police
Veronica Lee
We're back at Friday Street, the crumbling cop shop on the wrong side of Manchester, where DI Viv Deering marshals her squad of anarchic misfits to fight crime. Paul Abbott's rude but not crude police comedy drama was a great hit first time round and managed to be riotously unPC while unravelling a complicated serial murder case. And, as with the late, great Cagney and Lacey, some of the best scenes were in the ladies' loo; two of Deering's closest aides are women (played by Elaine Cassidy and Alexandra Roach).At the end of the first series we learned that Deering's husband was the killer and Read more ...
Saskia Baron
William Friedkin’s super-stylish bad cop/bad villain thriller was his return to form after the disasters of Cruising and Sorcerer. To Live and Die in LA didn’t achieve the instant classic status of The French Connection when it was released in 1985, but it's enjoyed a cult following ever since, and this new edition in a restored print is a treat. It’s a familiar story of amorality and betrayal – the most effective cops are those who think like criminals themselves and are willing to cross the line to nail their target – but told with such slick energy that all clichés are forgiven.Based on Read more ...
Tom Birchenough
If you thought that a contemporary drama about forcible repatriation, set in an Immigration removal centre, would be about the plight of those confined in places like the infamous Yarl’s Wood, in Removal Men writers MJ Harding and Jay Miller give us something unexpected.Instead of the place's inmates, their play concentrates on what it might be like to work in such an environment. Its origins came when Harding – a founder of the band Fat White Family, sharing composer credits with Jonah Brody – became involved with an intervention to prevent the deportation of a detainee at Yarl’s Wood. He Read more ...
Mark Sanderson
Australian drama has come on in leaps and bounds since Skippy the Bush Kangaroo, The Sullivans and Prisoner: Cell Block H. While Neighbours and Home and Away continue to play in the sand, other shows – The Secret Life of Us, The Dr Blake Mysteries and Cloud Street – display more ambition. Their reach may sometimes exceed their grasp but that’s what TV is for. Do check out the five-star metrosexual comedy drama Please Like Me on Amazon Prime. You’ll like it.Deep Water starts as it means to go on: two male swimmers writhe in the South Pacific Ocean. They are making out, not drowning. However, Read more ...
Adam Sweeting
On the face of it a murder mystery, The Night Of develops steadily into a panoramic survey of the American justice and prison system and attitudes to race and class. Produced by BBC Drama and HBO, it's based on the BBC's 2008 series Criminal Justice (which starred Ben Whishaw). The good news is you can watch all eight episodes right away on Now TV.The story so far is that Naz Khan (Riz Ahmed), a shy and unworldly Pakistani-American college student from Queens, New York, has been acccused of murdering 22-year-old Andrea Cornish after he unwisely borrowed his father's taxi for a night out in Read more ...
Mark Sanderson
H Division has a new home in Whitechapel that basks in the white heat of the technological revolution. The police station not only has a telephone but a “microreader” that allows the user to check thousands of miniaturised card indexes. Alas, a wry smile is all the viewer is likely to get from this opening episode of the fourth season. Nothing happens until the last ten minutes.When it was originally broadcast on Amazon Prime, Ripper Street 4 began with a two-hour episode. Terrestrial viewers on BBC Two have to make do with 60 minutes of scene-setting, throat-clearing and explanation. Three Read more ...
Mark Sanderson
Canada has been Uncle Sam’s body-double in countless drama productions. Shooting on location is easier and cheaper north of the border. One twinkly city skyline looks very much like another. 19-2 is set in and around car number two as it patrols the clean streets of the 19th district of Montreal. And yes, from the very first moments – “Maybe we should call for back-up?” – it feels like we’ve been here before.The speaker, poor guy, is soon lying on the floor with blood pooling round his head. Nick Barron (Adrian Holmes channelling Idris Elba) takes exception to his new partner Ben Chartier ( Read more ...
Adam Sweeting
In the end, the swirling fragments of Marcella all fell together quite nicely, though Anna Friel's portrayal of Marcella Backland never made you think you were watching a real detective in action. Afflicted with memory loss, blackouts and intermittent "fugue states", she was more like a series of devices and obfuscations to make sure you never had a fighting chance of being certain about what was going on. It was like guessing at a crossword from which somebody had Tippexed out a few clues, though I do have an intuitive friend who guessed the killer's identity several episodes back – pure Read more ...
Jasper Rees
In its final episode Undercover tied up a lot of loose ends and introduced a number of new ones. The biggest loose end to remain unaddressed was pretty big. Nick Johnson was the alias of a policeman who in 1996 went undercover to spy on black activist Michael Antwi and his lawyer Maya Cobbina. Nick promptly fell in love with Maya; they married and had children. For the next 20 years, Maya, possessed of such a brilliant legal mind that she ends up as Director of Public Prosecutions, never once questioned Nick’s claim to be a writer despite his prodigious – nay absolute – lack of output.OK, so Read more ...
Jasper Rees
At last, after three series, Line of Duty delivered a denouement that felt like a satisfying jackhammer to the solar plexus. In the first series the bent copper under investigation escaped justice by jumping in front of a lorry. In the second there were more loose ends than are generally produced by a rope factory. It turns out that patience is a virtue and we should all have had faith.Jed Mercurio had long-term plans for Lindsay Denton that even Keeley Hawes knew nothing about. Also for the late Tommy Hunter and, of course, DC Nigel Morton, in which role Neil Morrissey kept hobbling back on Read more ...
Jasper Rees
The BBC Drama department can’t be faulted for reading the news. Last year London Spy riffed on the mystery of the corpse of the spy found in a suitcase in an MI6 safehouse. Now Undercover sinks its teeth into another juicy set of headlines about coppers who go into such deep cover they sire children with the activists they’re spying on.The title contains its own spoiler, but it takes most of the first episode for Undercover to reveal its hand. Ostensibly its protagonist is Maya Cobbina (Sophie Okonedo), a liberal black female barrister who we first encounter racing across the empty wastes of Read more ...
Matt Wolf
An innocently-intended Friday night out turns into something fearsome indeed in I See You, a Royal Court co-production with the Market Theatre, Johannesburg, that puts the tensions of post-apartheid South Africa under a sorrowful microscope.At the same time, the interval-free, 80-minute staging marks the directorial debut of the Olivier Award-winning actress Noma Dumezweni, here suggesting that the soon-to-be Hermione of this summer's Harry Potter plays possesses yet further strings to her considerable bow. (The performer made headlines at this address late last year when she stepped with Read more ...