mon 17/12/2018

piano

Albums of the Year 2018: Erland Cooper - Solan Goose

I’ve noticed a stark shift in transition of the kind of music I want to spend my time listening to over 2018. I’ve slowed down. I’ve started listening to Radio 6. I’m a little bit in love with Mary Anne Hobbs. And I bought a record player....

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Mitsuko Uchida, Royal Festival Hall review - conviction and grace

Mitsuko Uchida continues her world tour of Schubert sonatas with two concerts for the home crowd, this the second of her appearances at the Festival Hall. The tour coincides with Uchida’s 70th birthday, but the years have done little to diminish her...

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CD: Ed Harcourt - Beyond the End

Was anyone prepared for the fact that Ed Harcourt's new album would be fully instrumental? He's known as a songwriter – hailed for his Mercury Prize-nominated debut album, Here Be Monsters in 2001, then swapping solo work for song-writing, working...

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Trpčeski, RLPO, Petrenko, Liverpool Philharmonic Hall review - one composer, many views

It probably goes without saying that there will be "dream teams" in a football-mad city like Liverpool. What might be a little unusual is that this particular one has long been associated with the Liverpool Philharmonic and has turned into one of...

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Kolesnikov, BBCSO, Brabbins, Barbican review - rethought masterpiece, stolid rarity

Forget the latest International Tchaikovsky Competition winner (I almost have; only a dim memory of Dmitry Masleev's playing the notes in the obligatory First Piano Concerto, and nothing else, remains from an Istanbul performance). Had Pavel...

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Federico Colli, Wigmore Hall review – poised on the edge of the possible

The Italian pianist Federico Colli, 30, best known so far as winner of the 2012 Leeds International Piano Competition, last night arrived for his Wigmore Hall debut sporting an emerald-green cravat, but the sonic colours he magicked out of the piano...

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Two-Piano Marathon, Kings Place review - dazzling duos, deep waters

You get a lot of notes for your money in a two-piano recital - especially when seven pianists share the honours for two and a half hours' worth of playing time. Well, they did call it a marathon, crowning the London Piano Festival so shiningly...

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Anderson & Roe, RLPO, Tali, Philharmonic Hall, Liverpool review - measured fire

There must be something of a beauty parade going on in Liverpool now that Vasily Petrenko has called time on his tenure at Philharmonic Hall.  After all, someone will need to step into his shoes from 2021 after he departs for the Royal...

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Bach: The Well-Tempered Clavier - Book 2, Hewitt, Wigmore Hall review – high drama in 24 short acts

Bach specialists like to explain that the second book of preludes and fugues in The Well-Tempered Clavier, composed around 1740 and thus almost two decades after the first, draws on more of the fancy and daring “modern” music of its time than its...

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Katya Apekisheva, Charles Owen, Kings Place review - one plus one equals a hundred

We could probably spend all day pondering what makes a great musical partnership. Is it long experience, special sensitivity, a shared sense of humour? We’d get nowhere, though because there is, genuinely, something about it that can't be explained...

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Uchida, Connolly, Skelton, LPO, Jurowski, RFH review – songs of farewell

Not all composers require the finger of mortality pointing at them to develop what becomes a late style. Charges of detachment and even indifference have been levelled at the B flat major Piano Concerto K595 which Mozart completed early in the year...

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Classical CDs Weekly: Ivanovs, Shi-An Costello, Sean Shibe

 Jãnis Ivanovs: Symphony No. 5; Juris Karlsons: Music for Symphony Orchestra 1945 Latvian National Symphony Orchestra/Andris Poga (Skani)Jãnis Ivanovs’ promising conducting career was kyboshed by the outbreak of war and the Soviet invasion of...

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