politics
josh.spero
Aptly for a programme whose title invokes a show which is all style, no substance, the subject of Ronald Reagan: American Idol is image. What was Reagan really like? How much of his career as a Hollywood star did he carry into office? And why have certain images of Reagan endured? The first question, alas, is the one neither the film nor his biographers nor his family and friends have come close to answering.The film, directed by Eugene Jarecki and shown to coincide with Reagan's centenary, opens with an ancient clip of Reagan talking about the fictionality of what follows. This tactic Read more ...
Adam Sweeting
If the jewel in Sky Atlantic's crown is the award-guzzling Boardwalk Empire, great things are also expected of its new cop-opera Blue Bloods, judging by the number of trailers spattering the Sky networks. It's the Dynasty of law enforcement, chronicling the relationships and travails of the Reagan family of New York.Whether the family name was intended to convey any kind of political resonance is a matter for conjecture, though it serves well enough for a multi-generational family of Big Apple police officers of Irish descent. Actually, they're not quite all police officers – the various Read more ...
aleks.sierz
British theatre prides itself on being contemporary, up to date - in a word, hot. So it’s odd that, over the past decade, there have been so few plays about climate change. While everybody, and I mean everybody, has been talking about global warming, while climate-change deniers have been branded the new fascists, and while well-publicised protesters have tried to stop electricity stations from functioning, British playwrights have - with only a couple of exceptions - blithely ignored the subject. So at first sight this new play, which opened last night at the flagship National Theatre in Read more ...
fisun.guner
Say what you like about the posh – they know their place. Equipped from an early age with a sense of entitlement, they also have access to the oldest and most powerful social network there is: call it what you will, but the old boys' network remains, and you’d be hopelessly naïve to think otherwise. Where would our current prime minister be without it? Tony Parsons, who, as a working-class boy made good, is among a pitifully declining breed, thought he knew: “If David Cameron had gone to a comprehensive school he’d be lucky to be digging ditches,” he spat. That seemed unduly harsh, but after Read more ...
Adam Sweeting
What better to brighten our morbid January nights than the return of this superior Chicago-based legal drama? The Good Wife has never attracted lurid publicity or been afflicted with cutting-edge trendiness, but instead relies on the somewhat Germanic characteristics of being fastidiously designed and impeccably constructed.Co-creators Robert and Michelle King and executive producers Tony and Ridley Scott have grasped the importance of building the show on pin-sharp writing allied with sympathetic casting, with the result that The Good Wife consistently achieves a seamless balance between Read more ...
Jasper Rees
In 1994 half a million Rwandan Tutsis were slaughtered over a period of six weeks. Among them were the four brothers and two sisters of Jean-Pierre Sagahutu. His mother was raped before she too was killed. His father, a doctor, was intercepted on the way to the hospital and, when he was unable to pay a fine at a roadblock, was pulled from his car, hit over the head with a blunt hoe and taken to a ditch where his body was dumped. Rwanda, to which three million refugees have returned as the economy has tripled, is known as the great success story of Africa. But as this riveting film suggested, Read more ...
Veronica Lee
With a script co-written by the Palestinian journalist Rula Jebreal, based on her 2004 book of the same title, Miral follows the interconnected lives of four women caught up in the Arab-Israeli conflict. It’s a sprawling, epic affair, directed by the New York painter turned film-maker Julian Schnabel.The 40-year story starts in 1948 war-torn Jerusalem, where the well-heeled Hind Husseini (Hiam Abbass) comes across a few dozen orphaned children huddled together, terrified, in a side street. She takes them to one of her family homes, gives them shelter and later founds the acclaimed Dar Al-Tifl Read more ...
Adam Sweeting
The title could have used a bit more work, I'd have thought. No, Peter Mandelson was never "the real PM", and won't be now. As for the real Peter Mandelson, there is no evidence that any such mythical beast exists. And why hadn't Lord Mandelson become prime minister, film-maker Hannah Rothschild asked him in one of her deferential voices-off moments? Because Tony Blair and Gordon Brown had entered parliament in 1983, Peter explained with exaggerated patience, while he himself had only got there in 1992. He was stuck at the back of the queue and had to wait his turn. This being the Labour Read more ...
josh.spero
If you found yourself thinking that you were watching Mission: Impossible rather than Imagine, you could have been forgiven. Alan Yentob had clearly been banned from meeting Ai Weiwei in China, and so one of their interviews was conducted over a webcam, with Yentob sitting in the dark, like some spymaster of the arts.This was even before Ai had been put under house arrest to prevent him from attending a party he arranged to celebrate the demolition of his studio in Shanghai (a studio which the Chinese Government had asked him to put up in the first place...). All of which prompts the question Read more ...
Tom Birchenough
Russia marks the centenary of the death of Leo Tolstoy on 20 November – but the level of local tribute to one of the country’s greatest writers seems markedly muted for a figure two of whose novels, Anna Karenina and War and Peace, are regularly ranked in Top 10 lists by writers and readers around the world. We may forget today, however, that Tolstoy almost abandoned fiction for much of the second half of his life to concentrate on social issues that saw him become a figure whose opinions were listened to around the world. At home he became increasingly a thorn in the side of the ruling Read more ...
carole.woddis
With controversial documents – WikiLeaks and the David Kelly toxicology reports – once more hitting the headlines, Iraq is ever with us. As are its ghosts. Canadian playwright Judith Thompson’s Palace of the End, winner of the 2009 Amnesty International Freedom of Expression Award, now at the Arcola Studio in Hackney in a spare, eloquent revival by Jessica Swale, figures three of them. It is a painful reminder of the human cost of a desperate and degrading period in their, and our, history.Any accounts from Amnesty or the Medical Foundation for the Care of Victims of Torture tells you that Read more ...
theartsdesk
It began with a review of 100 Years of German Song. Roused by a comment to a reader (see Igor's comment below), Fisun was moved to email Igor in support of his trenchant views on arts funding. It wasn't long before other writers at theartsdesk got involved and an eruption of lively and passionate emails followed. Some of these views may surprise our readers, some will undoubtedly annoy. But we at theartsdesk have decided to go ahead and publish, unedited, our unrehearsed and spontaneous exchange. We hope you'll enjoy, and join in, the debate.It began with a review of 100 Years of German Song Read more ...