Italy
Blu-ray: The Driver's SeatTuesday, 01 August 2023
Liz Taylor’s blowsy late-period persona is finessed to its finest point in this 1974 Muriel Spark adaptation, boldly plugging into the mains of her fragile talent.Lise (Taylor) travels from Hamburg to Rome after a mental breakdown, sporting black... Read more... |
theartsdesk at the Ravenna Festival - invisible cities and possible dreamsMonday, 17 July 2023
Came for the music, returned for the theatre. I oversimplify: Riccardo Muti’s Roads of Friendship events, meetings of his Luigi Cherubini Youth Orchestra with players from other places – since 1997, they have included Sarajevo, Lebanon, Kenya, Iran... Read more... |
Blu-ray: Le Mépris (Contempt)Tuesday, 27 June 2023
It’s an odalisque to arouse envy in Titian, Boucher, Ingres, or Manet.Filtered amber, white, and blue lights successively bathe Brigitte Bardot, crowned by that golden cloud, as she asks Michel Piccoli, her co-star and screen husband in Jean-Luc... Read more... |
Amanda review - too-intense Gen Z-er seeks a friend, boyfriend, anythingSaturday, 03 June 2023
Needy, truculent, and aggressive, an in-your-face stick of intensity and guilt-inducing melancholy, privileged young Amanda in Carolina Cavalli’s downbeat comedy is the girl no one wants to end up talking to in the kitchen at parties. So... Read more... |
Operation Mincemeat, Fortune Theatre review - high-octane musical comedy hits the big timeThursday, 11 May 2023
It’s back yet again, Operation Mincemeat, a gift of a story that goes on giving. It surfaced as the 1956 film The Man Who Never Was, based on a 1953 book by Ewen Montagu, one of the MI5 types who came up with the 1943 plan of that name. Its latest... Read more... |
Book Club: The Next Chapter review - lacklustre dialogue, clichéd plotThursday, 11 May 2023
I was once invited to join a book club by a bunch of friendly, clever women. But their conversation began with whether they liked the novel’s central characters enough to imagine having dinner with them and from there, descended into swapping tips... Read more... |
Villeneuve Pironi: Racing's Untold Tragedy, Sky Documentaries review - a macabre slice of motor racing mythologySaturday, 01 April 2023
Netflix’s hit show Drive to Survive has proved that F1 can grab ratings, but Villeneuve Pironi: Racing's Untold Tragedy (Sky Documentaries) is a more esoteric offering.It’s a story from the annals of early-Eighties Formula One, in which filmmakers... Read more... |
Berlusconi, Southwark Playhouse Elephant review - curious new musical satireFriday, 31 March 2023
One wonders if Ricky Simmonds and Simon Vaughan pondered long over their debut musical’s title. Silvio might invite hubristic comparisons with Evita (another unlikely political leader), but Berlusconi feels a little Hamilton – too soon?... Read more... |
Rimini review - crooner without a conscienceSaturday, 10 December 2022
The cartoonist Gerald Scarfe – or his equally mordant forebear George Cruikshank – couldn’t have drawn a seedier Eurotrash excrescence than the crooner, Richie Bravo, who dominates Ulrich’s Seidl’s Rimini.A hasbeen still purveying his Eighties-style... Read more... |
The White Lotus, Season 2, Sky Atlantic review - the sizzling hit drama moves to Italy, but with less fizzWednesday, 16 November 2022
Why did Maui work better than Taormina? Mike White’s second series of The White Lotus, which has relocated for its second season from an upscale Hawaiian resort to the fleshpots of Sicily, is still a worthwhile watch, but it’s hard not to wonder... Read more... |
Blu-ray: Identification of a WomanTuesday, 11 October 2022
Antonioni was a poet of enervated alienation, sold, like early Godard, by profoundly beautiful actors, and perfected in the sun-bleached lassitude of Monica Vitti’s search for her missing friend in L’Avventura (1960).He wandered the world after 1964... Read more... |
Silent Land review - an inconvenient death mars their holidayFriday, 23 September 2022
How people dance always gives them away. Alone on the floor of a Sardinian coastal nitespot in Silent Land, the bourgeois Polish couple Adam (Dobromir Dymecki) and Anna (Agnieska Żulewska) fling themselves around as dementedly as if red... Read more... |
