politics
David Nice
Everything seems so free and easy, so do-as-you-darn-well-pleasey, in the Stockmanns’ fjord-view model home. Cheery friends in bright 1970s clothes drop in to chew the social cud as well as Mrs S’s cooking; only her medical-officer husband’s mayoral brother jars, and surely he’s too daft to be taken seriously. So when the good doctor finds irrefutable proof that the waters of the town’s new spa are poisoned, the weight of liberal opinion will surely back him up and all must be well, right?Wrong. This is the unsettling world not only of Henrik Ibsen but also of director-genius Richard Jones, Read more ...
Peter Culshaw
Manu Chao isn’t exactly a household name in the UK. In much of Latin America and Europe, however, he’s an iconic figure who is probably the closest thing to Bob Marley there is, a symbol of hope for the dispossessed. He’s a somewhat elusive figure, a wandering artist who for years never had his own place, a mobile phone or a watch, forever on the move, addicted to travel. In the title song of his 1998 multi-million selling classic Clandestino he sings of how “to run is my destiny... lost in the grand Babylon.” The song is not just autobiographical, but is also about the hypocrisy of Western Read more ...
Julian White
The first minutes of Paula Milne's new three-parter are absolutely hilarious. MP Aiden Hoynes (David Tennant) resigns from his post as Business Secretary and launches an attack on the Prime Minister from the backbenches in an attempt to trigger a leadership contest, only to find his comments greeted by embarrassed silence. In a split second he has turned from a Westminster high-flier into a social leper who can clear out the House of Commons Gents like a foul gaseous emission. He gambled, he lost and he has no one to blame but himself – well, himself and his best friend, Work and Read more ...
Adam Sweeting
The 1988 uprising in the French colony of New Caledonia, in the Western Pacific, is apparently unknown to most French people, let alone we rosbifs, but director Mathieu Kassovitz has used the episode as a scalpel with which to probe issues of colonialism, race and political cynicism. It's something of a return to issues Kassovitz explored in La Haine (1995), following his excursions into the supernatural and sci-fi with Gothika and Babylon AD.The setup is pretty simple. A group of Kanak separatists launches a surprise attack on a gendarmerie on the island of Ouvéa, killing four French Read more ...
Simon Munk
We're at a moment of change in games – new consoles, new ideas, new ways of playing. And what better game to usher out one era and in a new one than BioShock Infinite?This first-person shooter is still wedded to the core mechanics of traditional big-budget console gaming, but layered on top of a core of classic run-and-gun is a series of innovations in terms of character, script, gameplay and scope of theme that point to exciting potential future directions for the next generation of games.The result is both hugely satisfying to play from a hind-brain, hand-eye coordination point-of-view, but Read more ...
Adam Sweeting
How can you not love a show that opens with Robert Plant singing "Satan, your kingdom must come down" on the soundtrack? The song is aptly chosen, since Boss is the story of Chicago mayor Tom Kane, a bully, a tyrant and a master of the black arts of political fixing and gloves-off deal-making. But his days are numbered.The introductory scene of this first episode was a monologue by an unseen woman, addressed to Kane (played with thunderous assurance by Kelsey Grammer) seated in what looked like a derelict warehouse. This was an odd location for the kind of news that the voice was giving him. Read more ...
bruce.dessau
If you want a jolting snapshot of how British pop culture has changed in the last three decades, take a look at the clip below of Billy Bragg singing "Between The Wars" on Top of the Pops in 1985. Even if the old Savile-anchored singles showcase was still around, can one imagine a contemporary singer having a mainstream hit with such a political song today? It makes you want to despair.Billy Bragg's 13th studio album, Tooth & Nail, seems to suggest that he is similarly troubled by the modern world. Despite their constant threat of nuclear annihilation, somehow the mid-Eighties suddenly Read more ...
Russ Coffey
Over 30 years, Bon Jovi has remained one of the more cartoonish fixtures in soft rock. With characteristic lack of irony, the boys from New Jersey have perfected the art of singing nonsense - my favourite example is "someday you tell the day / by the bottle that you drink" - with straight faces. Now, they’re getting more ambitious. What About Now is being touted as a “big rock record full of social commentary". Its subject is Obama’s America. How odd then that half of it sounds a bit like the Stereophonics.Still, it’s not all bland, anthemic, stadium rock. The lead single, “Because We Read more ...
sheila.johnston
Catching rabies from a corgi, living on a council estate, becoming an uncommon book addict, painting the town red, incognito on VE Day, parachuting into East London on a date with James Bond... what a strange fantasy life our Queen has led.*Now Peter Morgan and Helen Mirren, the writer-actress team whose film The Queen remains a very high-ranking entry in this fictional league, enlarge the canon with The Audience, loosely inspired by the weekly confidential meetings between the Queen and Prime Minister, of whom there have been 12 (so far) over her six-decade reign.The reason to see it is Read more ...
emma.simmonds
In one of the great US sitcoms, Seinfeld, the mantra of the show's producers was "no hugging, no learning". Well, Parks and Recreation - which may end up occupying a similarly lofty place in comedy history - takes the opposite tack. Warm and wonderfully witty with characters and relationships that actually evolve, Greg Daniels and Michael Schur's sitcom also features TV's finest comedy ensemble. This perky, award-winning comedy has taken an absolute age to reach us, considering it debuted in the US in 2009 (where the fifth season has already aired). As with other such imports, BBC Four Read more ...
Lisa-Marie Ferla
After the nightmarish vision of justice system turned spectator sport that was last week’s Black Mirror, you’d be forgiven for feeling a little disappointed that writer Charlie Brooker hadn’t ramped up the horror at the start of the final episode of this all-too-short second series. There were many adjectives one could consider throwing at Waldo, the inexplicably popular blue cartoon bear at the centre of the action, but “horrific” probably wasn’t one of them.And yet the climatic moment of this particular piece of drama was the scariest of all, not least because of its sheer plausibility. As Read more ...
aleks.sierz
Is this the most poetic title in London theatre today? Anders Lustgarten’s new play joins a ragged march of work, from David Hare’s The Power of Yes (2009) to Clare Duffy’s Money: The Gameshow (currently at the Bush Theatre), which attempts to tackle the global financial meltdown. Unlike these other shows, however, it’s USP lies in its claim to offer a solution to the pains and penalties of economic austerity.Set in a dystopic version of current times where, to the tune of David Cameron’s plummy praise of the market, all social services have become businesses, the play rapidly spray-paints a Read more ...