Geoffrey Burgon revisited, 1941-2010

RIP the composer of the Brideshead theme

share this article

Geoffrey Burgon: tinker, tailor, soldier, composer

To most the music will be more familiar than the name. Geoffrey Burgon, who has died, devoted only a minor portion of his career to composing for television.

He also wrote for piano, for trumpet (which he studied at Guildhall School of Music and Drama), for guitar quartet and all manner of chamber group. In 1991 he composed an operatic version of Dickens's Hard Times. Above all he composed for choirs - most notably his Requiem for the Three Choirs Festival in 1976.

From the sublime he was quite happy to accept commissions with a more ridiculous flavour, among them Monty Python's The Meaning of Life and Doctor Who in the mid-1970s during the Time Lord's classic incarnation as Tom Baker. Here is a brief musical clip from Terror of the Zygons (1975).

But the music he has left imprinted indelibly on the minds of millions occurs in two great television dramas from the golden age, made either side of 1980. In 1979 he won the Ivor Novello Award for his Nunc Dimitis, which played over the closing credits of the BBC's adaptation of John Le Carre's Tinker, Tailor, Soldier, Spy.

Two years later he won the same award again for the theme tune which to this day is associated with the lush production values of Granada in its overspending heyday: Brideshead Revisited.

When he was invited to compose the theme tune for The Forsyte Saga, it was evident that his gift for enshrining in the alloted two minutes the romantic populist sweep of the preceding drama was undimmed.

  • More about Geoffrey Burgon's career on his website
  • Find the work of Geoffrey Burgon on Amazon

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment

rating

0

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more tv

You can fool all the people some of the time, and some of the people all the time...
Harlan Coben thriller does what it says on the tin
Second series of CIA drama ratchets up the pressure
A cancer operation is just one of the trials ahead for Diddly Squat in a moving new season
The 'Bergerac' star discusses his detective skills, playing troubled men and taking on his first theatre role after a nine-year hiatus
Friendships tested to destruction in Catherine Shepherd's satirical drama
Steve Coogan and Tom Burke lead a formidable cast in Neil Forsyth's drama
Gripping three-part saga is smarter than the average pop-doc
The latest helping of the Jilly Cooper adaptation is much like the first: sparky, filthy fun
The Tony Award-winning star talks female power, sexism and becoming more Scottish with age
Sheridan Smith and Michael Sorcha prove a winning team in this unexpected treat