fri 01/08/2025

piano

BBC Proms: Kholodenko, BBCNOW, Otaka review - exhilarating Lutosławski, underwhelming Rachmaninov

According to the programme, Lutosławski’s Concerto for Orchestra is heard somewhere around the world every other week. In which case I’ve been unlucky in never having heard it live before, despite being a fan for nearly 30 years. So I was relieved...

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BBC Proms: McCarthy, Bournemouth SO, Wigglesworth review - spring-heeled variety

It started like Sunday afternoon band concert on a seaside promenade, a massive ensemble playing it light. But while there were several too many Shostakovich pops, the Ravel concerto and Walton symphony ahead sailed for deeper waters, And the...

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Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or so, and I was fortunate to see him just a few days before he died. I visited him for one of our regular...

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Schubertiade 3 at the Ragged Music Festival, Mile End review - five great musicians keep spirits soaring

Aldeburgh offered strong competition for the three evenings of Schubert at the discreetly restored Ragged School Museum, but I knew I had to return for the last event of Pavel Kolesnikov and Samson Tsoy’s third festival here, much as I’d love to...

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Immersive Night Music Show, Makita, Londinium Ensemble, World Heart Beat Embassy Gardens - multimedia musings on a midsummer night

To mark this year’s summer solstice, a small audience gathered at London’s newest concert venue, the World Heart Beat Embassy Gardens, a small and perfectly formed hall bristling with “state-of-the-art” acoustics and digital facilities. On a balmy...

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Elephant, Menier Chocolate Factory review - subtle, humorous exploration of racial identity and music

This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose life growing up in a council flat is transformed by the arrival of an upright piano. Lylah – like the show’s...

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Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash in complete Ravel

It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows them by heart, has bags of charisma and energy, so why not? I could give more than one reason, but the...

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Karim Said, Leighton House review - adventures from Byrd to Schoenberg

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very different ways This is all in a typical programme of pianist, conductor, composer and all-round pioneer...

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Philharmonia, Alsop, RFH / Levit, Abramović, QEH review - misalliance and magical marathon

“Let the music guide your imagination” was never going to be the slogan of the Southbank Centre’s Multitudes festival. Its 13 events offer parallel visions, intended in the case of Ravel’s Daphnis et Chloé (a shared project between the LPO and...

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Goldberg Variations, Ólafsson, Wigmore Hall review - Bach in the shadow of Beethoven

Víkingur Ólafsson had something to prove at the Wigmore Hall. And prove it he did, even if, this time, his Goldberg Variations left a few features of Bach’s inexhaustible keyboard panorama at the edge of his pianistic picture. The much-loved...

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Biss, National Symphony Orchestra, Kuokman, NCH Dublin review - full house goes wild for vivid epics

On paper, it was a standard programme with no stars to explain how this came to be a sellout concert. But packed it was, an audience of all ages which sat with concentrated awe through the spellbinding slow movement of Brahms’s First Piano Concerto...

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Batsashvili, Hallé, Wong, Bridgewater Hall, Manchester review - a star in the piano universe

Mariam Batsashvili, the young virtuosa pianist from Georgia, is a star. No doubt about that. Trained at the Liszt Academy in Weimar and winner of the International Franz Liszt Competition for Young Pianists in that city in 2015, she should know...

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