Kings Place
Hewitt, Clein, Aurora Orchestra, Ward, Kings Place review – rise and shineMonday, 16 December 2019
Why does music suddenly disappear? It is all the more heartening when a work as excellent and enjoyable as Louise Farrenc’s Symphony No 3 takes wing once more, but you do have to wonder how in the world such a terrific orchestral piece was... Read more... |
Choirs of St Catharine's College, Cambridge, Wickham, Kings Place review - fresh take on 'lessons and carols'Monday, 09 December 2019
At this time of year the musical world – and particularly the choral world – is full of festive concerts, and the challenge can be to find programmes venturing off the well-worn path of traditional favourites. But at Kings Place on Saturday I found... Read more... |
Shaw, Attacca Quartet, Kings Place review - composer portrait shows strengths and limitationsThursday, 21 November 2019
There aren’t many musicians who could appear as composer, singer and violist on a single programme but that was Caroline Shaw’s lot last night. As part of Kings Place’s Venus Unwrapped season, the first half comprised entirely her music, played by... Read more... |
Poster, Cabeza, Aurora Orchestra, Collon, Kings Place review – shock of the newMonday, 04 November 2019
Mozart’s piano concertos often overflow with good humour, but you seldom expect to hear a hearty chuckle from the audience in the middle of a performance of one. Yet something close to a guffaw burst out around King’s Place when soloist Tom Poster,... Read more... |
Glennie, Lubbe, Ticciati, O/Modernt, Kings Place review - a Pergolesi-based dudSaturday, 19 October 2019
Some of the greatest pieces of the string orchestra repertoire are based on pre-existing pieces: the fantasias by Tippett and Vaughan Williams, on Corelli and Tallis respectively, treat their starting material with invention and sweep, creating... Read more... |
Elf Lyons, Komedia, Brighton review - bonkers, brilliant and a bit of bare bumFriday, 11 October 2019
Elf Lyons’ new show, Love Songs To Guinea Pigs, has moved away from her usual slapstick and absurdist mimicry into new realms of traditional stand up. She cites the reason as being unable to do mime on the radio, but there’s a more serious reason... Read more... |
Charles Owen and Katya Apekisheva on the London Piano Festival: 'It's not just playing one concert and going home'Tuesday, 01 October 2019
We’ve been friends for many years, since the mid-1990s when we were both studying at the Royal College of Music with the same inspirational piano teacher, Irina Zaritskaya. Our first duo performance was in 2001 at the Homecoming Festival in Moscow,... Read more... |
Dickson, Brautigam, Aurora Orchestra, Collon, Kings Place review - disappointing Mozart concertoMonday, 30 September 2019
Kings Place Hall One is a slightly strange venue, its small stage size seeming out of proportion for the dimensions of the room. It means only a chamber orchestra can fit on stage – and even then they often look uncomfortably squashed, especially... Read more... |
Joanna MacGregor, Kings Place review - soul and stormFriday, 01 March 2019
How often do two contemporary women composers get to take a stage bow during a solo recital of no more than modest length? Last night at Kings Place, within an eclectic bill of fare dubbed “Soul of a Woman” as part of the venue’s Venus Unwrapped... Read more... |
Montero, Scottish Ensemble, Kings Place review - new music with a political edgeSaturday, 16 February 2019
The Venezuelan pianist and composer Gabriela Montero is an outspoken advocate for political change in her country, using her musical standing as a platform from which to highlight Venezuela’s "hijacking" by "forces of criminality, barbarism and... Read more... |
Bang on a Can All-Stars, Kings Place review - a kaleidoscope of vibrant sound and visionSaturday, 19 January 2019
Julia Wolfe, Caroline Shaw, Anna Þorvaldsdóttir: three names on quite a list I reeled off earlier this week when someone asked me why the compositions of Rebecca Saunders, in the news for winning the €250,000 Ernst von Siemens Music Prize, make me... Read more... |
Māris Briežkalns Quintet, EFG London Jazz Festival 2018 review - a Rothko symphonyMonday, 26 November 2018
One part of the brain, they tell us, responds to visual art and another, quite different, to music; we can't cope adequately with both at once. Which is why I'm often wary of those musical organisations which think that what we hear needs to be... Read more... |
