pop music
Guy Oddy
Anyone who remembers the critical mauling that The Horrors received on the release of their first album, 2007’s Strange House, might be surprised to learn that seven years later, they have just put out a fourth set of new songs. Not only that, but that it wouldn’t be a stretch to describe Luminous as eagerly awaited by many.However, while the release of each previous Horrors album has seen significant stylistic musical leaps, Luminous sees the band settle into the sound of 2011’s Skying and build further upon its early Simple Minds-esque template. This isn’t to say, however, that Luminous is Read more ...
Lisa-Marie Ferla
She may only be 23, but Iggy Azalea got off to a good start with those of us a good decade older last month when the video accompanying her single “Fancy” - an homage to 90s teen comedy Clueless - debuted online. Nostalgia sells, of course: any idiot with access to the nightwear department at Primark, where right now pyjamas featuring Alicia Silverstone and the rest share shelf space with My Little Pony, could tell you that. But fans of the film will know that its imagery, if not its heart, is the perfect accompaniment to the stylish swagger the Australian rapper brings to the verses, Read more ...
Kieron Tyler
Various Artists: Chicago Hit Factory – The Vee-Jay Story 1953-1966According to the book accompanying this 10-disc tribute to the Chicago independent label, “in one month alone in 1964 Vee-Jay records sold 2.6 million records. Two years later the company was bankrupt.” The reason for it flying so high in 1964 was a deal made in 1962 when the label began licensing material from Britain’s EMI. The prize then was yodelling popster Frank Ifield, whose “I Remember You” Vee-Jay got into the US Top 10. Along with Ifield, they got an unknown quantity called The Beatles. When 1964 arrived, Vee- Read more ...
joe.muggs
It seems that the gradual leakage of avant-garde-post-classical-call-it-what-you-will music from the rarefied environment of concert halls and into the spaces traditionally inhabited by alternative and club music is now inexorable. And violinist Aisha Orazbayeva is one of the instrumental (pun intended) figures in this move from trickle to flood. As one quarter of the organising team for the London Contemporary Music Festival (along with erstwhile classical editor for theartsdesk, Igor Toronyi-Lalic), she has helped bring Parmegianni, Schwitters, Radigue and other 20th/21st century composers Read more ...
Kieron Tyler
Elton John: Goodbye Yellow Brick Road box set“Elton John plays cricket as he plays piano; dressed to kill and as if his life depends on it.” The commentary on the film included in the box-set version of this reissue of 1973’s Goodbye Yellow Brick Road is hugely over the top and rococo, and treats its subject as a form of showbiz Moses. Brian Forbes’s 45-minute Elton John and Bernie Taupin say Goodbye to Norma Jean is crammed with eyebrow-raising moments, but none more so than when John declares he writes songs in just 30 minutes. “It takes me on average about half-an-hour per song,” he Read more ...
Guy Oddy
As anyone who has a television will know, Rebecca Ferguson is a graduate of The X Factor – having come runner-up in the 2010 competition. In fact, with her heavily-promoted back story of overcoming heart-ache and disappointment, it looks as if she is presently being set up as the successor to Simon Cowell’s previous Queen Bee, Leona Lewis, whose career seems to have hit the buffers of late. So, armed with songs of survival and redemption that she has largely co-written for her two albums, 2011’s Heaven and last year’s Freedom, she took to the stage in Birmingham to the sound of Billie Read more ...
Kieron Tyler
Various Artists: Lou Adler – A Musical HistoryLou Adler is more than a stitch in rock’s rich tapestry. Akin to a whole spool of yarn, he helped Carole King realise the monumental Tapestry, was integral to making 1967’s epochal Monterey Festival happen, brought The Mamas & The Papas to the world and co-wrote Sam Cooke’s “Wonderful World”. Adler is a towering figure in music. Lou Adler – A Musical History is an overview, collecting records he masterminded. A reminder that the achievements did not spring from nowhere, the disc frames this man within the world he operated in.Many names Read more ...
Lisa-Marie Ferla
Lately I’ve been thinking a lot about Lily Allen, which you can call a victory for the omnipresent don’t-call-it-a-comeback PR campaign surrounding her forthcoming album. Specifically I’ve been thinking about how I was far less cynical in my early 20s, when I honestly believed that this girl with the trainers and the attitude had created something new: pop music that sounded like the sort of loud-mouthed, heart-on-sleeve, imperfect person that I was. Lately I’ve been rolling my eyes at the calculated controversy of the week, clicking quickly past the mediocre new songs those controversies Read more ...
Kieron Tyler
Tyrannosaurus Rex: A Beard of Stars/T.Rex: T.Rex, Tanx/Marc Bolan & T. Rex: Zinc Alloy and the Hidden Riders of TomorrowReactions to these reissues are going be determined by what level of fandom the band's acolytes subscribe to. These are not for the casual purchaser. Each is stuffed with masses of bonus tracks, many previously unreleased. The primary content is overwhelmed by the bonuses. Whether it's good or bad to put original albums in the shade is a matter of taste. The volume of extra material makes it hard to appreciate what Bolan intended each album to be in the first place.With Read more ...
Adam Sweeting
Back in the days before you could bash together an album on a phone, recording used to involve a group of musicians playing together in the same room. Finding the perfect studio ambience and acoustic was 90 per cent of the battle, and many a veteran musician will tell you that the studios in Muscle Shoals, Alabama were the greatest of them all.Many of these old troupers had been rounded up by film-maker Greg Camalier for this fine and evocative documentary, which avoided the Brian Pern-style cliches of the bog standard rock-doc by being packed with great stories, brilliant music and loads of Read more ...
Lisa-Marie Ferla
For better or worse, it’s not enough these days to be a perfectly serviceable pop singer. With Saturday night TV shows churning them out by the dozen, you need more than an attractive face and an ability to hit the right notes to stand out. With her brassy voice and purposefully idiosyncratic looks Paloma Faith, who herself will shortly be mentoring a musician as part of yet another nationwide talent search, always seemed like somebody doing her own thing - it’s just a shame that doesn’t come across on her third album, A Perfect Contradiction.While this may be to do with the lengthy cast of Read more ...
Matthew Wright
Bastille didn’t so much raise the roof at Alexandra Palace last night, as ask it politely if it wouldn’t mind elevating itself a touch. Their gentleness belies their success over the past year, since their first album, Bad Blood, was released. The album, most of which they played last night, is characterised by surging melody, sexlessly tumescent choruses, marching band drum solos, string parts as glossy as nail varnish, and cascading synth lines. Critics couldn’t agree, some finding it inspiringly tuneful, others derivatively risk-averse. Live, though, it’s difficult not to get carried away Read more ...