Italy
Blu-ray: Investigation of a Citizen Above SuspicionTuesday, 09 February 2021
Winner of the Academy Award for Best Foreign Language Film, Investigation of a Citizen Above Suspicion (Indagine su un cittadino al di sopra di ogni sospetto) is Italian filmmaker Elio Petri’s dark 1970s satire on state corruption. The... Read more... |
Pagliacci, Opera Ensemble, Longborough review - stripped down but liveMonday, 21 December 2020
List all the problems that the pandemic places in the way of operatic performance, and you might well end up wondering why anyone would bother. Opera Ensemble, however, have bothered, in the shape of an accomplished and moving production of... Read more... |
Judith Herrin: Ravenna review - flashes of order and beauty in a chaotic worldMonday, 26 October 2020
Anyone mesmerized by the mosaics in seven of Ravenna’s eight Unesco world heritage sites may be surprised by the historical scope of Judith Herrin’s wide-roving history. From the gem-like “Mausoleum” of Galla Placidia (425-50) to the flowery meadows... Read more... |
Pinocchio review - wooden heartThursday, 13 August 2020
This seems a perfect project for Matteo Garrone, a director who has found new ways to conjure old Italian dreams, and invests even his most grimly realistic films with fairy tale logic and wonder. Carlo Collodi’s 1883 story is here returned to its... Read more... |
Blu-ray: Story of a Love AffairSunday, 26 July 2020
The tortuous drama of James M Cain’s 1940’s thriller The Postman Always Rings Twice has inspired many films: the slow-burning mix of erotic desire, temptation, murder and guilt was ideally suited to American film noir, so it’s in some ways... Read more... |
Ennio Morricone 1928-2020: A lost afternoon in his apartment in RomeTuesday, 07 July 2020
Ennio Morricone was a genius, or as close to that description as makes no odds. If we mean someone who created a unique body of work, one that changed culture, had a distincive style and was massively influential, then Morricone fitted the bill.... Read more... |
Classical music/Opera direct to home 16 - putting freelancers firstFriday, 19 June 2020
The latest wave of musicians to make their voices heard comes from the freelancers who haven't been able to claim anything so far for their loss of income and of the ability to work together. As a group of top players putting out their plea observes... Read more... |
Shutdown: The Virus That Changed Our World, Sky Documentaries review - a chaotic response and an uncertain futureWednesday, 03 June 2020
It’s too early for a definitive account of the Covid-19 pandemic, and this was very much a Sky News version of what we’ve been through so far. Although it seems the virus has peaked and we’re entering a tentative stage of partial de-lockdown, the... Read more... |
Nathalie Léger: The White Dress review – masterfully introvertedSunday, 22 March 2020
Nathalie Léger’s The White Dress brings personal and public tragedy together in a narrative as absorbingly melancholic as its subject is shocking. The story described by Léger’s narrator – a scarcely fictional version of herself – is of the... Read more... |
The Revenger's Tragedy, Piccolo Teatro di Milano/Cheek by Jowl, Barbican review - fun, but not enoughThursday, 05 March 2020
Vendetta, morte: what a lark to find those tools of 19th century Italian opera taken back to their mother tongue in a Milanese take on Jacobean so-called tragedy, where the overriding obsession is on mortalità. It would take a composer of savage wit... Read more... |
Blu-ray: 8 ½Tuesday, 18 February 2020
8 ½ is one of the classic films about the art of cinema. There is something about the make-believe of movies, and our buying into the dreams they foster, which suggests reflection and self-referencing, as if films offered a mirror to our inner lives... Read more... |
Les vêpres siciliennes, Welsh National Opera review - spectacular, silly, but some great musicSunday, 09 February 2020
It’s not hard to see why The Sicilian Vespers has struggled since its surprisingly successful opening run at the Paris Opéra in 1855. Verdi had composed it reluctantly, despised the librettist, Eugène Scribe, who he regarded as a well-named cynical... Read more... |
