police
Adam Sweeting
We've already been casting a revisionary eye over Lord Lucan, the Cold War, the Kennedy assassination and the Profumo affair. Last year Sheridan Smith portrayed Mrs Ronnie Biggs for ITV, but what took them so long to get around to the Great Train Robbery itself? Just hours too long for the real Ronnie Biggs, as it happened.Scripted by Chris Chibnall, a man basking in bankability following his bustin' hit series Broadchurch for ITV, this two-part voyage round the GTR is stylish, well cast and easy to watch, but adds nothing much to the existing information-mountain about the crime. You'd get Read more ...
Andy Plaice
There’s a wonderful moment in Bruce Reynolds’s autobiography when he describes what became of his mate, a fellow train robber who had fled to Canada but was hunted down by the enigmatic Tommy Butler. Four and a half years after the Great Train Robbery in which crooks made off with £2.6million, Detective Chief Superintendent Butler had come to arrest Charlie Wilson and was knocking on his door."You look well, Charlie," said Butler. To which the fugitive replied: "And you, Guv. Cup of tea?" The detective was determined to find his man and, 50 years later, it’s a feeling shared by writer Chris Read more ...
Adam Sweeting
Though greeted ambivalently when it made its debut at the end of 2012, Ripper Street has looked increasingly like TV's undervalued secret weapon as it has surged purposefully through this second series. Maybe the title was misjudged, suggesting it was just another gruesome and mist-shrouded Victorian murder mystery. Turns out it was much more than that.Indeed, echoes of Jack the Ripper have been almost entirely absent as the series has taken the plunge into such factually-based issues as rent-boy networks and the Barings Bank crisis of 1890 (different only in scale from recent financial Read more ...
Adam Sweeting
If imitation is the sincerest form of flattery, the creators of Scandinavia's drama boom could be forgiven if they started behaving like a collection of hysterical Justin Biebers. Not only are their home-grown series hits around the world, they're also being slavishly copied by other broadcasters. The American version of The Killing has been followed by a US take on Danish/Swedish joint effort The Bridge, starring Diane Kruger and set on the Tex/Mex border. Now here's an Anglo-French spin on it, replacing the titular bridge with our beloved Channel Tunnel.In some ways it's not a bad idea, Read more ...
Tom Birchenough
Not long ago James McAvoy finished a brutal run as Macbeth, and he’s back in Filth as another manic Scotsman hurtling towards self-destruction. The setting is Nineties Edinburgh, and his character, dodgy policeman Bruce Robertson, has a Machiavellian genius for getting one over on his copper colleagues, until his addiction-fuelled luck runs out, and he comes crashing down. He’s the first-person narrator for most of the story, and though repulsively believable, his grip on the narrative starts separating from reality.It’s a compelling performance that pulls out all the stops, and then some, Read more ...
Claudia Pritchard
Moving the action to an exotic location is usually a sign of desperation when a character-based drama is flagging on home turf. New Tricks, most at ease in Soho and Stepney, hobbled into its tenth series with a two-parter set in Gibraltar – which is what passes for an exotic location in a show whose idea of the big chase is a sprint through the botanical gardens.Alun Armstrong, supremely glum (as well he might be, for he has seen the script) and grounded by his boss, DS Sandra Pullman (Amanda Redman, pictured below) and the high-ups, slipped the leash to join his ageing cops from the Met’s Read more ...
Veronica Lee
The basic set-up for The Heat is familiar – two mismatched cops are thrown together on a case and have to find a way of working together despite their differences in social background and methods – only in this case the officers are female. Add to the mix that the two actresses playing the roles are playing to type - loudmouth Boston street cop Shannon Mullins (Melissa McCarthy, almost reprising her Bridesmaids role) and prissy, super-bright but socially inept FBI agent Sarah Ashburn, as essayed by Sandra Bullock in any number of her films.The Heat, written by Katie Dippold (who writes on Read more ...
Adam Sweeting
The ancients teach us that after hubris comes nemesis, and Luther's writer/creator Neil Cross has taken the lesson to heart. The big question hanging over this third series is, can the bullish DCI John Luther continue to hunt villains in his own headstrong, politically-incorrect fashion, or will he be brought down by snarling Detective Super George Stark, a bitter and vengeful man hauled out of retirement to bring Luther his come-uppance? He's played with spittle-flecked animosity by David O'Hara, and you can't help hoping that at some point Luther will drop him off the top of a tall building Read more ...
Adam Sweeting
After a two-year gap, Luther returns to BBC One for a third series at the beginning of July. Devotees of Idris Elba's broody, enigmatic, rule-trampling 'tec may feel disgruntled that they're only going to get four episodes, but at least the great man is on stonking form.Naturally your spoiler-free artsdesk can't give much of the game away, but this time the sometimes erratic Luther appears to have found its own natural tone, in which heightened realism and jump-out-of-your-seat grand guignol shocks sit comfortably with grimy east London locations. You get not one but a generous two killers to Read more ...
Adam Sweeting
You have to wonder if there any alternative themes permitted in TV drama apart from murder (preferably multiple, committed by a serial killer) or paedophilia. New five-parter The Fall plonks itself down squarely in category A, with its story of DS Stella Gibson (Gillian Anderson) from the Metropolitan Police arriving in Belfast to shake up a stalled murder inquiry.This one won't be a whodunnit but rather a howtheycatchim, since we were introduced to the perp only moments after we'd caught our first glimpse of Anderson, who was cleaning a murky-looking skin care product off her face in the Read more ...
Adam Sweeting
I don't know how accurate Scott & Bailey is as a portrayal of the daily experiences of policewomen, but screenwriter Sally Wainwright is enjoying herself hugely with the chaotic private lives of her protagonists. Quite a bit of this echoes back to the death of barrister Nick Savage (the ineffably sleazy Rupert Graves) in series two. He was DC Rachel Bailey's lover, though he'd failed to mention that he was already married with two children. To heap insult on injury, she then discovered he'd had an affair with a juror during a court case.Anyhow, in this mostly-retrospective episode, we saw Read more ...
Adam Sweeting
It looks as if Broadchurch will reveal itself as a "town-with-murky-secrets" story, but on the evidence of this first episode we can expect it to be done with a skilful touch and a fine eye for detail. The trigger for the action is the death of 11-year-old Danny Latimer, but writer Chris Chibnall is focusing on the effect this has on family and friends as much as on the grim event itself.Broadchurch is a small seaside town in Dorset where violent crime is largely unheard of. When Danny's body is first discovered on the beach, suicide or an accident are canvassed as possible causes. Then Read more ...