New York
graeme.thomson
Formed in 2000 by thirtysomething sisters Catherine and Allison Pierce, Alabaman duo The Pierces have spent over a decade flitting from style to style and label to label, the nuggets of critical acclaim heavily outweighed by public indifference. Everything finally clicked, however, with their fourth album, You & I, which entered the UK charts at number four earlier this year. Produced by Coldplay's bass player Guy Berryman (but really, don’t let that put you off), You & I bears all the hallmarks of a band knuckling down and turning pro, but its atmospheric AOR and rootsy pop-rock Read more ...
Kieron Tyler
By 1977, disco was a cliché to be mocked. But a few years earlier, before its ubiquity, disco was a liberating music uniting minorities on the dance floor. Funk, too, became a cliché, little more than a reductive musical cypher. Two new reissues celebrate these genres when both were still vital, still able to surprise. Disco Gold: Scepter Records & The Birth of Disco is exactly what its title says it is, while Darondo’s Listen to My Song: The Music City Sessions collects A-grade funk that had languished in the vaults until now.Disco wasn’t just the place to dance, but the music, too: a Read more ...
aleks.sierz
Arthur Miller is one of those geniuses whose plays are metaphor-rich even when their storytelling is slow. First staged in 1994, Broken Glass is surely his best late-period drama, and this revival, directed by Iqbal Khan, arrives in the West End after originally opening at the Tricycle Theatre last year. This time, the ever-watchable Tara Fitzgerald joins Antony Sher in the cast.Set in Brooklyn in 1938, the play is like a case history from a cabinet in Sigmund Freud’s practice. A middle-aged woman, Sylvia Gellburg, suffers from a sudden and mysterious paralysis of her legs. She is confined to Read more ...
Nick Hasted
As an elegiac score plays, bails of early editions of the New York Times are bundled and tossed into a fleet of vans, which roll out into the dawn city streets, to distribute the news. The conviction shared by many in this documentary about the paper is that the vans will soon look as quaint as the last of the horse-drawn hackney cabs. The ritual of late-night editorial agonising over stories before the presses roll, and newspapers themselves, are equally under threat. The New York Times’ possible death, as much as daily life there, is director Andrew Rossi’s theme.He focuses on the Times’ Read more ...
Kieron Tyler
Harmonies, psychedelia and soul were meant to go together. Chicago’s’ Rotary Connection realised this and pumped out what were later recognised as classics like "Memory Band" and "I am The Black Gold of The Sun". On their debut album, Brooklyn’s The Stepkids step up, taking the sound apart and restitching it patchwork-quilt style. They are, to their inspirations, what Sharon Jones and the Dap Kings are to their funk and soul roots.The Stepkids coalesced in 2009 after singer/guitarist Jeff Gitelman and drummer Tim Walsh began building a studio in Bridgeport, Connecticut. They’re completed by Read more ...
bruce.dessau
This was always going to garner heaps of publicity. Tony Bennett is not just a legend, but a legend who has outlived his rivals. With Sinatra long gone Bennett, 85, is the capo di tutti capi of living crooners. It will also attract attention because it is the sequel to his excellent 2006 team effort, Duets: American Classics. Most of all, Duets II, featuring new versions of old Bennett hits, will notch up column feet because it features the final official recording of Amy Winehouse, who accompanied Anthony Dominick Benedetto on “Body and Soul” at Abbey Road in March.With 17 tracks there Read more ...
ash.smyth
Over the course of the past weekend, not to mention over the last 10 years, it has been said often enough that there are no words to express the horror of 11 September, 2001. This hasn’t stopped people from trying, of course – and sometimes with commendable results. But basically there just isn’t much effective vocabulary when it comes to describing grief and torment on a grand scale: hence, perhaps, America’s seeming lack of closure regarding the whole episode, and the often slightly surreal and distant nature of 9/11 documentaries.Shorn of all the noisy “bigger picture”, though – the Read more ...
mark.hudson
Exhibitions with titles appended "in Britain" or "and Britain" tend to be the kiss of death: indicating concentration on a brief and insignificant visit, on the subject’s impact on British art or – even worse – the influence of local collectors on his or her reputation. With Mark Rothko, though, it has to be different. The New York abstractionist’s current near-sacred status is such that a show of his dog-ends and nail clippings would probably prove a major draw.Indeed, the sheer incongruity of the grouchy high priest of Colour Field Painting being in Britain at all, never mind socialising in Read more ...
Ismene Brown
Shen Wei is only 43, but he’s packed an epic amount into his career. A child sent from home aged nine to study opera; an emigrant to New York; a return to China to choreograph the Beijing Olympics. His urge to put this extraordinary tale into dance theatre is understandable. That Re-Triptych, a semi-biographical creation that’s one of the Edinburgh International Festival’s features in its Asian dance programme this year, is only intermittently intriguing to watch, and largely inchoate in choreography, seems also understandable. Some experiences are just too much to render in art.The format is Read more ...
Kieron Tyler
Brooklyn’s The Drums aren’t wasting time, but they’ve found it hard to keep up. The release of their second album, Portamento, comes just 15 months after their debut. In between the two, they toured relentlessly and lost guitarist Adam Kessler. Their drummer Connor Hanwick has stopped playing with them live. Earlier this summer, they admitted to almost splitting due to artistic differences. But whatever the turmoil, Portamento reveals that little has changed sonically in Drum land.They still sound in thrall to The Smiths, New Order and lower-tier Factory bands like Section 25 and The Wake. Read more ...
Graham Fuller
If one comes away with any certainty from the New York exhibition Frans Hals at the Metropolitan Museum (until 10 October) it is that the Golden Age Dutch master (1582/3-1666) keenly understood and sympathised with his fellow human beings. Whether Hals (beloved of Courbet, Manet, Monet, Van Gogh, Whistler and Sargent) was painting drunks and prostitutes in tavern scenes, humble fisher folk, or burghers and intellectuals and their wives, he unerringly captured the essence of his sitters. There is little sentimentalisation or disparagement in his work.Painting from nature, he told the truth as Read more ...
Markie Robson-Scott
The High Line Park on the far west side of Manhattan, built on an old elevated train track, is a unique combination of everything New Yorkers love - fabulous views, a piece of history, a traffic-free zone (no dogs, skateboards or bicycles), unusual plantings, and the chance to gawp at people and real estate. And with the recent opening of its second section, there’s even more space to see and be seen in."That’s awesome. That’s the kitchen right there," says a young man, peering enthusiastically into a new apartment building situated right beside the raised walkway.
The High Line’s Read more ...