rock
Kieron Tyler
It didn’t take long for The Stooges to acquire an afterlife. They played their final show in February 1974. In May 1975, Nick Kent wrote a multi-page feature for NME on the ups and downs of Iggy Pop and Co. In September 1975, Sounds reviewed a new album by the defunct band titled Metallic KO. One side of it was recorded at that final show.“I'm a tasteless little bastard and I really enjoy it,” wrote Giovanni Dadomo of the wreckage captured on the vinyl. “It's no great rock 'n' roll record per se. What I do believe is that it's an astonishing piece of documentary work, revealing as it does the Read more ...
Thomas H. Green
The music year draws to a close and theartsdesk on Vinyl presents its festive selection. We go easier on the cheesier at this time of year, but there are also gold nuggets in there too. Time to buy the vinyl lover in your life a little something? Here's a vibrant cross section of many, many kinds of music on plastic, running the gamut from Neil Diamond to a feminist concept album about mermaids. Dive in!VINYL OF THE MONTHTiña Positive Mental Health Music (Speedy Wunderground) + Tom Sanders Only Magic (Mosho Moshi)Usually December’s Vinyl of the Month is a Christmas album but this year, for Read more ...
Guy Oddy
Christmas albums are traditionally, pretty cheesy affairs and Seasonal Shift sees Tex-Mex rockers Calexico join in with the spirit of things, invite a disparate group of friends into the studio and lay the Panela on seriously thick. As well as some original tunes, which often find themselves channelling Roy Orbison at his most family-friendly, there are covers of songs by the Plastic Ono Band and Tom Petty, and even some surprising cultural cross-overs. There’s not too much that actually references a birth in Bethlehem though and sometimes it works and sometimes it really doesn’t. Quite what Read more ...
Thomas H. Green
Tankus the Henge are one of Britain’s most energized, entertaining and spirit-raising live bands. If they were allowed to endlessly tour the nation, exempt from lockdown rules, they could eliminate the COVID blues, concert by ebullient concert. They have not, however, in their decade-plus history, achieved crossover success, despite their two previous albums being joyous festival-friendly romps. For those who enjoy their sing-along burlesque, their latest is a welcome addition to the canon.The qualification of the last sentence is important. Tankus the Henge are an acquired taste, their Read more ...
Joe Muggs
Miley Cyrus has always been, broadly, A Good Thing. A Top Pop Star. A sassy, funny, puritan-scaring, omnisexual chaos monkey at the heart of pop culture, doing pretty much whatever she fancies when she fancies. Not that this has always meant she’s made good music, mind you. Over her six previous albums, she’s swerved through bubblegum pop, EDM, trap, Broadway showstoppers, raging dubstep, faux-lo-fi psychedelic chillwave (with The Flaming Lips in tow), straight country, and the rest. And while there have been gems at each stage of her career, there have also been quite a few hot messes along Read more ...
Thomas H. Green
Due to COVID-related nonsense too tedious to relate, this month’s theartsdesk on Vinyl was delayed. But here it is, over 7500 words on new music on plastic, covering a greater breadth of genres and styles than most major festivals. From reissues of some of the biggest bands that ever lived, to limited edition micro-releases from tiny independents, it’s all here. Dive in!VINYL OF THE MONTHKiko Dinucci Rastilho (Mais Um)São Paulo artist Kiko Dinucci has said, “The idea has always been to play the guitar as a percussion instrument.” Couldn’t agree more. Dinucci has iron in his musical blood and Read more ...
Liz Thomson
Elvis Costello’s was the last major concert before lockdown. At Hammersmith, I remember the feeling, a last hurrah as we stared into the abyss and the inescapable thought that we must have been experiencing something akin to what our parents and grandparents felt in early 1939. Like them we cannot have understood the perils that lay ahead, or the losses.Fearful of the risks faced by his team and his audience, Costello abandoned the tour with a few dates still to go and headed home to Vancouver where in lockdown he worked on tracks he’d already set down in sessions in Helsinki, Paris (where he Read more ...
Mark Kidel
As he cruises into the autumn of his life, 71 year-old Bruce Springsteen, The Boss, as he's generally known, revisits territory that will sound very familiar to his fans. Perhaps that's what's needed, at this time when those core American values he's sung about with enduring passion seem threatened as never before.There are new songs – like the title track “Letter to You”- that sound quintessential, as if nothing had changed: the trademark twangy guitars, rolling Hammond B Organ and churchy rock’n’roll piano, the romance of Bruce’s sweet desperado voice, wrapped up in a wall of sound that Read more ...
Adam Sweeting
Towards the end of this new documentary, an account of how he recorded his new album Letter to You at his home studio in New Jersey, Bruce Springsteen delivers a eulogy to the E Street Band. “The greatest thrill in my life is standing behind that microphone with you guys behind me,” he tells his gnarled old troupe, as they near the completion of the album (it took them four days, all of them playing live in the studio).Then, over a snowy winter landscape shot from a slow-flying drone in the rich monochrome that’s the movie’s trademark, Bruce adds a kind of valediction to life itself, mulling Read more ...
Ellie Porter
Making sourdough, PE with Joe Wicks, writing a novel… none of that for Derby’s finest purveyors of unapologetically retro rock. Instead, the Struts decided to make the most of lockdown by recording a new album – all piling into producer Jon Levine’s Los Angeles house (having got themselves COVID-tested first) and spending ten days coming up with this, the follow up to their 2014 debut Everybody Wants and 2016's Young&Dangerous.Ten days well spent, it turns out. Strange Days is a great record that does its darndest to put a smile on your face – full of radio-friendly, huge- Read more ...
Joe Muggs
Today is World Mental Health Day and of course that means an awful lot of hugs and homilies, thoughts and prayers, deep-breathing exercises and it’s-good-to-talk platitudes from people speaking from positions of immense privilege – ranging from the well-meaning to outright grifters.All too rarely does any of this speak to people’s lived experience of mental suffering, and that goes double in the music world, where perpetual insecurity has increased exponentially with the collapse of the live performance industry and the future looks particularly bleak right now. One new book, however, is Read more ...
Kieron Tyler
The title comes from the lyrics of “Andy Warhol”: track two, side two of David Bowie’s late 1971 album Hunky Dory: ”Put a peephole in my brain, Two new pence to have a go, I'd like to be a gallery, Put you all inside my show.” The new pence reference recognised Britain’s recent adoption of decimalised currency. Whatever the album’s sales on release it was only in 1972 that Bowie hit the single’s chart with “Starman”, the proof he was more than 1969’s “Space Oddity” one-hit wonder.In 1971, Marc Bolan and T.Rex were cleaning up as a singles phenomenon. “Ride a White Swan”, issued in 1970, was Read more ...