soul music
Kieron Tyler
Although it’s indirect, the overall feel of In Order To Know You points to where jazz and soul meet – a space analogous to that occupied by The Rotary Connection, Seventies Curtis Mayfield, Neneh Cherry, the early Camille and the warmer end of trip-hop. It’s an impression fostered by shuffling drums, interlacing brass and undulating strings. Nonetheless Deep Throat Choir's second album is explicitly – as their handle acknowledges – about the voice, the merging of voices. Eleven voices. Sometimes in unison behind a soloist, at other times weaving in and out of each other.On the title Read more ...
peter.quinn
A celebration of that most extraordinary instrument, the human voice, this year’s edition of Jazz Voice – which gladly welcomed back a live audience and a full-strength EFG London Jazz Festival Orchestra – ranged from music of intimate delicacy to stunning virtuosity. Across two separate sets, eight singularly gifted artists showcased their distinctive storytelling gifts, enveloped by Guy Barker’s richly detailed arrangements.Georgia Cécile kickstarted proceedings in impressive style with “The Month Of May” from her all-original debut album – recently nominated in this year’s Scottish Jazz Read more ...
Joe Muggs
“Flashbacks / driving in your car volume pushed right up to max / all those late nights I’d try to drink them back” These are almost the first words you hear on this record, coming in as South London Afrobeats producer P2J’s bass tones roll in on the opener “Under my Skin”. And they’re a perfect introduction to the theme and mood of the record too. It’s over five years since Katy B’s third album, Honey; back then she was still the unofficial narrator of millennial club culture, her songs perfectly catching the whirl of the dancefloor and hypersociality, locked exactly into the finest dance Read more ...
Joe Muggs
George Evelyn is one of British music’s more interesting characters. With equal parts Yorkshire bluntness, hip hop swagger and cosmic dreams, he has filled Nightmares On Wax’s beat collages and soul grooves with soundsystem heft and endless inventiveness for over three decades now. Ever since the N.O.W. sound really hit its stride on the second album, 1995’s Smoker’s Delight, it’s been like a slow, deep river meandering through the musical landscape: sometimes livelier, sometimes stagnating a little, but always making its own way with no need to change or divert for anything. On this, Read more ...
Kieron Tyler
While there’s undoubtedly some of “Papa Was a Rollin' Stone” in Rare Earth’s “Come With me”, another correspondence also immediately springs to mind – the Melody Nelson-era Serge Gainsbourg. And maybe, due to the female moaning, the “Je T’Aime”-period Gainsbourg too. The track-by-track commentary in the booklet with Psychedelic Soul - Produced By Norman Whitfield notes the resemblance of the 1973 single to the creations of France’s prime musical provocateur, but also says that “Come With me” was anomalous for Rare Earth, a band which usually traded in a form of soul-rock. It was Norman Read more ...
Harry Thorfinn-George
Neo Jessica Joshua, better known as Nao, has been consistently putting out good – often excellent – music since 2014. Back then she was making off-kilter, funky R&B that felt both retro and futuristic. Since then she’s grown as an artist on both 2016’s For All We Know and 2018’s Saturn. And Then Life Was Beautiful is her third album and the emotional accumulation of the past few years. After burning out and struggling with writer's block, an eye-opening trip to South Africa and becoming a mother were catalysts for a renewed creativity. As a result, these songs feel Read more ...
Joe Muggs
The UK is currently in the middle of a jazz, funk and soul renaissance. Homegrown, grassroots talent is producing an abundance of glorious music both retro and forward facing, in a way not seen since the combined influence of Soul II Soul and the acid jazz scene created a wave of groove in the early-mid Nineties. A lot of it has a powerful contemporary political edge too, taking cues from Black Lives Matter and incendiary Stateside releases by D’Angelo and Solange in the last decade – from SAULT to Shabaka Hutchings, Jorja Smith to Joel Culpepper, this is music with heart, brains and Read more ...
Joe Muggs
Scottish singer-songwriter Dorothy Allison pretty much defines cool. Her band One Dove was the first to snare Andrew Weatherall as producer after his success with Screamadelica, and together they created Morning Dove White: an extraordinary album that fused country and western melancholy with deep dub and electronica. It brought extraordinarily grown up emotion to the rave generation and creating the archetypal comedown soundtrack to the devoted few who loved it.Since then she’s worked with everyone from Massive Attack to Paul Weller, Death In Vegas to Pete Doherty (he used to be talented and Read more ...
Nick Hasted
The sleeve splices Little Richard and Sam Cooke in an archaic, explosive burst of ecstasy. Neo-soul star Leon Bridges’ third album doesn’t settle in the past, though. Taped far from his Forth Worth, Texas hometown in Hollywood, local clubland sounds helped fuel its liquid summer drift, a quiet storm brewed in nocturnal sessions over hip-hop beats, and burnished by jazz brass. At its heart, Bridges’ voice has the tender, aerated grace of the great soul singers before him. But broader R&B currents breeze through Gold-Diggers Sound.Robert Glasper, the keyboardist whose album Black Radio ( Read more ...
Joe Muggs
For 25 years now, LA label Stones Throw records has become one of the most reliable brands in music. It began with, and has always been associated with, the leftfield hip hop of founder George “Peanut Butter Wolf” Manak, and regular contributors Madlib and J Dilla. But from very early on, it was heavily invested also in the music that hip hop sampled, signing live bands, mining archives for reissue and providing platforms for underappreciated musical elders, always with emphasis on the strange and stoned – so in fact its aesthetic overall is probably better summed up as psychedelic soul Read more ...
Mark Kidel
Chet Faker is Melbourne-born musician Nick Murphy’s alter ego, an avatar he has stepped in and out of with gentle grace over more than a decade of finding a voice that's very much his own. Once described in The Guardian as a purveyor of “mellow-electronic-pop”, he is actually something else, closer to the sensuality and slow drag of soul, lilting along to very relaxed beats that have an almost trip-hop feel.“Hotel Surrender” is an apt title for an album that has that otherworldly insouciance found in the well-scrubbed anonymity of a hotel. There is also the soothing quality that comes from Read more ...
Joe Muggs
It’s kind of surprising Jimmy “Jam” Harris and Terry Lewis have never made an album as Jam & Lewis per se before now. The two have conquered the world, more or less: their band The Time was Prince’s regular support act in his breakthrough years, as a star production / songwriting duo they’ve written 41 US Top 10 hits over the years, and they have 27 Grammy nominations and five wins. Their most famous work was with Janet Jackson in her imperial phase, but they’ve provided a golden touch for everyone from Usher and Boys II Men to George Michael and The Human League.But now, at the ages of Read more ...