There is a jovial intensity about the Jeremy Ledbetter Trio. As they launch vivaciously into the second set of their visit to a packed…

One completely joyous moment has eclipsed all my other impressions of this Glyndebourne Entführung revival. By the end of Act 1 of the…

At every turn in Matthew Bourne’s The Car Man, references to other stories pop up. There are the murderous sexual shenanigans of The…

Tom Holland is 30 now, and after a decade in the role his boyish Spider-Man muscularly comes of age in this fourth solo outing. A montage…

The staggering musical talent of Citizen has become more and more apparent with each album they have released, and Halcyon Blues …

“She said her life was like a motorway… dull, grey, and long.” The lyrics of “Like a Motorway,” from Saint Etienne’s February 1994 album…

What can you do with lots of big sheets of white paper, three rolls of Sellotape and a couple of torches? These are items from the “props…

Attending the tale of Sweeney Todd was my introduction to musical theatre. I was in my early 20s and a friend of mine had invited me to the…

Is this the near-future? The premise of Ann Droid is that in place of our over-stretched social services, before long we may find ourselves…

  Saxophobia: Celebrating the Sax Craze of the 1920s Chad Smith (alto and C-melody saxophones), Sinfonia of London/John Wilson (…