sat 18/05/2024

Northern Ireland

Only Our Own, Arts Theatre

There are few things as depressing as whinge drama. But the Anglo-Irish have a reasonable claim to be considered the Republic of Ireland’s forgotten losers. The term means the wealthy Protestant class whose elegant stately homes dotted the landscape...

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Turner Prize 2013: Laure Prouvost's work is visually seductive, funny and clever

According to one broadsheet, Laure Prouvost was a “rank outsider” and the money was on comic doodler David Shrigley and the elusive Tino Seghal, he of those ghastly, utterly patronising performances designed to jolt the guileless gallery-goer from...

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Turner Prize 2013, Ebrington Barracks, Derry-Londonderry

This year, if you don’t live in Ireland, you’ll have to take a plane or a boat to see the Turner Prize exhibition. But the effort will be nicely rewarded, for Derry (or Londonderry/Doire – wherever your affiliations take you) is a beautiful city,...

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10 Questions for James Marsh

Five years ago James Marsh won an Academy Award for the documentary Man on Wire. It thrillingly told the story of Philippe Petit’s audacious walk on a tightrope between the Twin Towers of the World Trade Center in 1974. Marsh stayed on in the 1970s...

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McCullin

"After such knowledge, what forgiveness?" TS Eliot’s line could well stand as an epitaph to Jacqui and David Morris’s troublingly thoughtful film about British photographer Don McCullin, whose haunting images of conflict across the world over half a...

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Shadow Dancer

There's not exactly an excess of colour in Shadow Dancer, the IRA-themed thriller that unfolds amid a bleached-out landscape of browns and greys, windswept waterfronts and drab, unwelcoming enclosures. But amid the drear, the director James Marsh (...

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London 2012: Peace One Day, Derry-Londonderry

The minister for culture Ed Vaizey has said that London 2012 isn't just about London, but showcasing Britain to the world. This may be true in the simple geographical spread of events leading up to the Olympic Games, but in Derry-Londonderry's case...

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Southern Tenant Folk Union, King and Queen

“If you’ve got the heart,” sang a suave Ewan Macintyre, “then you can be involved, you can be a part”. There was more heart in the room last night than you’d find in a whole tour of Mumford & Sons. And art. Nothing too flashy to begin, just...

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Wonderland: The Men Who Won’t Stop Marching, BBC Two

Not long after the Good Friday Agreement, BBC Northern Ireland broadcast a charming drama featuring a tale of two drums. An Ulster Protestant was too wedded to the marching season to join his wife on holiday in Donegal, so she wrought her revenge by...

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theartsdesk Q&A: Comedian Omid Djalili

Omid Djalili is a funny man with a funny provenance. There are not many stand-ups about who speak the languages of Presidents Havel and Ahmedinejad, who have played both Muslims and Jews without being either one or the other, whose CV includes...

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theartsdesk in Belfast: Scenes from the 48th Belfast Festival

'New circus' troupe Circa 'howl in the face of gravity'

In National Anthem, the debut play by bestselling novelist Colin Bateman, a composer lies prostrate on the floor. Half hungover, half waiting for inspiration, he has been commissioned to co-write an anthem for Northern Ireland with a poet and has...

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The Big Fellah, Lyric Hammersmith

Finbar Lynch put his work with Pinter to good use as the big guy of the title in Richard Bean's play

When cultural talk drifts toward Mr Big, thoughts tend to turn to Sex and the City's Chris Noth, whose New York is world enough and time away from the doomed metropolis populated by the "big fellah" played by Finbar Lynch in Richard Bean's play of...

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