mon 18/11/2019

humour

Yesterday review - Beatlemania in a parallel universe

The price of fame and the value of artistic truth are among the topics probed in Danny Boyle’s irresistible comedy, a beguiling magical mystery tour of an upside-down world where The Beatles suddenly never existed. Richard Curtis’s screenplay...

Read more...

Late Night review - Emma Thompson star vehicle needs a serious rewrite

“Get me rewrite!”: That’s likely to be a common reaction to Late Night, the well-meaning but surprisingly slipshod star vehicle for Emma Thompson set in and among the writing world of a New York late-night chat show that is hitting the skids....

Read more...

Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music

It's the 2nd May 1997, the morning after the night that swept New Labour into power. We’re in the staffroom of a school somewhere in Britain and the teachers are jubilant. They've been glued to their TV sets for the results and have shagged and...

Read more...

My Left Right Foot: The Musical, Brighton Festival 2019 review - foul-mouthed comic brilliance

My Left Right Foot tiptoes right to the precipice of massive offense. For some, it tumbles right in. During the interval audience members can be heard tutting at the amount of times “the c-word” is casually thrown around. But it’s not just the...

Read more...

Cannes 2019: The Dead Don't Die review - festival opens with rich zombie satire

“The world is perfect. Appreciate the details” says a WU-PS driver played by RZA, in Jim Jarmusch’s gleefully meta zombie-comedy that has just opened the Cannes Film Festival. It’s good advice. Jarmusch’s latest work is a finely tuned, deadpan...

Read more...

The Hustle review - rotten scoundrels

This third version of Dirty Rotten Scoundrels’ yarn of rival, class-warring con artists on the French Riviera is just something for Anne Hathaway and Rebel Wilson to do till a better gig comes along. The concept goes no higher than teaming them up,...

Read more...

Woman at War review – timely comedy-drama about an eco-warrior with a difference

What is it about Nordic women and the environment? Hot on the heels of the London visit by Swedish teen activist Greta Thunberg – the most inspiring climate change campaigner since Al Gore – comes this timely, singular, enormously enjoyable comedy-...

Read more...

Captain Marvel review – Brie Larson is the Avenger we’ve always been waiting for

There have been two relatively recent, welcome correctives in what is grandiosely referred to as the “Marvel Cinematic Universe” – a move towards diversity (Black Panther) and a sharp injection of comedy (Guardians of the Galaxy, Thor: Ragnarok...

Read more...

Derry Girls, Series Two, Channel 4 review - welcome back, gang

When Derry Girls premiered on Channel 4 in early 2018, there was little fanfare. But it’s been a whirlwind year for the four girls from Derry (and the wee English lad), capturing British hearts before conquering the US through Netflix...

Read more...

Franz West, Tate Modern review - absurdly exhilarating

Franz West must have been a right pain in the arse. He left school at 16, went travelling, got hooked on hard drugs which he later replaced with heavy drinking, got into endless arguments and fights, was obsessed with sex and, above all, wanted to...

Read more...

Old Boys review - short but not especially sweet

How does the ever cherub-cheeked Alex Lawther keep getting served in pubs? That question crossed my mind during the more leisurely portions of Old Boys, an overextended English schoolboy revamp of Cyrano de Bergerac that flags just when it most...

Read more...

Keith? A Comedy, Arcola Theatre review - Molière mined for Brexit-era laughs

Breathe in the love and breathe out the bullshit. After the Arcola Theatre's founder and artistic director Mehmet Ergen read Keith? A Comedy, a wild spin on the quasi-ubiquitous (these days, anyway) Tartuffe by the critic and writer Patrick Marmion...

Read more...
Subscribe to humour