London
emma.simmonds
A sultry Scarlett Johansson picks up hitchhikers with a nefarious agenda; an astronaut that looks suspiciously like Sandra Bullock is cast out into space; a monstrous Michael Fassbender beats the man he keeps as his slave; Joseph Gordon-Levitt struggles to tear himself away from his porn; and vampire lovers Tilda Swinton and Tom Hiddleston are reunited. I think you'll agree that's quite a lot to take in on a Wednesday morning - and it's just for starters. These are some of the clips guests were treated to at the London Film Festival press launch, compered with genial elegance by Festival Read more ...
Lisa-Marie Ferla
I can’t have been alone in my struggle to keep the two of them straight in my head: there’s the one set in the east end of London, in which a former BBC Spook tries to track down Jack the Ripper; and then there’s the one set in the east end of London, in which a former BBC Spook tries to track down a modern-day killer inspired by Jack the Ripper. When Rupert Penry-Jones, dressed in suave black tie like the James Bond he never was, arrived at the book launch that kicked off this fourth series of Whitechapel, it took a few minutes - and a bit of stylised violence in an alley involving a kid in Read more ...
Tom Birchenough
It’s a while since BBC One served us up for Sunday night primetime something with so much black humour as there is to enjoy in What Remains. The tone of the script from Tony Basgallop (Inside Men) is as sardonic as it comes, and the cast of characters he assembles around its south London location doesn’t look like it will be presenting the human race in its most redeeming light.David Threlfall as DI Len Harper isn't a detective with many illusions left about his job, or the people it brings him into contact with – we can see it in those tired eyes and stubbled cheeks. It’s Threfall’s Read more ...
Sam Marlowe
It’s as dazzling as a neon-lit cityscape and nearly as sprawling: Lucy Kirkwood’s epic new drama is rich, riveting and theatrically audacious. A co-production with Headlong, the tirelessly inventive touring company founded by Rupert Goold, it feels like an early statement of intent for Goold’s upcoming tenure as artistic director of the Almeida, which begins this September. Fizzing with wit and intelligent ideas, it’s handled with impeccable flair by director Lyndsey Turner. The results are stunning.The play’s title is drawn from Niall Ferguson’s book The Ascent of Money, in which he Read more ...
Tom Birchenough
After the almost complete absence of the police from the first series of Top Boy, the sirens are blazing as the follow-on to Ronan Bennett’s tough drug-dealing drama kicks in. Specifically, they’re exhuming the corpse of Kamale, who fell victim to Dushane’s ascendance to the position of Top Boy in the East London estate of Summerhouse. What’s left of Kamale a year on is no pretty sight, even though the scene’s got some spectacular background illumination from the O2 stadium.The main change in the ‘hood is that Dushane (Ashley Walters) has parted company with his former best mate Sully (Kane Read more ...
Sebastian Scotney
In a couple of weeks Marin Alsop will become the first woman ever to conduct the Last Night of the Proms. Yesterday's programme of 19th century works by Brahms and Schumann, on the fifth of the eight Saturday nights of the season, thus had its Proms-specific raison d'etre, a signpost towards that history-making final Saturday. Just as the last night's high jinks have their own, ordered traditions, the Proms planners definitely enjoy giving a self-referential logic to the season.The programme, which Alsop conducted entirely from memory, was a cleverly constructed juxtaposition of works which Read more ...
Adam Sweeting
Originally there was never any plan to take Top Boy into a second series, but its arrival in autumn 2011 provoked such acclaim and enthusiasm (mixed with a bit of useful controversy) that Channel 4 could hardly help themselves from recommissioning it. It has partly been a phenomenon driven by social media, where fans have persistently discussed the show and demanded another series over the intervening two years.The upshot was that writer and Hackney resident Ronan Bennett went back to his research and his word processor, and next week we'll see what happens next to Sully (Kane Robinson) and Read more ...
Claudia Pritchard
Blame the weather: it works every time. In 1858, the long hot summer thwarted the building of an 11-mile glass-covered network of roads and railways that would have linked all existing London stations, crossed the river in three places and, it was believed by its architect Joseph Paxton, relieved the congestion that was making crossing the capital an anxious business.His track record was proven, and spectacular, as discovered in Dreaming the Impossible: Unbuilt Britain, the first of three programmes visiting castles in the air – high-minded, often high-flying, projects that never left the Read more ...
Sebastian Scotney
There had been a buzz of anticipation about this late-night Prom by Nigel Kennedy, the Palestine Strings and his Orchestra of Life, and it was completely sold out. After a long association with Vivaldi's Four Seasons, and 2.4 million sales of the 1989 album, Nigel Kennedy doesn't seek or need either forgiveness or permission to open the doors of this music to other tendencies.“Let's just do it” is the approach he defines in the programme, where he also praises the young players (their ages range from 12 to 23) of the Palestine Strings for the “rich, wholehearted and unique” spirit in which Read more ...
Thomas H. Green
In the late Eighties one of the most sonically unhinged bands of all time came together in East London. Terminal Cheesecake caused few commercial waves but gathered a devoted coterie of fans for their unholy racket at pummelling concerts. Their sound was initially crunching riff-rock smeared with head-frying psychedelia and deranged electronic effects but throughout a career of five albums – Johnny Town-Mouse (1988), VCL (1989), Angels in Pigtails (1990), Pearlesque Kings of the Jewmost (1992) and King of All the Spaceheads (1994) – they gradually drifted into monstrous exercises in marijuana Read more ...
Lisa-Marie Ferla
AlunaGeorge deserve to be lauded as one of this year’s great singles bands solely on the strength of “Attracting Flies” and “White Noise”, their collaboration with electro outfit Disclosure. The London duo - featuring the purring vocals of Aluna Francis and George Reid’s sassy production - have been gaining attention in all the right places over the past 12 months, which gives their delayed debut a lot to live up to.That the big, distorted hook and kiss-off chorus of "...Flies", so perfect in its subtlety, are the catchiest things on Body Music is a little misleading. It means that the first Read more ...
David Nice
If there’s a more thinly written, loosely structured and hammily acted play than Samuel Adamson’s panorama of Purcell’s London, then I have yet to endure it. Baffling, because this is the writer who brought us Southwark Fair, a lively depiction of the local scene which never so much as hinted as the village-institute clichés and banalities piled high here in a production by Dominic Dromgoole which does little to finesse the sorry situation.Who could have resisted top-league trumpeter Alison Balsom’s proposal to put on a show at the Globe? It must have seemed like a good idea: Purcell: The Read more ...