punk
Guy Oddy
Sum 41 were one of those light-weight punk-ish bands in unfeasibly large pairs of shorts that washed up in the wake of Green Day’s early success in the mid-90s. They soon became the acceptable face and sound of punk, sold millions of albums and picked up armfuls of awards, and even played a role in the rehabilitation of Iggy Pop’s career, by accompanying him on 2003’s Skull Ring album.On returning home from their last, three-year world tour for 13 Voices, instead of doing the smart thing and taking a break, band frontman Deryck Whibley sat down and wrote Order In Decline in less than a month Read more ...
Tim Cumming
June 2017 witnessed a musical miracle, of sorts – the resurrection to recording and brilliant songwriting of Peter Perrett, The Only Ones’ singer, songwriter, and architect of his own ghoulish entombment in a Gothic south east London pile, fielding serious addictions for decades and emerging only briefly in 1996 for his excellent Woke Up Sticky album, and the publication of Nina Antonia’s biography One & Only, for whose launch he performed in the basement of Helter Skelter on Denmark Street with Only Ones guitarist John Perry. His sons also played, as a duo called The Kuntz, “because that Read more ...
Guy Oddy
It’s been a couple of years since Peter Perrett, the former frontman and creative force behind the much loved but commercially under-performing Only Ones decided that he’d had enough of being a mere legend and got back into the musical ring. He had made a brief reappearance in the mid-1990s under the guise of The One, but that was all very fleeting, and Perrett’s infamous bad habits soon reasserted themselves until a short Only Ones’ reformation tour 10 years ago. Again, that was followed by a period of silence. Now, however, Perrett has put together Humanworld, a second solo album in as many Read more ...
Kathryn Reilly
Here they come again – the band most adept at capturing the mood of an era in catchy, critical three-minute songs. Just at the very point we need them most, the original ska-punk popsters surface and their message is as deeply relevant as it was four decades ago. But is this a 40th anniversary or a number one album tour? Or both?In these unprecedented times, receiving political commentary from near-pensioners seems strangely apt (remaining original members frontman Terry Hall, guitarist Lynval Golding and bass player Horace Panter are 60, 67 and 65, respectively). It’s a turn of events Read more ...
Thomas H. Green
Now going for over a dozen years, ever-busier since Live Nation took over its parent company in 2015, The Great Escape Festival is the annual multi-venue band showcase and music conference which sees Brighton swamped with music biz sorts. This year these especially seemed to be young men and women called Piers and Hannah watching female-fronted indie bands. This writer only catches the last of the three days – Saturday – but is sucked into the venue-trawling spirit of the thing.Down on the seafront an encampment of marquees has appeared on the eastern end of Brighton beach, enclosing three Read more ...
Kieron Tyler
Abbey Road Studios and the anarcho-punk legends Crass seem an unlikely pairing. The new, vinyl-only reissues of The Feeding of the Five Thousand (The Second Sitting), Stations of the Crass and Best Before 1984 each bear a sticker saying “Remastered by Alex Gordon at Abbey Road Studios, as close as possible to the sound of the original release. ‘as it was in the beginning’.”“Unlikely” springs to mind because of the disconnect between the apartness and individualism of this most wilful of bands and the historic, national-fabric nature of the North London studio: the place where The Beatles Read more ...
Kieron Tyler
Until now, Rema-Rema’s only release was a 12-inch EP released in August 1980. It had hit shops after the band fell apart at the end of the previous year. Negotiations with 4AD, a new offshoot of the Beggar’s Banquet label, were underway towards the end of 1979 but then guitarist and future Adam and the Ants-man Marco Pirroni left. They rehearsed without him but called it a day in November. Yet 4AD issued that EP, titled Wheel in the Roses.Pirroni’s presence is partly what rescues Rema-Rema from being a post-punk footnote. Over their lifespan – the band formed in May 1978 – the band played Read more ...
howard.male
Was that "A waltz is a beat not a march" being hollered through what sounds like a megaphone on “Three Steps to a Development”? Sometimes it’s tricky to make out what vocalist Austin is on about, as he strains to be heard above the dazzling organised noise: such perversity and archness is pure art-school. But in this instance it also places focus on the relentless forward thrust and throbbing physical heft of the music itself. Snapped Ankles (great name, gentlemen) offer up a shiny new take on the post-punk aesthetic epitomised by bands as diverse as Devo, the B-52’s, Magazine and early Read more ...
Thomas H. Green
It is hard to absorb the news that Keith Flint of The Prodigy has been found dead at his home in Essex. Keith Flint! The guy with the double Mohican and panda eye-liner who terrified Middle America in the video for “Firestarter”. He was ever an integral part of The Prodigy’s unstoppable live electronic dance assault and, while it’s too early to ponder such things, it’s difficult to imagine them without him.Prior to global fame that found the band circa 1997, The Prodigy had been a breakout rave act, hitting the UK charts with hits such as “Charly”, “Voodoo People”, “Out of Space” and “No Good Read more ...
Kieron Tyler
Full marks for shoehorning-in the names of city’s two major football teams into the title of Manchester - A City United In Music. But this spiffy double-CD compendium roams further than the boundaries of the titular metropolis. Leigh, Salford, Stockport, Timperley and Warrington are in the mix too. “Manchester-area” or “Manchester-region” wouldn’t be such snappy designations but the point is made – Manchester is suffused in music.The period covered is covered is 1963 to 1994 with a couple of outliers rounding-out the picture. What’s dealt with is from the Beatles-dominated beat era up to and Read more ...
Barney Harsent
Jimmy Hendix’s Greenwich Village studios are the venue for LCD Soundsystem’s third live album, which features the most recent touring line-up playing a set heavy with songs from 2017’s American Dream album along with a smattering of covers. Live albums often come with the promise of dynamic abandon – the chance to see a band communicating directly with their fans and pushing emotional dynamics and song structures to the limit, but here, in a closed studio, there’s none of that – so what is the point? The answer for most bands would be “not much”, but LCD Soundsystem aren’t most Read more ...
Thomas H. Green
The Specials were era-defining, making this a hugely anticipated album for many. On paper they’ve released a bunch of albums since the Eighties but their discography is misleading. Encore is their first major work in decades. It’s a big ask for it to match their iconic status, akin to when The Stooges and Kraftwerk reappeared with new music decades after their legendary prime. It succeeds in places but does not – and, of course, never could – match the impact of their early work.On their first two albums The Specials brilliantly embodied the unfettered possibility of a vital and uniquely Read more ...