday, 29 April 2025
All We Imagine as Light focuses on the lives of three women in contemporary Mumbai; as shown by director Payal Kapadia, the...
Boyd Tonkin
Monday, 28 April 2025
I came to Isata and Sheku Kanneh-Mason’s Wigmore Hall recital on Saturday armed with a certain degree of scepticism. Not...
Robert Beale
Monday, 28 April 2025
Opera North have recently pioneered a way of presenting some big works which they call “dramatic concert stagings”,...
David Nice
Monday, 28 April 2025
Transcendence is everywhere in Mahler’s most ambitious symphony, from the flaming opening hymn to the upper reaches in the...
Mark Kidel
Monday, 28 April 2025
Following a tradition that reaches back to the The Who’s Tommy, bands and musicians with serious artistic ambition have...
Kieron Tyler
Sunday, 27 April 2025
The blurb on the front of the double-CD set The Hamburg Repertoire says it collects “The original recordings of songs...
David Nice
Saturday, 26 April 2025
“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its...
David Nice
Saturday, 26 April 2025
Back in 2009, there were Ben and Wystan on stage (Alan Bennett’s The Habit of Art). Last year came Ben and Master David...
Rachel Halliburton
Saturday, 26 April 2025
In 2012, an eight-hour long version of F Scott Fitzgerald’s The Great Gatsby arrived in London at the Noel Coward...
Hugh Barnes
Saturday, 26 April 2025
The English title of a new film about the legendary singer-guitarist Stelios Kazantzidis, who popularised rebetiko, which is...
Thomas H Green
Saturday, 26 April 2025
There’s this mod milieu, harking back to the Eighties. Weller at the forefront; Dr Robert and his Blow Monkeys; all...
Adam Sweeting
Friday, 25 April 2025
It’s been nine years since Ben Affleck’s original portrayal of Christian Wolff in The Accountant, who’s not only an...
Helen Hawkins
Friday, 25 April 2025
The Finborough has once again performed the miracle of creating a whole world in its intimate space: this time, inter-war...

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★★★ BEN AND IMO, ORANGE TREE Let’s make a coronation opera, with bags of dramatic licence

★★★ STELIOS Big fat Greek biopic hits the high notes but lacks punk spirit

★★★★ FLINTOFF, DISNEY+ Tumultuous life and times of the great all-rounder

THEARTSDESK Q&A Filmmaker Miguel Gomes on his latest exotic opus, 'Grand Tour'

★★★ PHILHARMONIA, ALSOP, RFH / ★★★★★ LEVIT, ABRAMOVIC , QEH - Kentridge’s film for Shostakovich 10 goes its own way, but a master compels in his 13th hour of Satie

disc of the day

Album: Lael Neale - Altogether Stranger

Arresting art pop with a touch of creepiness

The future of Arts Journalism

 

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Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

tv

Flintoff, Disney+ review - tumultuous life and times of the great all-rounder

John Dower's documentary is gritty, gruelling and uplifting

MobLand, Paramount+ review - more guns, goons and gangsters from Guy Ritchie

High-powered cast impersonates the larcenous Harrigan dynasty

film

theartsdesk Q&A: director Leonardo Van Dijl discusses his sexual abuse drama 'Julie Keeps Quiet'

The Belgian filmmaker unfolds an all too familiar tragedy in the world of tennis

DVD/Blu-ray: All We Imagine as Light

Epic but intimate Cannes prize-winner, ripe for repeated viewings

Stelios review - Athenian rhapsody in blues

Big fat Greek biopic hits the high notes but lacks punk spirit

new music

Album: Car Seat Headrest - The Scholars

A rock opera too scholarly?

Music Reissues Weekly: The Hamburg Repertoire

Perplexing compendium of songs The Beatles covered while playing the German port city

Album: Dr Robert & Matt Deighton - The Instant Garden

A couple of old mods waft into delightfully Seventies hippy territory

classical

Sheku Kanneh-Mason, Isata Kanneh-Mason, Wigmore Hall review - family fun, fire and finesse

Intimacy and empathy in a varied mixture from the star siblings

Mahler 8, LPO, Gardner, RFH review - lights on high

Perfect pacing allows climaxes to make their mark – and the visuals aren’t bad, either

Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - misalliance and magical marathon

Kentridge’s film for Shostakovich 10 goes its own way, but a master compels in his 13th hour of Satie

opera

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Simon Boccanegra, Opera North review - ‘dramatic staging’ proves its worth

Verdi’s political tragedy - and plea for peace - has impact in a grand Yorkshire setting

theatre

Dealer's Choice, Donmar Warehouse review - fresh take on a classic about male self-destruction
An ideal revisiting of Patrick Marber's play about risking all to move ahead
Much Ado About Nothing, RSC, Stratford - Messina FC scores on the bardic football field
Garish and gossipy, this new production packs a punch between the laughs

dance

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The Forsythe Programme, English National Ballet review - brains, beauty and bravura

Once again the veteran choreographer and maverick William Forsythe raises ENB's game

Sad Book, Hackney Empire review - What we feel, what we show, and the many ways we deal with sadness

A book about navigating grief feeds into unusual and compelling dance theatre

comedy

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Greg Davies, Brighton Dome review - chocolate bars and errant bumholes

Taskmaster's first tour in seven years is a joy

Marcus Brigstocke, Touring review - modern manhood laid bare

Observations on what it is to be a bloke today

Books

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Zsuzsanna Gahse: Mountainish review - seeking refuge

Notes on danger and dialogue in the shadow of the Swiss Alps

latest comments

Seen it last night in NYC, was a bit of a let...

I think the series portrays a parallel vision...

Yep. It's an incredible album.

the review doesn't match the score. you only have...

Tripla means Treble in hungarian, Three is Három...

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