house music
Jonathan Geddes
There are few people, especially musicians, who would wish to revisit the spring and summer of 2020 with any fondness, but Sophie Ellis-Bextor might be an exception. Her kitchen discos, in which she and her husband Richard Jones, aided by their children, played a variety of covers became a lockdown source of solace and regular entertainment at a time when it was much needed.Two years later she has taken the concept out on the road for a celebratory party, albeit sans the kids, as she admitted with a laugh. To replace her children’s unexpected antics we instead had a large wheel, spun on a Read more ...
joe.muggs
There’s a period of British club music that deserves to be much better appreciated. Before hardcore and jungle, before the Underworlds and Leftfields and other arena acts, came a generation who were much closer to the most song-based US house music, to considerable success. Between 1988 and 1990 came dazzling records from S’Express, The Beloved, Coldcut’s earliest manifestation, and several Eighties pop acts that evolved with the times: The Style Council, The Blow Monkeys and Boy George with his Jesus Loves You project.Into this milieu came four Brummies known as the Groove Corporation, and Read more ...
Guy Oddy
It’s almost 25 years since Alabama 3 unleashed their “sweet, pretty country acid house gospel music” on an unsuspecting world with Exile on Coldharbour Lane – one of the finest records of the late 20th Century. 12 albums later and with their first since 2016’s Blues, the band are still very much rooted in a world of urban weirdos and misfits, and this is all to the good.Step 13 is a largely up tempo, toe-tapping antidote to a Covid-damaged, post-Brexit Britain that doesn’t shy away from commenting on the political landscape, but nor does it hammer Alabama 3’s views down anyone’s throat either Read more ...
joe.muggs
Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. One thing in particular that drew me into the collective when it was founded, and has kept me going throughout, was the understanding that artistic forms would be treated with equal respect and Read more ...
Thomas H. Green
Ten years ago yesterday, on Monday 14th February 2011, one of theartsdesk’s writers, Joe Muggs, reviewed an album called Paranormale Aktivitat, by an outfit called Zwischenwelt. It was the first ever Disc of the Day, a new slot inserted into theartsdesk’s front page design, where it still resides today. By the end of the year, we’d introduced the now-obligatory stars-out-of-five system, keeping in the swim with other reviewing media. Since then, Disc of the Day has covered approximately 2600 albums and, before COVID, when the tube trains were running, it gave me great pleasure to see those Read more ...
mark.kidel
Bicep's second album fufills the promise of the first, released in 2017 to wide acclaim. Andrew Ferguson and Matthew McBriar, friends since childhood from the city of Belfast, draw inspiration from Chicago house, Detroit techno, Italo disco and other now vintage dance genres. They appeal as much to a younger generation for whom their heady mix of dancefloor styles feels fresh and new, as to an older crowd for whom the duo serve up quality nostalgia.Made over two years and the result of a trawl through 150 demos, "Isles" reflects the impact of Bicep's move to London and exposure to music from Read more ...
Barney Harsent
The cast list for Song Machine…, the seventh album from virtual virtuosos Damon Albarn and Jamie Hewlett, is the size of some festival line-ups: Beck, Fatoumata Diawara, Imagination’s Leee John, Peter Hook, Robert Smith, Slaves, Slowthai, St Vincent, Joan As Police Woman, Unknown Mortal Orchestra, Skepta and long-time collaborator Tony Allen are just some of the artists featured here and, while impressive, the roll call poses a question. Namely, how do you pull all those disparate voices together and end up with something that sounds coherent, composed and, well, whole?The answer Read more ...
Thomas H. Green
When Disclosure appeared a decade ago, they were a necessary antidote to the rank gorgonzola of EDM, which was turning club music into a garish mire of musical infantilism. These two deliberately faceless Surrey brothers, Guy and Howard Lawrence, doffed their caps to the classic house sound but updated it to the 21st century, splashed it with garage and R&B, and never wandered too far from the party. Their third album, with assistance from impressively well-chosen collaborators, attempts the same but is too often trapped by its own tastefulness.The short of it is that the first half of Read more ...
Barney Harsent
After 2016’s A Shot in the Light, DJ, producer and Disco Halal labelrunner Chen Moscovici has leaned full-tilt into synth-pop and, with Time Slips Away, has created a collection that’s both carefully placed and cleverly paced. Alternating between solo tracks and collaborative songs, the album is stuffed full of vocal hooks and earworm moments that have long been hinted at in the producer’s past work but never been this fully realised.That’s not to say that fans of Moscoman’s more four-to-the-floor outings need to look elsewhere for their fix, there’s plenty here that fits the bill. Read more ...
Thomas H. Green
Way into lockdown now and, as the music world adjusts, so what artists are attempting becomes, in some cases, more sophisticated. In others, many impressively make the most of whatever tech they have to hand. Either way it’s always fascinating to check in on the best that’s out there. Below is this week’s pick. Dive in!Foals’ FBC TransmissionsLast Friday Brit Award-winning alt-rockers Foals launched Foals Broadcast Corp Transmissions, a weekly series of short films that will be appearing over 12 weeks on YouTube. Foals are currently poised to become that rare thing, a stadium-level outfit who Read more ...
joe.muggs
Drew Daniel is never short of concepts, invention or mischief. As one half of Matmos, with his life partner M.C. Schmidt, he has made some 10 official albums and many more collaborative ones – all pushing the boundaries of electronic bricolage and sound processing in the pursuit of extremely complex ideas about American history, plastic surgery, philosophy, queer identity and all that kind of stuff. Occasionally, as Soft Pink Truth, he has made more overtly dance records, but even these are heavily loaded with twisted intellect, including as they do an album of anarcho-punk covers and one of Read more ...
Owen Richards
According to Metronomy maestro Joseph Mount, his first attempt of album number six was a much snappier affair. But it wasn’t until he broke from his self-imposed immediacy that it started connecting with him. In its final form, Metronomy Forever clocks in at 17 tracks of singles, instrumentals and soundscapes, and though it skirts close to double-album indulgence, you’re never more than one song away from a winner.The title Metronomy Forever refers to the never-ending nature of radio, and this airwave-skipping mindset has given Mount a toy box of genres and forms to play with. The preceding Read more ...