TV
Adam Sweeting
I had been planning to speculate about what might happen in the finale of Public Enemies, but its three-night run was shifted back a day to accommmodate a Panorama special about the Stephen Lawrence case. Thus we only have the opener to go on, in which convicted murderer Eddie Mottram (Daniel Mays, pictured below) was released after serving 10 years in jail, and was assigned to the probationary care of Paula Radnor (Anna Friel).It frequently looked as if Friel had been condemned to a repeat of her recent role in ITV1's Without You, where she moped about neurotically and became convinced her Read more ...
Jasper Rees
Diehard Morsians have been harbouring murderous thoughts ever since it was announced. No doubt they communicate these to one another in fiendish acrostics and cryptic clues. It was one thing giving Lewis his own spin-off, quite another to bring Morse back to life in the form of a prequel. The heretical suggestion of Endeavour is that the grumpy old sleuth did not in fact spring fully formed into the world in the shape of John Thaw, with that slow world-weary lope and a withering glare lurking in those iridescent peepers.Well, at least the eyes have it. Shaun Evans is in most respects a Read more ...
Adam Sweeting
Robert Louis Stevenson's classic swashbuckler has been made into countless films and TV series in several languages, and has survived Muppet Treasure Island as well as an interstellar Disney animation called Treasure Planet. Pleasingly, Sky1's new version made a fine addition to the lineage, combining a shrewdly picked cast with lush production values while retaining much of the darkness and menace of Stevenson's novel.The opening scenes established an appropriate atmosphere of near-supernatural dread, as the crazed Billy Bones (David Harewood, pictured right) arrived at the Admiral Benbow Read more ...
igor.toronyilalic
We laughed. We cried. We cursed. We gulped. Not at fiction. But at fact. At the real world. The year's best theatre? Murdoch vs Watson. Thriller? The hunt for Osama. Horror? The Japan tsunami. Finest comedy? The Beeb's year long genuflection. Best opera/installation? The funeral of Kim Jong-Il. This was the year that reality trounced art.News channels thrived as their bulletins played out these teeth-janglers. Some were short explosive little numbers; others seemed determined to become five acters. Narratives were complex, characters unforgettable, visuals motley. The world mostly huddled Read more ...
graeme.thomson
My, but it’s been a bumper few months for the Baker Street Boy. There’s been Anthony Horowitz’s superior new Holmes novel, The House of Silk, Guy Ritchie’s second instalment of his steampunk take on Sherlock as karate-kicking action hero, and now the return of the BBC’s stylish reboot of Holmes as a new millennium net 'tec. And what a lot of fun it was. There may be helicopters, webcams and Wi-Fi, and Dr Watson may be blogging rather than scratching away at the old pen and ink, but still the essence of what makes Holmes such an enduringly compelling fictional figure was evident in spades.The Read more ...
Jasper Rees
On Easter Monday, as the sun came down over the sea, a crowd of 15,000 – it’s not quite right to call them theatre-goers – followed Michael Sheen as he dragged a cross to Port Talbot’s own version of Golgotha, a traffic island hard by Parc Hollywood. The culmination of a three-day epic, The Passion of Port Talbot was street storytelling at its most transformative. The cast of thousands, including local am drammers and the Manic Street Preachers, were dragooned by WildWorks, National Theatre Wales and, above all, Sheen, whose year this was.His sectioned Hamlet at the Young Vic underlined what Read more ...
mark.kidel
In a year of mounting turmoil and uncertainty, it was easy to fall back on safe bets and comfort-zone reassurance. Addictive TV series offered a welcome haven from the angst of financial meltdown: Sarah Lund’s melancholy airs in The Killing offered a homeopathic cure for the gloom of double-dip recession. Breaking Bad, the saga of the cancer-struck physics teacher who takes to a life of crime was dark, funny and endlessly surprising. Downton Abbey, by way of a contrast, was well made and watchable, in a warmly soporific kind of way.TV continued to thrive on the cult of celebrity, spewing out Read more ...
Ismene Brown
Commercial TV's most influential and controversial figure Peter Bazalgette, mastermind of TV's Big Brother, Ground Force, Deal or No Deal and Ready, Steady, Cook!, is one of four arts knights announced in the New Year Honours. Bazalgette becomes a Sir alongside the Royal Opera House's musical director Antonio Pappano, Apple's chief designer Jonathan Ive and V&A Museum chairman and arts patron Paul Ruddock.Actress Helena Bonham Carter and comedian Ronnie Corbett become CBEs, as do Scottish Gallery director James Holloway, broadcaster Clive James and the record producer Steve Read more ...
Graham Fuller
My Top 10 movies of 2011, in order, are: Mysteries of Lisbon, Melancholia, Meek’s Cutoff, A Dangerous Method, Aurora, Hugo, The Princess of Montpensier, City of Life and Death, The Descendants, Midnight in Paris.While I couldn't sneak a British title onto that list, it seems to me that UK film is flourishing for the first time since the false dawn of the 1980s. It would be folly to suggest a renaissance is afoot, but it's clearly an exciting time. Lynne Ramsey, who should be making a movie annually, returned after a nine-year hiatus with Read more ...
Veronica Lee
It's interesting to consider at what point in someone's career does he or she become a national treasure - as Alan Bennett once so scathingly remarked, “If you live to be 90 in England and can still eat a boiled egg they think you deserve the Nobel prize” - but there can surely be no debate about whether Dame Judi Dench deserves her status.Geoffrey Palmer said of his co-star for several years on the BBC sitcom As Time Goes By, “She's everything that everyone says about her” - and what they had to say about her in Charlie Stuart's The Many Faces of Dame Judi Dench was overwhelmingly nice Read more ...
bruce.dessau
I have always fought hard to resist nostalgia, but 2011 was the year when I succumbed. Maybe the present – and the future – was just too awful to contemplate, but I found myself constantly looking back. Whether it was onstage, onscreen or on a hand-held device the past seemed to provide the requisite cultural comfort food. Dessau Towers remains a dubstep-free zone.The tipping point was one weekend in July when Morrissey pitched up in a Kent field and delivered a sublime greatest hits set. Like many middle-aged people he went through a phase of rejecting his youthful outbursts, but now he is Read more ...
graeme.thomson
We have, thankfully, long since moved beyond the point where there's any need to delineate or categorise works of art according to gender. However, looking back at 2011 it's hard to escape the conclusion that the most compelling music emerged from the mouths and minds of women.Mara Carlyle’s Floreat is simply a triumph. Her songs depart from points as varied as John Dowland and Hot Chip to encompass music hall, jazz, classical and peppy electronic pop, all strung together to create something unified and entirely her own. There’s nothing clever-clever about any of it, and while at times deeply Read more ...