tragedy
Treason The Musical In Concert, Theatre Royal Drury Lane review - plenty of musical gunpowder but not enough plotThursday, 25 August 2022
A semi-staged concert performance of a musical is a little like a third trimester ultrasound scan. You should see the anatomy in development, the shape of what is to come and, most importantly, discern a heart beating at its centre. But you can’t... Read more... |
Closer, Lyric Hammersmith review - still sordid and sexy 25 years onFriday, 22 July 2022
Drama is writing in thin air, its content instantly spirited away into unreliable memory, so if a play is to be revived a quarter century on from its first run, it has to say something substantial about the human condition. Patrick Marber's Closer... Read more... |
Age of Rage, Internationaal Theater Amsterdam, Barbican review - shattering assault on all the sensesMonday, 09 May 2022
Hunger for the gruesome horrors and euphoric highs of Greek tragedy seems to be stronger than ever. Yet when it comes to epic sequences, nothing in recent decades has quite had the impact of Peter Hall’s Aeschylus Oresteia at the National Theatre or... Read more... |
The Misfortune of the English, Orange Tree Theatre review - don't fret, boys, it's only deathFriday, 06 May 2022
“We all make history, one way or another.” But some of us make more history than others, and a group of 27 English schoolboys who got lost in Southern Germany in 1936 haven’t made much, unfortunately. Scottish playwright Pamela Carter has brushed... Read more... |
Peter Robison: Flying Blind review – a story of decline and crawlTuesday, 30 November 2021
Thomas Pynchon’s saturnine '70s novel Gravity’s Rainbow (1973) begins with “[a] screaming [that] comes across the sky. It has happened before, but there is nothing to compare it to now.” In contrast, on 10 March 2019, when a Boeing 737 MAX operated... Read more... |
Selva Almada: Brickmakers review – men dying for loveMonday, 01 November 2021
To make bricks you torment the soft, moist and fluid material of clay and sand in a prison of fire until it becomes dry, hard and unyielding. In Selva Almada’s rural Argentina, that’s also how you make – and break – men. Brickmakers is the third of... Read more... |
The Memory of Water, Hampstead Theatre review – uneasy tragi-comedyMonday, 13 September 2021
Memories are notoriously treacherous — this we know. I remember seeing Shelagh Stephenson’s contemporary classic at the Hampstead, when this venue was a prefab, and enjoying Terry Johnson’s racy staging, which starred Jane Booker, Hadyn Gwynne and... Read more... |
Paradise, National Theatre review - war, woe, and a glimmer of hopeFriday, 13 August 2021
Philoctetes, Odysseus, Neoptolemus: the men’s names in Sophocles’ Philoctetes are all unnecessarily long and weighed down by expectations. Poet Kae Tempest’s lyrical new adaptation for the National Theatre focuses on the chorus, spinning out the... Read more... |
Nguyễn Phan Quế Mai: The Mountains Sing review - a lyrical account of Việt Nam’s brutal pastSunday, 30 August 2020
“The challenges of the Vietnamese people throughout history are as tall as the tallest mountains. If you stand too close, you won’t be able to see their peaks. Once you step away from the currents of life, you will have the full view…” This is the... Read more... |
Elektra, Salzburg Festival, Arte review - distancing, but not in the physical senseTuesday, 04 August 2020
So much for the assertion that nowhere in the world would be staging the big Strauss and Wagner operas for the indefinite future. With a combination of lavish funding and good pandemic management on Austria's part, it’s been possible in Salzburg.... Read more... |
Theatre Unlocked 2: A starry premiere and musical revival alongside Greek tragedy where it beganThursday, 23 July 2020
Theatres will begin gently unlocking their doors as we head into August. In the meantime, a beleaguered community continues to find fresh and startling ways to sustain interest and excitement, whether that be the premiere of a new play starring... Read more... |
Blueprint Medea, Finborough Theatre online review – well-meaning but clunky updateThursday, 16 July 2020
Medea is the original crazy ex-girlfriend: the wronged woman who takes perfectly understandable revenge on the man who made her life hell. In Blueprint Medea, a new adaptation premiered at the Finborough Theatre in May 2019 and available on YouTube... Read more... |
