Netflix
Adam Sweeting
Has Netflix succeeded in reshaping Mills & Boon for the YouPorn era? Though situated in a contemporary New York where empowered women run investment companies, earn doctorates in psychology from Columbia University, and deliver forceful lectures on race and gender roles, Sex/Life is the story of Billie, whose emotional stability is being blown to pieces by her inability to choose between two hunky men.Billie (Sarah Shahi) has abandoned her PhD studies, where she’s been working on a revolutionary thesis about how commitment and monogamy are the best route to a sensational sex life, to Read more ...
Adam Sweeting
Lupin isn’t really about the fictional character it’s named after (the gentleman thief Arsène Lupin, created in 1905 by French writer Maurice Leblanc), but about Assane Diop, who’s an obsessive fan of the Lupin novels. He’s also a gentleman thief and master of disguise himself, as he displays in multiple disappearing acts, sleights of hand and bewildering stunts in this French-made series.This five-episode Part 2 is really a season-ette, since it’s the second half of the first part which appeared in January. That left viewers dangling nervously, as it ended with the abduction of Assane’s son Read more ...
Tom Baily
Success for the Belgian-Dutch crime series Undercover has led Netflix to produce an origin story for the show’s drug lord character Ferry Bouman (Frank Lammers). While this may be a dream come true for a portion of the show’s diehard fans, this formulaic movie is stalling, predictable and riddled with every gangster cliché in the book.Before he made it big, Ferry Bouman was the right hand man to one of Amsterdam’s senior drug kings Ralph Brink. After their gang is brutally attacked and Ralph’s son is killed, Ferry is sent on a revenge mission. He finds himself in a mobile camping community Read more ...
Tom Baily
Watching Milestone, a new Netflix original directed by Ivan Ayr, I was reminded of the films of the great Iranian director Abbas Kiarostami. This story about an aging truck driver facing redundancy whilst grieving for his wife attempts the still mood and loneliness that Kiarostami favoured in his quiet epics. Milestone borrows a lot from existing filmmakers – no problem in itself – but does Ayr offer a unique style? Is Milestone just another Netflix original that isn’t really all that original?Suvinder Vicky plays Ghalib, the withdrawn driver (the echoes to Ramin Bahrani’s films are Read more ...
Tom Baily
Since launching his directing career in 2011 with The Showdown, Park Hoon-jung has established himself as a promising devotee of the bloody gangster genre. The pandemic may have slowed the South Korean director’s momentum, as the producers were forced to release the film belatedly on Netflix. Still, the move could provide an auspicious entry into the American market.The lonesome lead is Tae-gu (Eom Tae-goo), a lowly member of a notorious Seoul gang who is eager to up his rank. His cockiness is concerning to his sister, who worries that he may be killed. Tae-gu shrugs off the warnings. Soon Read more ...
Adam Sweeting
The 2020 Formula One season was all set to start in Australia last March when it was derailed by the Covid emergency. The F1 organisers insisted that they’d get the racing back on track somehow, and what sounded like foolhardy bravado was justified when they successfully staged a 17-race championship between July and December.It proved to be a surprisingly exciting and often emotional season, with all kinds of human and political dramas woven through the action, and Netflix’s ubiquitous Drive to Survive crew was there to catch all the nuances. F1 had an advantage over most other sports Read more ...
Adam Sweeting
Readers of John Marrs’s 2017 novel The One should probably look away now, since Netflix’s dramatisation of the story bears scant resemblance to the book. The basic premise – that a corporation has invented a method of DNA testing which can match individuals with their perfect partner who “you are genetically guaranteed to fall in love with”– remains, along with a group of characters who experience the repercussions of this techno-dating app, but their identities and storylines have all been reinvented for the TV incarnation.By and large, this is not a good thing. The One has a chilly Read more ...
Saskia Baron
Do you want to spend 105 minutes trapped in a house with two people arguing, or do you already feel that your life under lockdown is quite quarrelsome and claustrophobic enough? If your answer is the former, then Malcolm & Marie is the perfect movie for you. Everyone else might be happier escaping elsewhere (I’d recommend Call My Agent if you want to enjoy actors talking about their trade. At least you get some exterior Paris scenes and lashings of wit). But let’s get back to the matter in hand. Forced to put their TV series Euphoria on hold because of Read more ...
Laura de Lisle
Polly Walker's character in Netflix's sumptuous new Regency romance, Bridgerton, could've easily been little more than a villainous Mrs Bennet. We meet Lady Featherington as she's forcing one of her daughters into a tiny corset, muttering about how she could fit her waist "into the size of an orange and a half" when she was the same age. But Walker finds the tragedy amid the comedy, creating a character you can't help but sympathise with, as she's done before in State of Play and Line of Duty. With a second outing pretty much in the bag, Walker discusses what makes Bridgerton Read more ...
Adam Sweeting
Sad to report, this fourth series of Call My Agent! (Netflix) will be the final outing for this caustically addictive saga of actors and their agents. The show’s unique trademark has been its success in attracting an impressive roster of A-list French actors and getting them to behave in outlandish and ridiculous ways, but maybe they’re just running out of suitably recognisable names.Episode 5 of this new batch shows what could have been a possible way ahead by reaching across the Atlantic to pluck Sigourney Weaver (pictured below) out of La-La Land and plonk her in the fabulously expensive Read more ...
Markie Robson-Scott
This is not a film to watch if you’re pregnant. One of the first scenes, a 24-minute continuous take of a home birth that ends in tragedy, is extraordinarily powerful and painful to watch – almost unbearable sometimes – and Vanessa Kirby as Martha, groaning and growling her way through a very realistic labour, is brilliant and unforgettable.Director Kornél Mundruczó and his wife, writer Kata Wéber (White God, Jupiter’s Moon), wanted to share something of their own similar experience of loss and originally wrote a version for the stage – it premiered in Poland in 2018. But Wéber wanted to Read more ...
theartsdesk
Okay, so some people taught themselves the violin or wrote a novel, but under this year’s circumstances, it was inevitable that television (terrestrial, cable, online or otherwise) was going to clean up. With large chunks of the population forced to stay home, what could be more natural than to reach for the remote controller to magic up another bingeable boxset or Walter's latest noir thriller? Above all, with its seemingly infinite catalogue, this felt like the moment that Netflix became the generic term for "home entertainment", joining Amazon and Google in dividing up the planet between Read more ...