Latin
Daniel Hahn
Daniel Hahn began his translation of Jamás el fuego nunca, a novel by experimental Chilean artist Diamela Eltit, in January 2021. Considering the careful, difficult but not impossible “craft” of translation as he worked, Hahn kept a diary, describing the “discrete choices” made during the process of writing Never Did the Fire: an English version of Eltit’s original with Hahn’s “fingerprints” all over it.A record in real time of the translator’s pleasures and pitfalls, the diary is the first in Charco’s Untranslated Series. In the extract below, Hahn discusses how gender is encoded differently Read more ...
joe.muggs
The global popularity of Latin music in the past few years is almost incomprehensibly huge. 2017’s “Despacito” by Puerto Rican Luis Fonsi was the point where it became clear that Latin America – like South Korea – was now operating entirely on its own pop terms and making the rest of the world dance to its beat. And a look at global streaming charts will show consistently vast figures for artists like Brazil’s Anitta whose “Envolver” is currently the worldwide no.1 single with streams in the hundreds of millions. All of which has altered the shape of the Anglophone pop mainstream Read more ...
theartsdesk on Vinyl 69: Andrew Weatherall, Courtney Barnett, Wings, Los Bitchos, Popol Vuh and more
Thomas H. Green
As the year starts to rev up, theartsdesk on Vinyl returns with over 7000 words on new music on plastic, a smörgåsbord of the kind you will find nowhere else. This month we also have a competition for the dance music lovers among you, a chance to win a £50 gift card for the new app Recycle Vinyl (online stock of 10,000 records + 25,000 in their warehouse + 500 more added every week). For a chance to win, simply email the answer to the following question to recyclevinylcomp@gmail.com: who is described in the reviews below as a "Canadian violinist”? (check in on Recycle Vinyl here). That aside Read more ...
joe.muggs
Alejandra Ghersi – Arca – is one of the most influential musicians on the planet in the last decade. Even aside from working with huge names like Björk and Kanye West, her ultra-detailed, high drama, electronic abstractions have set the pace for a legion of artists from very underground to ultra-pop. And the combination of mind-bending textural shifting in her sound, outré performance and collaborations with visual artists like the master mutants Jesse Kanda has created an archetype (Arca-type?) for a generation of queer and gender non-conforming artists who find analogies for transformation Read more ...
mark.kidel
Some guitar sounds are instantly recognisable. Carlos Santana blazed a trail in the late 1960s, with incandescent licks that made him world famous. He has traded on that brand – as brand it inevitably is – for more than half a century.He is in a way a prisoner of those trademark heart-warming, dream-provoking guitar flourishes, and yet he has also experimented and collaborated as few others of his generation. But paradoxically, this restless urge to work with many different people, and explore different genres has been his undoing. This new album starts with a “Santana Celebration”, complete Read more ...
joe.muggs
Lil Nas X is good at being a pop star. Like, what could pop culture need more than a young, flamboyant, witty gay rapper from the deep south who can top the US country charts then just when it appeared he might not be able to live up to the success of “Old Town Road” lap dance Satan in the video for the Latin-tinged “Call me by Your Name” and storm to mega sales all over again? He is in many ways the culmination of the deconstruction of hip hop machismo, being from a generation that grew up on the dweebiness of Drake, the thoughtfulness of Kendrick Lamar, the camp of Nicki Minaj, the Read more ...
Thomas H. Green
The latest edition of theartsdesk on Vinyl combines the best new sounds on plastic with the vinyl reissues that are pressing buttons. Ranging from heavy rockin’ book-style boxsets to the funkiest summertime 7”s, all musical life is here. Dive in.VINYL OF THE MONTHThis Is The Deep The Best Is Yet To Come (Part 1) (B3)London indie outfit This Is The Deep make wonderfully eccentric but catchy music. The Best is Yet to Come (Part 1) is a mini-album that plays at 45 RPM, whose eight songs mingle quirky post-punk dub-funk with something altogether poppier and frothier. They are unafraid of Read more ...
Jenny Gilbert
Having won recognition for his streetdance routines on American TV’s So You Think You Can Dance, choreographer Christopher Scott was asked to help bring Lin-Manuel Miranda’s pre-Hamilton stage hit to the big screen. In The Heights was shot entirely on location on the streets of Washington Heights, a largely Dominican neighbourhood in New York. He tells theartsdesk's Jenny Gilbert how he went about creating the film's explosive dance scenes, and why he thinks the movie-musical is having a major resurgence.CHRISTOPHER SCOTT: I came to this film through commercial Read more ...
Matt Wolf
The general uptick of late in film versions of stage musical hits continues apace with In the Heights, which, to my mind anyway, is far more emotionally satisfying and visually robust onscreen than it was on Broadway, where it won the 2008 Tony for Best Musical. (An Off West End version had multiple iterations, as well.) Already mired in controversy about the alleged "colourism" of its creators and the fact that its opening weekend underperformed at the box office, Jon M Chu's adaptation of Lin-Manuel Miranda's pre-Hamilton vehicle for himself survives such discussion and transcends it, too. Read more ...
joe.muggs
Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. One thing in particular that drew me into the collective when it was founded, and has kept me going throughout, was the understanding that artistic forms would be treated with equal respect and Read more ...
Barney Harsent
Gary Barlow’s Music Played By Humans is, in all but name, a Christmas album. Mixing big-band jazz, Latin and pop, it’s an assortment box of bubbly, broad-based business bangers deployed by the Take That veteran with help from a host of showbiz pals. Michael Bublé, Barry Manilow, Chilly Gonzales, Alesha Dixon, Beverley Knight, James Corden… these are big boots to put on the ground.It’s got “Secret Santa” written all over it – and not just because it’s a precision-built, one-size-fits-all, weapons-grade gifting opportunity for work acquaintances and pissed aunties alike. No. It’s Read more ...
Lisa-Marie Ferla
The title, translated from the Portuguese, is “now” – an immediacy that, on first listen, seems apt for Bebel Gilberto’s lush and loose Agora. Originally scheduled for a May release, the Brazilian singer’s first album in six years sings with a creative freedom one imagines slowly returning to Rio as it emerges, tentatively, from coronavirus lockdown: in interviews, Gilberto has spoken of quarantining in the city through the worst of the pandemic.If the release isn’t quite what Gilberto was imagining, neither was the album itself. Much of it was recorded in 2017 and 2018 with indie producer Read more ...