rock
Russ Coffey
The last time Mr E toured these shores he looked as if he might be heralding the end of the world. Dressed all in white with a Moses beard and gangsta bandana, his songs were about inner struggle and personal redemption. Between songs he remained mute and mysterious. How things have changed. This year the band is touring the much fuzzier Wonderful, Glorious and last night Mark Everett hardly shut up.The change in mood was evident even before the band had taken to the stage. As I arrived “The Candy Man” from Willy Wonka & The Chocolate Factory was playing over the PA and there was a jolly Read more ...
Lisa-Marie Ferla
There’s something about the Arctic Monkeys that calls to mind the Rolling Stones. Not now, obviously - it might feel like it’s been forever since four messy hairdos and northern accents burst out of Sheffield, though in truth it’s only been about a decade - but the Stones that scandalised an America expecting another Beatles with their sleazy, bluesy rock. Recorded in California, if there’s one thing AM does not sound like it’s an album by a band whose name still sounds like a practical joke dreamed up in some spotty kid’s bedroom.Because AM is - despite a collection of song titles that come Read more ...
Peter Culshaw
“That was a bit of a dog’s breakfast,” said the guy in the row behind. Yes, but then the said canine repast can also no doubt be nutritious and delicious, for dogs anyway. The most dogs-breakfasty (in the bad sense) moment was right at the end, when the Stranglers played their greatest song “Golden Brown”, their immortal chanson to a girl and heroin.Somehow, perhaps it was just the weird acoustics, but by the time the percussion of the London Sinfonietta reached my seat it was a cacophony (the track, incidentally, alternates 6/8 and 7/8 rhythms, which seemed to cause confusion). The added Read more ...
Russ Coffey
Is the former Razorlight singer Johnny Borrell really the arse that many music fans seem to think? After his debut solo album was announced, the hubris of titles like “Pan-European Supermodel Song (Oh! Gina)” prompted a fresh round of ridicule. JB didn’t seem to notice or care. Even as he toured half-empty regional civic centres on the run-up to the album’s release, his self-confidence never wavered. Some call this behaviour delusional. But is it really? Unlike many of the vapid, wannabe Dylans who bother the indie charts, few could deny that Borrell has real talent. The disagreement Read more ...
Adam Sweeting
Rod Stewart isn't cool and he doesn't care. He made a complete pillock of himself with the likes of "Hot Legs" and "Do Ya Think I'm Sexy?", but they were some of his biggest-ever hits. He plunged gleefully into the WAGS-and-riches fantasyland of Los Angeles, became a living cartoon of pop star excess, and loved it. "I enjoyed myself hugely, every hour of every day," he told Alan Yentob in this entertaining Imagine... profile.Nonetheless, the success of his recent album Time, and matching live shows, represent a resounding comeback for Stewart. They've restored a chunk of the credibility that Read more ...
joe.muggs
This is not an easy record to get a handle on. When I first got it, I bounced through a couple of tracks idly, and it felt like it was coming from the messy genre fusions of the mid-90s – somewhere between trip-hop, indie-dance, rap-rock and mildly crusty festival-dub. There are growling guitars, indie-rock basslines, anthemic reggae horns, and frontman Joshua Idehen's voice, which lies somewhere between rapper, poet, singer and orator, all making it sound like a livelier take on Tricky, or maybe Roots Manuva fronting a rock band.But idle listening is not enough for this record. For one thing Read more ...
Adam Sweeting
"Queen Elizabeth Olympic Park" is a wonderfully grand name for the venue for this summer's Hard Rock Calling festival, but the reality doesn't quite match up. Rather than basking in the glory (and shiny new stadium architecture) of Mo and Jessica's triumphs from last summer, music fans found themselves a few hundred yards away on a drab swathe of stony wasteland, temporarily covered with artificial grass. Still, at least the sun blazed down and they'd got the beer tent sorted, with thirsty punters bundled in and out, several banknotes lighter, at unprecedented speed.Bruce Springsteen has Read more ...
Lisa-Marie Ferla
It is unfortunate that those who hate Deap Vally find it way easier to articulate why than those who love them. There’s little new in the bluesy, garage-rock riffs that pose and swagger their way through debut album Sistronix, and it’s not as if - on the evidence of the hidden a cappella track that closes off the album - they have the greatest voices. Even the two-piece, guitar and drums setup has been done before, with the White Stripes so obvious a reference point it would be negligent not to mention it.But it is its very simplicity that makes the Californian duo’s music so direct and so Read more ...
garth.cartwright
Having witnessed Neil Young’s shambolic O2 concert on Monday – Young treating the occasional venture into his back catalogue with listless contempt whilst serving up multiple banalities from his recent albums – I considered skipping seeing more veteran American rockers. But one should never pass on a chance to see The Stooges and, as their last London concert was in 2010 (beyond supporting Soundgarden in Hyde Park one sodden Friday last summer – what kind of insult is that where The Stooges open for Soundgarden?), the atmosphere before their Meltdown performance was one of huge expectation. Read more ...
Adam Sweeting
"Don't say it's over," wailed Neil Young at the end of "Hey Hey, My My", his raging anthem against the dying of the light which still sounds as bellicose and cantankerous as it did in 1979. And happily it isn't over yet, because on this evidence the 67-year-old Young still looks fighting fit and raring to run round-the-clock heavy metal marathons.He'd packaged the show with some wacky dramatic trappings that seemed to specifically reference the Rust Never Sleeps era from which "Hey Hey..." sprang. Back then he toured with a bizarre crew of "Road-Eyes", while here they were dressed in zany Read more ...
joe.muggs
The original Black Sabbath were a feat of engineering on a par with a classic Land Rover or an AK47. Everything about them was basic, brutal, unadorned and brilliantly functional – and as such achieved a very real, if rather grim, kind of beauty. So it's very nice indeed to see Tony Iommi's churning detuned guitar, Ozzy Osbourne's desolate howl (one of the most inhuman voices in popular music this side of Kraftwerk, in fact) and Geezer Butler's basslines and lyrics of alienation reunited, 35 years after they last recorded together.There are issues here. Sadly original drummer Bill Ward is Read more ...
Lisa-Marie Ferla
Reasons behind the prolonged absence of Queens of the Stone Age are legion, including line-up turbulence, successful side projects and the near-death experience of band linchpin Josh Homme. As if to acknowledge and compensate for the lengthy gap in new material since 2007‘s Era Vulgaris, there’s little that hasn’t been thrown into the ...Like Clockwork mix: power ballads, industrial sleaze, surprising reunions, the sound of broken glass - and Elton John on piano.That contribution - the joyous backdrop, half-buried in the mix, of a song called “Fairweather Friends” that begins like something Read more ...