musicals
Proms 34 & 35 review: Oklahoma!, John Wilson Orchestra - music triumphs, words and drama sufferSaturday, 12 August 2017
Only one thing could equal the "wow!" factor of seeing and hearing a youngish Hugh Jackman launch into “Oh, What a Beautiful Mornin’“ at the start of the National Theatre’s 1998 staging of Oklahoma!: John Wilson and his orchestra trilling and... Read more... |
The Secret Diary of Adrian Mole Aged 13 ¾, Menier Chocolate Factory review – more than feel-good summer funFriday, 28 July 2017
Back in Margaret Thatcher’s middle England, teenagers got by somehow. Without recourse to wands or Ballardian games of extinction, we survived adolescence with the help of a story full of people we knew. People (a bit) like us. Every year I re-read... Read more... |
Committee review - we're all on trial in new Kids Company musicalTuesday, 04 July 2017
A memorable 2015 parliamentary select committee hearing asked Kids Company CEO Camila Batmanghelidjh and chair of trustees Alan Yentob whether the organisation was ever fit for purpose. Tom Deering, Hadley Fraser and Josie Rourke’s new verbatim... Read more... |
10 Questions for actress Tracy-Ann Oberman: 'it's made me pretty fearless'Monday, 03 July 2017
What do you call a woman who murdered Dirty Den, is the darling of TV comedy producers, writes radio plays about the golden age of Hollywood, hosted and judged Channel 4’s Jewish Mum of the Year, was until just a few weeks ago tap dancing through... Read more... |
The Wind in the Willows, London Palladium review - an effortful slogFriday, 30 June 2017
An enormous amount rides on a musical's opening number. Without explicitly expressing it, a good opener sets tone, mood and style. Take The Lion King, where "Circle of Life" so thrillingly unites music, design and direction that nothing that follows... Read more... |
Baby Driver review - thrill-ride runs out of roadThursday, 29 June 2017
Baby drives like a deranged bullet. Edgar Wright’s “diegetic action-musical” choreographs the bank-heist getaways of angel-faced Baby (Ansel Elgort) as physically exhilarating pure cinema, a rush that’s rare. It’s also pure, adrenalin-pumping rock’n... Read more... |
10 Questions for George Stiles and Anthony Drewe: 'we are optimistic people'Wednesday, 28 June 2017
George Stiles and Anthony Drewe – Stiles and Drewe, as the songwriting partnership is universally known – are responsible for one of theatre’s most memorable acceptance speeches. Their show Honk!, staged at the National Theatre after an initial run... Read more... |
Bat Out of Hell, Coliseum review - Jim Steinman's rockin' dystopia hits the stageWednesday, 21 June 2017
Opera-lovers coming to St Martin's Lane may feel confused to be confronted by an unrecognisable Coliseum, which now has huge girder-like structures adorning the stage and ceiling and a rather ugly skyscraper looming out of the wings, called Falco... Read more... |
h.Club 100 Awards: Hope Mill Theatre, ManchesterTuesday, 06 June 2017
The Hope Mill Theatre in Manchester is an irresistible example of the can-do spirit. Less than two years ago the ground floor of a disused mill was being advertised on Gumtree as a storage space. Two actors who had been working as waiters – William... Read more... |
Annie review - a 12-year-old star is bornTuesday, 06 June 2017
Forty years after Annie swept on to Broadway, brimming with shining-faced optimism amidst wearying times, along comes Nikolai Foster's West End revival of the show to do much the same today. A tentative-seeming Miranda Hart may be the name player,... Read more... |
On the Town review - triple threat Danny Mac and co are unmissableThursday, 01 June 2017
On 8 April 1952, screenwriters Betty Comden and Adolph Green were chatting to Charlie Chaplin at a party when he started raving about a picture he’d seen the previous night at Sam Goldwyn’s house. It was called Singin’ in the Rain – had they... Read more... |
La Strada, The Other Palace review - Fellini's tragicomedy becomes a noisy rompThursday, 01 June 2017
Hitting the essence of a Fellini masterpiece in a different medium is no easy task. Try and reproduce his elusive brand of poetic melancholy and you'll fail; best to transfer the characters to a different medium, as the musical Sweet Charity did in... Read more... |
