fri 30/10/2020

romantic comedy

Dolly Alderton: Ghosts review - a love story beyond romance

There’s something simultaneously cringey and also addictive about Dolly Alderton’s prose. Ghosts is definitely feminism lite, a palimpsest for young women in London who are into yoga and small plates. But that is not to detract from the fact...

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Louise Alder, Roger Vignoles, Wigmore Hall review - German Romanticism meets French eroticism

We may have started out among the wholesome pleasures of nature, but we ended up in the bedroom – once, that is, we had recovered from the flying breasts… Soprano Louise Alder’s recital – the last in the Wigmore Hall’s month-long lunchtime series –...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in...

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Sunnymead Court, Tristan Bates Theatre review - a lovely lockdown romance

The first words of Sunnymead Court, a new play at the Tristan Bates Theatre, are ominous. “We are transitioning from human experiences to digital experiences.” Oof. Thankfully, this isn’t another gloomy lockdown drama about the evils of Zoom quizzes...

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Broken Hearts Gallery review - effortfully entertaining

Remember when romcoms didn't try so hard? That question kept going through my head for the first half, or more, of Broken Hearts Gallery, a film from Canadian writer-director Natalie Krinsky that ultimately in tugging at the heart but has to go...

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Sleepless, Troubadour Wembley Park Theatre review - love from afar in this amiable musical

Originally due to premiere back in March, Sleepless – a musical version of the winning 1993 movie Sleepless in Seattle – now acts as a test case for the return of fully staged but socially distanced indoor theatre, AKA Stage 4 of the Government’s “...

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How to Build a Girl review - riotous fun

Ever felt like you could express yourself more freely, if only you could get away from everything that made you who are? British romcom How to Build a Girl tackles this paradox in joyful fashion, using the 90s music scene as the backdrop for a...

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Come As You Are review - a road trip with a difference

At a point in the early noughties, every third film was a teen comedy about a road trip to lose one's virginity. It’s a genre most were glad to see the back of. What a pleasant surprise Come As You Are is then, which brings much needed heart and...

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Love Sarah review - missing key ingredients

The cakes look great, but it's back to the recipe books in almost every other way for Love Sarah, a subpar film from director Eliza Schroeder about the struggles of a west London patisserie in the age of Brexit. The emergence of Schroeder's...

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Banana Split review - likable if essentially timid romcom

Is friendship mightier and more durable than sex? That's the proposition put forward by the engaging if ultimately cautious Banana Split, the Los Angeles-set romcom in which two teenagers become friends unbeknownst to the long-haired himbo boyfriend...

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A Rainy Day in New York review - one of Woody's later, patchy ones

Woody Allen’s filmography, like Michael Caine’s, is remorseless, accepting mediocre work to mine more gems than most. Even after his career and this film’s planned 2018 release became collateral damage to #MeToo and a revived child abuse allegation...

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Romantic Comedy review - a not-so-guilty pleasure

Only those who really love you can deliver the hard truths, and for filmmaker Elizabeth Sankey, that one love is romantic comedies. Better known as one half of band Summer Camp, Sankey is a self-confessed romcom expert, having watched nearly every...

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