sex
alexandra.coghlan
Published in 1987, Norwegian Wood was the novel that turned Haruki Murakami from writer to celebrity in his native Japan. With over 12 million copies sold internationally and a cult of devoted readers waiting fretfully, the notoriously unfilmable book finally makes its screen debut under the direction of Tran Anh Hung. Described by the author simply as “a love story”, this most conventional of Murakami’s narratives picks through the emotional detritus of a teenage suicide, exposing the strands of grief and sexuality that bind our hero Watanabe to the women in his life.“Life is too short to Read more ...
Jasper Rees
It is regularly cited as quite the grossest moment in the Top 1000 gross moments in gross-out comedy. Flooping out of Ben Stiller, dangling off his earlobe, whence Cameron Diaz takes a pinch to stiffen her hair flick: the world-famously icky spunk-gel sight gag. The Farrelly Brothers have never been ones to duck a gross-out challenge, and in Hall Pass they may have just knocked their own There’s Something About Mary off the Number One slot. Without bothering to rummage around the history of Things You Never Knew They Could Show in a Family Film, there's a shot in here which pushes the Read more ...
alexandra.coghlan
Meet Tom. He’s an Essex geezer with all the charm of a used toothpick, whose idea of romance is a cheeseburger on a bench in the Sainsbury’s car park. He can’t hold down a job, spends all girlfriend Cherelle’s money down the bookies, and expects her to cook, clean and run his bath – once she’s finished working two jobs of course. Enter the gum-chewing, ratings-chasing BBC Three guardian angel, ready to solve the problem in the most dramatic, exploitative and tabloid way possible. With the help of three “inspirational” female mentors, Tom must repent, change his wicked ways, and learn the Read more ...
aleks.sierz
In contemporary British drama, kids are usually either suffering or doomed innocents. But Winterlong's Oscar is different. He is a loner who was abandoned by his schoolgirl mum and his scary dad at the age of four years old, and tries to make his way in a chilly world armed only with his small but powerful reserves of love. The writing throbs like an infected wound, so you can see why actor Andrew Sheridan’s debut play was joint winner of the 2008 Bruntwood Prize for playwriting, receiving its premiere at the Royal Exchange Theatre in Manchester earlier this month, and now visiting the Soho Read more ...
graham.rickson
The clipped Fifties accents raise a smile for the first few minutes, but what’s startling about this new production of Terence Rattigan’s 1952 play is how universal, how timeless the story is. Director Sarah Esdaile wisely decides to play things respectfully straight, and within seconds the time and place, both beautifully evoked in Ruari Murchison’s detailed set, melted into irrelevance. Maxine Peake plays Hester Collyer, attempting suicide after her boyfriend Freddie has forgotten her birthday. After her life is saved by the enigmatic fellow tenant Mr Miller, her back story is slowly Read more ...
Veronica Lee
There's nobody who plays Ashton Kutcher quite like Ashton Kutcher and, in this pleasant and undemanding romcom, he plays another cute guy whom all the girls (and boys of course) swoon over. This time he’s Adam, the sweet and rather vulnerable twentysomething son of Kevin Kline’s rascally-old-devil father, who's three-times divorced, still doing drugs, and chasing young women as his 60th birthday looms.In fact, it’s that paternal girl-chasing on which this initially episodic film turns after we have met Adam and Emma (Natalie Portman) at several points in their lives - first as teenagers Read more ...
igor.toronyilalic
Look past the cum buckets, the trucker pussy, the fuck you-ing and cunt-hungry beasting (librettist Richard Thomas's words, not mine), the mountainous titties and cheap promotional candy that had been confected for the legions of rubbishy celebrity opera virgins scattered in the Royal Opera House audience at last night's world premiere and you will find a profoundly conservative, and mostly not unattractive, new opera in Anna Nicole.Most conservative was the story. Put-upon female has life destroyed for evening's entertainment - ie, classic operatic fallen-woman porn. Ask Violetta, Lulu Read more ...
alexandra.coghlan
Emlyn Williams may have been dubbed the “Welsh Noël Coward” and the action of his long-neglected Accolade may take place in a drawing room, but there’s little of the smiling social comedy to be found here. Trading sparkling cocktails and repartee for whisky and unpalatable truths, Williams’s play exposes the pinstriped hypocrisy of 1950s society – a society that will press its powdered cheek to all manner of sordidness in the name of Art, while recoiling from even a passing acquaintance with the workaday squalor of its members. Frank, and more than a little apt, the result is a stylish Read more ...
igor.toronyilalic
When future historians write the story of 21st-century film, Mike Figgis will play a founding father-like role. Figgis's Timecode (2000) was one of the world's first and most ambitious digital films. I still remember the excitement the day I saw it, the unified screen before me shattering into shards of narrative. This was the first film to sing in four simultaneously cast parts in the manner of a Bach fugue. Notwithstanding its many faults, it felt like the silver screen's Ring cycle. Last night saw Figgis try his hand at a real Gesamtkunstwerk, Donizetti's rarely heard Lucrezia Borgia Read more ...
Tom Birchenough
Miloš Forman’s second feature, from 1965, catches the absurd atmosphere of the director’s native Czechoslovakia with both quiet desperation and raw tenderness. Heroine Andula (Hana Brejchová) works in a shoe factory in a town where women outnumber men by 16 times – until it is announced that an army division is to be relocated there, to the excitement of the local girls. But it turns out they are reservists and considerably older and plumper than expected. Forman excels himself in the dance-party sequence which shows the clumsiness and vulnerability of both the would-be seducers and their Read more ...
Sam Marlowe
Becky Shaw is lonely, unattractively needy, nervous, hungry for affection, affirmation, security. We are all Becky Shaw. That’s a gross generalisation, of course – but then, generalisation is the language of Gina Gionfriddo’s play, which premiered in Louisville, Kentucky, prior to a 2009 off-Broadway run.A smart-mouthed, brittle comedy about the slippery politics of sex, dependency and what we choose to call love, the piece is crammed with zingers, but often feels like little more than a US sitcom: a well-crafted, sharply written sitcom, but for all its style a work that seems more concerned Read more ...
josh.spero
The first thing to make clear is that Robert Mapplethorpe, notorious for his photograph of himself with a bullwhip up his arse, is not really a photographer: he is a sculptor who works in the medium of photography. What else can explain the marble and ebony of his chiselled subjects, or the fact that most of the works selected for this show as responses to Mapplethorpe are sculptures?The Derrick Cross series is a perfect example. A nude, athletic black model looks like he has been hacked out of marble and then smoothed to a sheen by a loving creator, and the simple, still setting Read more ...