South Africa
Selaocoe, Schimpelsberger, LSO, Ward, Barbican review - force of nature crowns dance jamboreeFriday, 17 November 2023
It was good of the EFG London Jazz Festival to support this concert and bring in a different audience from the one the LSO is used to. But how to define it? Jazz only briefly figured in works by Gary Carpenter, Bartók, Barber and Abel Selaocoe. The... Read more... |
DVD/Blu-ray: Cry, the Beloved Country (1951)Tuesday, 10 October 2023
Movie Blu-rays and DVDs brim with superficially engaging extras that frequently fail to illuminate the main attraction. The opposite is true of Cry, the Beloved Country, which has been restored in 4K and newly released in StudioCanal’s Vintage... Read more... |
Edinburgh Fringe 2023 reviews: Dark Noon / Concerned OthersWednesday, 23 August 2023
Dark Noon, Pleasance at EICC ★★★★★If there’s a more ambitious theatre production than Dark Noon at the Fringe this year, I’ve yet to see it. That’s ambitious in terms of its staging: during the course of the show’s 100 minutes (yes, it’s a... Read more... |
The Sacrifice, Dada Masilo, Brighton Dome review - eye-popping dance from South AfricaFriday, 24 February 2023
The Soweto-born dancer-choreographer Dada Masilo has made her name telling classic European stories in African dialect. The last piece she toured in the UK was a striking Giselle in which the avenging Wilis were not undead brides but ancestral... Read more... |
William Kentridge, Royal Academy review - from art to theatre, and back againMonday, 24 October 2022
South African artist William Kentridge appears on video in his studio, twice. On the right he sits scribbling, waiting for an idea to surface. Meanwhile his alter ego stands impatiently by, trying to peek at his other half’s notes and, desperate for... Read more... |
theartsdesk Q&A: Abel SelaocoeFriday, 23 September 2022
South-African cellist Abel Selaocoe is about to begin his third major concert in London in under a year. As the support artist for kora player Ballake Sissoko and cellist Vincent Segal at the Roundhouse in January, he received a lengthy ovation for... Read more... |
TUKS Camerata, Voces8 Live from London online review - a diverse choral selectionTuesday, 30 August 2022
The Voces8 Live from London, now in its seventh iteration, has progressed from streaming choral chamber music from an empty studio to an 80-strong visiting choir in a packed Christ Church, Spitalfields. In doing this the festival has retained its... Read more... |
Blk Jks, Moth Club review - Johannesburg’s art-rockers are more straightforward live than on albumThursday, 23 June 2022
Figuratively, “Tselane” is Blk Jks’s “Stairway to Heaven.” Both songs begin quietly and move through passages of turbulence suggesting an impending tempest. Each has a command of dynamics which pulls the listener in, generating anticipation for what... Read more... |
Album: Wren Hinds - A Child's Chant for a New MillenniumThursday, 02 June 2022
Side Two of A Child’s Chant for a New Millennium opens with “Wrenbird,” a consideration of whether it’s possible to have a bird’s freedom of mobility. “Anywhere but here,” sings Wren Hinds. He may not be happy where he is, but the accompanying... Read more... |
William Hurt, great Hollywood contrarian, has died at 71Sunday, 13 March 2022
No actor had a classier time of it in the Eighties than William Hurt, who has died at the age of 71. Ramrod tall, blue-eyed and aquiline, with a high forehead swept clear of thin fair hair, he was a brash decade's intelligent male lead. Those years... Read more... |
Antony Sher: 'I discovered I could be other people'Monday, 06 December 2021
The energy of Antony Sher, who has died at the age of 72, was prodigious. He not only acted like a fizzing firecracker. He wrote books about his most celebrated roles, and several novels set in his native South Africa. He also wrote plays, and he... Read more... |
Statements After an Arrest Under the Immorality Act, Orange Tree Theatre review - a blast from the past with lessons for todayTuesday, 07 September 2021
Even if you miss the play’s title and do not recognise the writer’s name with the heft of reputation that comes with it, as soon as you see the black man and the white woman speaking in South African accents, you know that the tension that... Read more... |
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